The Rape of the Sabine Women may refer to at least eight paintings attributed to Luca Giordano or his workshop, all of which depict the legendary rape of the Sabine women. [1] [lower-alpha 1]
The Rape of the Sabine Women may refer to at least eight paintings attributed to Luca Giordano or his workshop, all of which depict the legendary rape of the Sabine women. [1] [lower-alpha 1]
Antonio Allegri da Correggio, usually known as just Correggio was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina, was an Italian painter from Messina, active during the Italian Early Renaissance.
The Rape of the Sabine Women, also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in the legendary history of Rome in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of painters and sculptors, particularly since the Renaissance.
Luca Cambiaso was an Italian painter and draughtsman and the leading artist in Genoa in the 16th century. He is considered the founder of the Genoese school who established the local tradition of historical fresco painting through his many decorations of Genoese churches and palaces. He produced a number of poetic night scenes. He was a prolific draughtsman who sometimes reduced figures to geometric forms. He was familiarly known as Lucchetto da Genova.
Mattia Preti was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.
The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades. In this context, the word Rape refers to the traditional translation of the Latin raptus which refers to bride kidnapping rather than the potential ensuing sexual violence.
The Rape of Proserpina, more accurately translated as the Abduction of Proserpina, is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.
Raptio is a Latin term for, among several other meanings for senses of "taking", the large-scale abduction of women: kidnapping for marriage, concubinage or sexual slavery. The equivalent German term is Frauenraub.
Il ratto delle sabine is an Italian adventure comedy film from 1961, directed by Richard Pottier, written by Edoardo Anton, starring Mylène Demongeot, Roger Moore and Jean Marais. The scenario was based on a novel of André Castelot. The film was also known under the title "L'Enlèvement des Sabines" (France), "Il ratto delle sabine" (Italy), "Les femmes de Sabine", "Der Raub der Sabinerinnen ", "El rapto de las sabinas" (Spain), "Romulus and the Sabines" (USA), "O Rapto das Sabinas" (Portugal).
Romulus' Victory Over Acron is a painting completed in 1812 by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Ingres' source for this subject comes from Plutarch's Life of Romulus. The painting depicts the war that resulted from the Roman abduction of the young Sabine women in an effort to remedy the shortage of women in the newly founded city of Rome. In retaliation Acron, the king of the neighbouring tribe, the Caeninenses, declared war upon the Romans. He and his tribesmen were mercilessly defeated and their city sacked by the Romans.
The Rape of Ganymede is an oil painting of 1635 by the Dutch Golden Age painter Rembrandt, depicting the myth of Ganymede. It is in the collection of the Gemäldegalerie Alte Meister in Dresden.
Romulus and the Sabines is a 1945 Italian comedy film directed by Mario Bonnard and starring Totò, Carlo Campanini, and Clelia Matania. It was one of several of Totò's postwar comedies to use elements of neorealism.
The palazzo Pantaleo Spinola or palazzo Gambaro is a building located in via Garibaldi (Genoa) at number 2 in the historical centre of Genoa, included on 13 July 2006 in the list of the 42 palaces inscribed in the Rolli di Genova that became World Heritage by UNESCO on that date. The building is now the headquarters of the Banco di Chiavari e della Riviera Ligure.
The Rape of Lucretia is any of several paintings, variations of the same subject, which are usually attributed to either Felice Ficherelli or Guido Cagnacci and dated to the late 1630s or about 1640.
Lucretia and Tarquin is a 1663 oil painting by Luca Giordano of the legendary rape of Lucretia by Sextus Tarquin, as told by Livy and Ovid, which is now in the Museo di Capodimonte in Naples.
Rape of the Sabines may refer to either of two oil paintings by the Italian Baroque artist Pietro da Cortona, created c. 1629-1630. One is in the Capitol Museum, Rome. The other is listed in 19th century catalogues of the art collection at Blenheim Palace, Oxfordshire. Both pictures depict the legendary rape of the Sabine women.
The legendary rape of the Sabine women is the subject of two oil paintings by Nicolas Poussin. The first version was painted in Rome about 1634 or 1635 and is now in the Metropolitan Museum of Art in New York City, catalogued as The Abduction of the Sabine Women. The second, painted in 1637 or 1638, is in the Louvre in Paris, catalogued as L'enlèvement des Sabines.
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