Antonio de Lanchares (1586 [1] /1590 [2] -1630 [3] /1640 [4] ) was a Spanish painter, active during the Baroque period, mainly in Madrid and surrounding towns.
He came from a family of painters and jewellers, and was a pupil of Eugenio Cajés. He painted a Jesus in Glory for the Jesuit church. Among his few surviving works is an Ascension of Christ. With Luis Fernandez in 1625, he painted a life of St Peter Nolasco for the convent of the Carmelitas de la Mercedes. In 1627, he was nominated to the post of painter to the king by Vincente Carducho, Eugenio Cajes, and Diego Velázquez, but did not fill the post.
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Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Antonio Calza (1658–1725) was an Italian painter of the Baroque period.
Lazzaro Calvi (1512–1587) was an Italian painter of the late-Renaissance period. He was born in Genoa and trained with his father Agostino Calvi and Perin del Vaga. Older sources claim he lived till the improbable age of 105 years
Bartolomeo Nazari was an Italian painter of the late-Baroque, mainly active in Venice as a portraitist.
Pietro Capelli or Pietro Cappelli was an Italian painter of the Rococo, active in his native city of Naples. He trained under Francesco Solimena. He was active in quadratura, but also painted capricci and canvases with landscapes.
Eugenio Caxés was a Spanish painter of the Baroque period.
Aghinetti, also called Guccio del Sero or Marco di Guccio, was an Italian painter, active in Florence in 1331. He had a nephew, called Maestro Guccio, who died in 1409. He painted in the church of Santa Reparata of Florence in a style that recalls Giotto.
Francesco da Cotignola, also called Zaganelli, was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna.
Jacopo Zoboli was an Italian painter of the late-Baroque period.
Francesco Alberi was an Italian Neoclassical style painter, active in Bologna, Padua, Rimini and Rome.
Mauro Aldrovandini (1649–1680) was an Italian painter of the Baroque period. While he was most active in Bologna, and some claim he was native to the city, others claim he was born in Rovigo. He mainly painted perspective views and architectural subjects (quadratura) in private houses and for theaters.
Alessio de Marchis or il Marchis was an Italian painter of the early 18th century, active mainly in Rome and Urbino, mainly as a landscape painter.
Bartolommeo Salvestrini was an Italian painter of the Baroque period, active mostly in Florence. He was a pupil of Matteo Rosselli and Giovanni Bilivert in Florence. He painted a Martyrdom of St Ursula for church of Santa Orsula in Florence, as well a paintings for the church of Santa Teresa. He died of the plague in 1630. A drawing at Art Institute of Chicago is attributed to the painter
Gerolamo Mengozzi Colonna was an Italian painter, mostly of frescoed quadratura.
Prospero Spani was an Italian sculptor of the Renaissance, active mainly in the Province of Reggio Emilia. He is variously known as Prospero Clementi or Prospero Clemente or il Clemente. Vasari claimed he was Modenese.
Agostino Collaceroni was an Italian painter, mainly active in his native Bologna as a painter of quadratura. He trained under Andrea Pozzo. For the church of Sant'Angelo Magno of Ascoli Piceno, he painted quadratura for which Tommaso Nardini painted the figures.
Bernardino Lanzani was an Italian painter of the Renaissance, active mainly in Pavia and Bobbio.
Giacomo Coltrini was an Italian painter, active mainly in a Renaissance style in Brescia, and a military engineer for Venetian Republic. He painted frescoes for the subterranean church of San Faustino Maggiore in Brescia. He died as a military engineer in Candia. Titian's paternal uncle, Gregorio Vecelli, lived in Coltrini's house in Venice.
Francesco Comande was an Italian painter of a Renaissance style, born and active in Messina, Sicily.
Francesco Lorenzi was an Italian painter of the late Baroque period.
