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Apollo and Marsyas is an oil-on-canvas painting by the Italian artist Luca Giordano, created circa 1665. It is held at the collection of the Pushkin Museum, in Moscow. A variant of the work is in the Bardini Museum, in Florence.
Its early history is unknown. It was already in Nikolay Yusupov's collection by the start of the 19th century with its correct attribution, but was misattributed to Pierre Subleyras in an 1831 inventory of the Yusupov collection. In 1837 it was moved from Yusupov's Moscow palace to the Tiepolo gallery of the Arkhangelskoye Palace, before being sent to the Moika Palace in Saint Petersburg. [1]
After the Russian Revolution all the Yusupov princes' goods were seized by the state and a museum was set up in the palace. In the 1924 inventory it was misattributed again, this time to José de Ribera, but later that year the Yusupov Museum was closed and it was transferred to its present home, where it resumed its correct attribution. [1]
The Pushkin State Museum of Fine Arts is the largest museum of European art in Moscow. located in Volkhonka street, just opposite the Cathedral of Christ the Saviour. The International musical festival Sviatoslav Richter's December nights has been held in the Pushkin Museum since 1981.
Prince Felix Felixovich Yusupov, Count Sumarokov-Elston was a Russian aristocrat from the Yusupov family who is best known for participating in the assassination of Grigori Rasputin and for marrying Princess Irina Alexandrovna, a niece of Tsar Nicholas II.
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples, Rome, Florence, and Venice, before spending a decade in Spain.
Sergiyev Posad is a city that is the administrative center of Sergiyevo-Posadsky District in Moscow Oblast, Russia. Population: 111,179 (2010 Census); 113,581 (2002 Census); 114,696 (1989 Census).
The House of Yusupov is a Russian princely family descended from the monarchs of the Nogai Horde, renowned for their immense wealth, philanthropy and art collections in the 18th and 19th centuries. Most notably, Prince Felix Yusupov was famous for his involvement in the murder of Grigori Rasputin.
Ippolit Antonovich Monighetti was a Russian architect of Swiss descent. He worked for the Romanov family and was a member and professor by rank of the Imperial Academy of Arts.
Arkhangelskoye is a historical estate in Krasnogorsky District, Moscow Oblast, Russia, located around 20 km to the west of Moscow and 2 km southwest of Krasnogorsk.
Princess Zinaida Nikolayevna Yusupova was an Imperial Russian noblewoman, the only heiress of Russia's largest private fortune of her time. Famed for her beauty and the lavishness of her hospitality, she was a leading figure in pre-Revolutionary Russian society. In 1882, she married Count Felix Felixovich Sumarokov-Elston, who served briefly as General Governor of Moscow Military District (1914–1915). Zinaida is best known as the mother of Prince Felix Yusupov, the murderer of Rasputin. She escaped revolutionary Russia and spent her remaining years living in exile.
The Palace of the Yusupovs on the Moika, known as the Moika Palace or Yusupov Palace, is a former residence of the Russian noble House of Yusupov in St. Petersburg, Russia, now a museum. The building was the site of Grigori Rasputin's murder in the early morning of December 17, 1916. Sometimes called the Moika Palace to tell it apart from other palaces of the same family in Saint Petersburg, though it is not the only palace on this river in the city.
Prince Nikolai Borisovich Yusupov was a Russian nobleman and art collector of the House of Yusupov.
Vladislav Leopoldovich Anisovich was a Russian and Soviet painter and art educator, who lived and worked in Leningrad, a member of the Leningrad Union of Soviet Artists, professor of the Repin Institute of Arts, regarded as one of representatives of the Leningrad School of Painting. Mostly known for his portrait paintings.
Dmitry Vasilievich Belyaev was a Russian and Soviet painter, who lived and worked in Saint Petersburg, an Honored Artist of the Russian Federation, a member of the Leningrad Union of Soviet Artists, regarded as one of representatives of the Leningrad School of Painting.
Aurora and Cephalus is an 1811 painting by Pierre-Narcisse Guérin, now in the Pushkin Museum in Moscow. Measuring 251 × 178 cm, it illustrates lines 661-866 of Book 7 of Ovid's Metamorphoses and is a version the artist's 1810 work of the same subject. An oil sketch for the 1811 work has been in the Hermitage Museum since 1978.
Hercules and Omphale is an oil-on-canvas painting by François Boucher, painted in 1732–1734 and now in the Pushkin Museum in Moscow. It was in the Yusupov collection in Saint Petersburg until 1930. It dates to the period just after Boucher completed his studies with François Lemoyne.
Adoration of the Magi is an oil on panel painting by Parmigianino, executed c. 1529, now in San Domenico church in Taggia.
Expulsion from Paradise or the Expulsion of Adam and Eve is an oil on panel painting by Pontormo, now in the Uffizi in Florence, whose Gabinetto Disegni e Stampe also has a preparatory drawing for it. Its dating is also uncertain and varies between c.1519 and c.1543, but is held to be c.1535 by the Uffizi.
Self-Portrait on an Easel is a 1603-1604 oil on panel painting by Annibale Carracci, now displayed in Room 231 of the New Hermitage Building of the Hermitage Museum in Saint Petersburg. The portrait from the work was repeated for an autograph self-portrait now in the Uffizi, whilst a 1595 version of the Hermitage work is also in the Uffizi.
Aeneas Fleeing Troy or The Flight From Troy is an oil-on-canvas painting executed c. 1640–1645 by the Italian Baroque artist Mattia Preti, now in the Galleria nazionale di arte antica in Palazzo Barberini in Rome. It shows Aeneas carrying his father Anchises and being led by his young son Ascanius as told in Book 2 of the Aeneid. It first appears in the written record in an 1824 inventory of Giovanni Torlonia's collections, which misattributed it to Simon Vouet, with later inventories misattributing it to Alessandro Turchi and the correct attribution only restored in 1916 by Roberto Longhi.
The Rape of Europa is an oil on canvas painting by Claude Lorrain, from 1655. With its pendant The Battle of the Milvian Bridge, it is now in the Pushkin Museum, in Moscow.