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Antonio Bassi (died 1782) was an Italian painter. He was born and active in Ferrara. He painted a Repose in Egypt and a Christ and Samaritan Woman for the church of San Giovanni Battista; and painted a Virgin Mary, St. Anne, and St. Joachim for the church of San Clemente.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Sebastiano Conca was an Italian painter.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre.
Vicente Juan Masip was a Spanish painter of the Renaissance period. He is commonly considered the foremost member of the Valencian school of painters.
Guglielmo Caccia called il Moncalvo was an Italian painter of sacred subjects in a Mannerist style.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Andrea Celesti (1637–1712) was an Italian painter of the Baroque period, working in Venice. His style gravitated over the years from a turgid and academic weightiness to a lighter, looser brushstroke.
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
Santi Prunati was an Italian painter of the Baroque era, born and mainly active in Verona.
Giovanni Bernardino Azzolini was an Italian painter and sculptor who continued painting in a late-Mannerist style, mainly active in Naples and Genoa. He is also known by Azzolino or Mazzolini or Asoleni.
Luigi Garzi was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni.
Bernardino Lanini or Lanino was an Italian painter of the Renaissance period, active mainly in Milan.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Orazio Talami was an Italian painter of the Baroque period, active mainly in Bologna and Reggio Emilia.
Antonio Barbalonga or Barbalunga, also called Antonio Alberti, was an Italian painter of the Baroque period.
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