Apollonia van Veen (died 1635) was a Dutch pastellist.
Possibly born in the Hague, van Veen was the daughter of painter Pieter van Veen. [1] Her brothers Symon and Jacobus were pastellists as well; all three were known to be portraitists. [2] She died in Goes. [3]
Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
Pieter Cramer, was a wealthy Dutch merchant in linen and Spanish wool, remembered as an entomologist. Cramer was the director of the Zealand Society, a scientific society located in Flushing, and a member of Concordia et Libertate, based in Amsterdam. This literary and patriotic society, where Cramer gave lectures on minerals, commissioned and/or financed the publishing of his book De uitlandsche Kapellen, on foreign (exotic) butterflies, occurring in three parts of the world Asia, Africa and America.
Jan Lievens was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens' career took him away from Amsterdam to London, Antwerp, The Hague and Berlin.
Pieter van Anraedt was a Dutch Golden Age painter of history scenes and portraits.
Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for running a large studio in Antwerp, producing several emblem books, and for being, from 1594 or 1595 until 1598, Peter Paul Rubens' teacher. His role as a classically educated humanist artist, reflected in the Latin name by which he is often known, Octavius Vaenius, was influential on the young Rubens, who would take on that role himself.
Pieter Cornelisz van Slingelandt was a Dutch Golden Age portrait painter who had been a pupil of Gerard Dou and is known as one of Leiden's fijnschilders.
Pieter Pietersz the Elder, also Pieter Pietersz. (I), (1540–1603) was a Dutch Renaissance painter.
Maria ter Meetelen, was a Dutch writer, famous for writing an autobiographic slave narrative of her years as a slave in Morocco, having been taken captive by Corsair pirates. Her biography is considered to be a valuable witness statement of the life of a former slave (1748).
Jan van Os was a Dutch painter and a member of the renowned Van Os family of artists.
Pieter Holsteyn, was a Dutch Golden Age watercolor painter and engraver.
Nicolaes Willingh, was a Dutch Golden Age painter.
Balthasar (Baltazar) van der Veen was a Dutch Golden Age landscape painter. He was a son of Balthasar van der Veen, a merchant from Antwerp This merchant was the brother of Walewijn van der Veen the Notary Public in New Amsterdam and Jan van der Veen, the popular poet from the 1600s. Balthasar, the painter, is mentioned in Jan van der Veen's poem as his nephew. The poem was written for his wedding with Grietje Schaaps, page 319
Susanna de La Croix (1755–1789) was a Dutch painter.
Bartha Hermina Tollius was an amateur Dutch pastellist.
Adri Bleuland van Oordt was a Dutch artist and draftswoman who was active from around 1877 until her death in 1944.
Pieter de Putter was a Dutch still life painter who was active in The Hague. He mainly painted fish still lifes, game pieces and still lifes with figures, Pieter de Putter was among the first generation of artists who specialized in independent fish still life paintings.
Houkje Gerrits Bouma, with surnames van der Veen, van der Schans and Vriezema from her marriages, was a Dutch female kortebaan speed skater who later lived in Veenwouden. She competed at the first known women's speed skating race in 1805 at the age of 16 and won the women's speed skating competition in 1809.
The Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst (V.A.N.K.) was founded in 1904. It was founded by Jacob Pieter van den Bosch, Herman Hana, Klaas van Leeuwen, Theo Molkenboer, and Willem Penaat. At the turn of the century the idea of artist-craftsmen was emerging. The existing Dutch societies and clubs for painters and architects did not adequately represent these artisans and they formed V.A.N.K., the first society for designers in the Netherlands.
Catherina Elisabeth Schouten (1887–1967) was a Dutch painter.
Elisabeth Bol-Smit (1904-1987) was a Dutch painter.