Antonio Martinelli | |
---|---|
Born | 30 September 1953 70) Venice, Italy | (age
Nationality | Italian and French |
Alma mater | Università Iuav di Venezia |
Occupation(s) | Photographer, Photojournalist |
Website | antoniomartinelli.net |
Antonio Martinelli is a French-Italian photographer born on 30 September 1953 in Venice, Italy. He currently lives in Paris.
Venetian photographer and architect by training, Antonio Martinelli graduated from Università Iuav di Venezia (Istituto Universitario di Architettura Venezia). Established in Paris since the late 1980s, he has earned an international reputation for his long and extensive photographic experience in the fields of architecture and heritage.
From an early age he frequented the Venice Circolo Fotografico La Gondola. [1] During his Venetian years, he became friend with Hugo Pratt for whom he made the introductory photographs of the book: Corto Maltese - Fable de Venise. [2]
In 1979, Domus magazine commissioned the photographer to report on the construction and installation of the Teatro del Mondo in Venice, a work by architect Aldo Rossi sponsored by the Venice Biennale. [3] Antonio Martinelli followed the evolution of the work, from the laying of the structure's first pole on the barge to the introduction into the waters of the Teatro, through to the maiden voyage in the mist of the Venetian lagoon towards the Punta della Dogana, at the entrance of the Grand Canal. After that, he accompanied the Teatro on his journey to the Adriatic Sea until Dubrovnik.
The collaboration with Domus and the Biennale opened for Martinelli the doors of the Venice Arsenal, for a work documenting the first exhibition of the Venice Biennale of Architecture: La Strada Novissima, [4] installed in 1980 in the long Corderie building. The first photographer to have documented the Arsenal interiors, he continued this exploration for the book of Giorgio Bellavitis L’Arsenale di Venezia Storia di una grande struttura urbana (Marsilio Edition, 1983). [5]
His friendship with Aldo Rossi and other renowned architects and historians, among which Francesco Dal Co, [6] Manfredo Tafuri, Mario Botta, Jean-Louis Cohen, [7] [8] [9] Claude Vasconi, [10] [11] Henri Gaudin, [12] Massimiliano Fuksas and Peter Zumthor, [13] led to other collaborations and projects on Venice, Italy, France and Japan.
In 1972, Martinelli set out to discover the Indian subcontinent. This trip marked the beginning of a long and passionate frequentation of India that resulted in multiple photographic projects for many publications and exhibitions throughout Europe, in New York and in India. [14] [15] [16]
The photographer's interest for architecture and landscapes also led him to work for the Italian Touring Club [17] [18] and the publisher Franco Maria Ricci (FMR and AD Architectural Digest). From 1980, he began his collaboration with Japanese architecture magazine A + U Architecture & Urbanism, for which he carried out numerous reports and monographs on global architecture. [19] [20] [21] [22]
Photographs attributed to Martinelli are held in the Conway Library at The Courtauld Institute of Art in London, whose archive, of primarily architectural images, is in the process of being digitised under the wider Courtauld Connects project. [23]
Between 1995 and 2005, Antonio Martinelli worked on the Daniell/Martinelli project under the patronage of UNESCO. The project and its related exhibitions led to books published internationally under the names: Oriental Scenery: Yesterday & Today; Travels to India, Yesterday and Today; and Passaggi in India: Ieri e Oggi.
After reading Mildred Archer's Early Views India, [24] Antonio Martinelli discovers the artistic work and adventures of English artists Thomas and William Daniell (respectively uncle and nephew), [25] who began at the end of the 19th century a trip through the Indian subcontinent. During their travels they produced many drawings and watercolours (of cities, palaces, fortresses, temples and Indian natural wonders), helped by a camera camera obscura. Upon their return to England they created, from their drawings, a long series of aquatints. These were published in six volumes (for a total of 144 aquatints) under the title Oriental Scenery. [26]
From the end of 1995 and after extensive research work, Antonio Martinelli undertook to follow the same route as the Daniell through four trips to India. Thanks to the Daniell diaries, he identified with certainty the places visited by the two artists two hundred years before. He then positioned his camera in the same place where the artists had installed their own camera obscura, so as to obtain the same point of view and be able to show next to each other the old views and contemporary photos. The extraordinary results led to the publication of books in France, UK and India, [27] [28] and to several exhibitions: Victoria Memorial Hall in Calcutta in 2000, [29] Paris in 2005, [30] and Rome [31] [32] and New Delhi in 2011. [33] [34]
Between 2010 and 2011, in the wake of his previous work based on the Daniell engravings, he suggested to the Paris Guimet Museum a similar project for an exhibition called "Lucknow at the Mirror of Time" [35] about the mythical city of Lucknow, in the North of India. This time though, the project was based on a comparison between the nineteenth century photos and the corresponding photos of today. [36]
In 2015, the Metropolitan Museum of Art in New York commissioned Martinelli to photograph the art and architecture of the Deccan region for the exhibition The Deccan Through a Photographer's Lens, Return to Sultans of Deccan India, 1500-1700: Opulence and Fantasy and its catalogue. [37] [38]
Antonio Martinelli's published books include:
The photographer has been a contributor for the weekly magazines Point de Vue and Images du Monde for several years.
Aldo Rossi was an Italian architect and designer who achieved international recognition in four distinct areas: architectural theory, drawing and design and also product design. He was one of the leading proponents of the postmodern movement.
The Deccan Sultanates were five late-medieval Indian kingdoms—on the Deccan Plateau between the Krishna River and the Vindhya Range—that were ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The sultanates had become independent during the break-up of the Bahmani Sultanate. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, followed by Bijapur and Berar in the same year. Golconda became independent in 1518, and Bidar in 1528.
Badami, formerly known as Vātāpi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757. It is famous for its rock cut monuments such as the Badami cave temples, as well as the structural temples such as the Bhutanatha temples, Badami Shivalaya and Jambulingesvara Temple. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake.
William Daniell (1769–1837) was an English landscape and marine painter, and printmaker, notable for his work in aquatint. He travelled extensively in India in the company of his uncle Thomas Daniell, with whom he collaborated on one of the finest illustrated works of the period – Oriental Scenery. He later travelled around the coastline of Britain to paint watercolours for the equally ambitious book A Voyage Round Great Britain. His work was exhibited at the Royal Academy and the British Institution and he became a Royal Academician in 1822.
Shikhara, a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.
Taragarh Fort is a fortress built upon a steep hillside in the city of Ajmer in the Indian state of Rajasthan. It was constructed in the 8th century by Ajayaraja Chauhan (721–734) and it was originally called Ajaymeru Durg.
Iuav University of Venice is a university in Venice, Italy. It was founded in 1926 as the Istituto Universitario di Architettura di Venezia as one of the first Architecture schools in Italy. The university currently offers several undergraduate, graduate and higher education courses in Architecture, Urban Planning, Fashion, Arts, and Design.
Gaetana "Gae" Aulenti was an Italian architect and designer who was active in furniture design, graphic design, stage design, lighting design, exhibition and interior design. She was known for her contributions to the design of important museums such as the Musée d'Orsay in Paris, the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice, and the Asian Art Museum of San Francisco. Aulenti was one of only a few women architects and designers who gained notoriety in their own right during the post-war period in Italy, where Italian designers sought to make meaningful connections to production principles, and influenced culture far beyond Italy. This avant-garde design movement blossomed into an entirely new type of architecture and design, one full of imaginary utopias leaving standardization to the past.
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times.
Luigi Ghirri was an Italian artist and photographer whose work was about the relationship between fiction and reality. Ghirri has been the subject of numerous books. His works are held by various museums around the world and have been exhibited in the 2011 Venice Biennale and at MAXXI in Rome.
Albert Russo is a Belgian bilingual author of novels, short stories, essays and poems, as well as a photographer. His main themes are fighting racism of all stripes, and defending individual and collective rights, including ethnic, religious and gender rights.
Francesco Pio Dotti is an Italian architect, painter, designer and writer in the school of Aldo Rossi
Gianni Berengo Gardin is an Italian photographer who has concentrated on reportage and editorial work, but whose career as a photographer has encompassed book illustration and advertising.
Paul Elek is a British publisher, the founder of Paul Elek Publishers, whose publication of Richard Pape's first book, Boldness Be My Friend saved him from bankruptcy.
Prajna Chowta is an Indian conservationist, wildlife researcher, writer and filmmaker specialised in the Asian elephant. She is the co-founder and managing trustee of the Aane Mane Foundation, founded in Bangalore, India, in 2000.
Michèle Pirazzoli-t'Serstevens (1934–2018) was a French archaeologist and art historian, specializing in the material culture of early China.
Thierry Zéphir is a French research engineer at the Guimet Museum, and a specialist in Khmer art and the Indianized world.
Catherine Jarrige, nee Catherine Klein, is a retired French archaeologist, best known for co-leading the discovery of Mehrgarh, a Neolithic site in Balochistan, Pakistan.
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