Antonio Simeone Sografi, also known as Antonio Simon, or just Antonio (July 29, 1759 - January 4, 1818), was an Italian librettist and playwright.
After studying and graduating in his home town of Padua, he went to Venice, where he devoted himself to writing comedies and farces, as well as both humorous and serious text for major opera composers of the time. He was an active libretto from 1789 to 1816. It also produced texts for cantatas, oratorios, dramas and sacred compositions. Unlike most of his contemporaries, Sografi called his funny booklets "comedies", rather playful dramas; this because he followed the style of the character comedies of Goldoni and refused the too obvious comedy of art comedies.
He was the brother of the surgeon Pietro Sografi. [1] He died in Padua.
Pietro Alessandro Guglielmi was an Italian opera composer of the classical period.
Luigi Marchesi was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century. His singing was praised by the likes of Mozart and Napoleon.
Giuseppe Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.
Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
Giuseppe Nicolini was an Italian composer who wrote at least 45 operas. From 1819 onwards, he devoted himself primarily to religious music. He was born and died at Piacenza. The music conservatory of Piacenza is named after him.
Giovanni Bertati was an Italian librettist.
Gioseppa Maria Camilla, commonly known as GiuseppinaGrassini was a noted Italian dramatic contralto, and a singing teacher. She was also known for her affairs with Napoleon and the Duke of Wellington. She sang in various productions by composers such as Cimarosa, Cherubini and Zingarelli.
Gennaro Astarita was an Italian composer, mainly of operas. The place of his birth is unknown, although he was active in Naples for many years. He began his operatic career in 1765, collaborating with Niccolò Piccinni in the writing of the opera L'orfana insidiata. He became the maestro di cappella in Naples in 1770.
Marcello Bernardini was an Italian composer and librettist. Little is known of him, save that he wrote 37 operas in his career. His father was most likely the composer Rinaldo di Capua.
Giovanni Battista Lorenzi was an Italian librettist. He was born in Puglia and died in Naples and was a friend of Giovanni Paisiello, with whom he collaborated on numerous operas.
Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto was an Italian composer, known primarily for his fifty-four operas. He was born in Altamura, and studied in Naples; among his teachers were Nicola Fago, Girolamo Abos, and Pasquale Cafaro. Amongst his pupils were the young Vincenzo Bellini around 1821, plus Ferdinando Orlandi. He died in Naples.
Antonio Palomba (20 December 1705 – 1769) was an Italian opera librettist, poet, harpsichordist, and music educator. He also worked as a notary. Born in Naples, he became a teacher of the harpsichord at the Teatro della Pace in 1749. Most of his more than 50 opera libretti were comedic works written for composers of the Neapolitan school. He also wrote some works for performance in Florence, Bologna and abroad. He died in Naples in 1769; one of the victims of a fever epidemic in the city. Many of his libretti were set more than once to music, and composers continued to use his libretti up into the 1830s.
Giuseppe Siboni was an Italian operatic tenor, opera director, choir conductor, and voice teacher. He began his career in his native country in 1797 and actively performed in major Italian opera houses up through 1818. From 1806 to 1809, he performed successfully in London, and from 1810 to 1814, he was active in Vienna, where he enjoyed the friendship of Ludwig van Beethoven. He played a critical role in Danish musical life from 1819 until his death in 1839. In 1819, he joined the Royal Danish Theatre in Copenhagen, where he worked first as a singer and later as director of the opera chorus and head director. In 1827 he founded the Royal Conservatory of Music in Copenhagen. He was married three times during his life, including his second marriage to the sister of poet Franz von Schober. His third marriage produced a son, the composer and pianist Erik Siboni (1828–1892).
La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins". Francesco Provenzale is generally considered the school's founder. Others significant composers of this school are Giambattista Pergolesi, Domenico Cimarosa and Giovanni Paisiello.
It is with the Neapolitan school...that the History of Modern Music commences—insofar as that music speaks the language of the feelings, emotions, and passions.
Pope Pius IX created 123 cardinals in 23 consistories.
Telemaco nell'isola di Calipso is dramma per musica opera by Mayr to a libretto by Antonio Simone Sograffi, composed for the Venice Carnival, 1797. The cast featured the castrato Girolamo Crescentini.