An amphora is a type of container with a pointed bottom and characteristic shape and size which fit tightly against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting.
The Trojan Horse was the wooden horse used by the Greeks, during the Trojan War, to enter the city of Troy and win the war. There is no Trojan Horse in Homer's Iliad, with the poem ending before the war is concluded. But in the Aeneid by Virgil, after a fruitless 10-year siege, the Greeks at the behest of Odysseus constructed a huge wooden horse and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under cover of night. The Greeks entered and destroyed the city of Troy, ending the war.
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were various specific regional varieties, such as the South Italian ancient Greek pottery.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
An oenochoe, also spelled oinochoe, is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos or amphora, and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term oinos appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term oinochoe implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the closest in function.
A loutrophoros is a distinctive type of Greek pottery vessel characterized by an elongated neck with two handles. The loutrophoros was used to carry water for a bride's pre-nuptial ritual bath, and in funeral rituals, and was placed in the tombs of the unmarried. The loutrophoros itself is a motif for Greek tombstones, either as a relief or as a stone vessel. There are many in the funeral area at the Kerameikon in Athens, some of which are now preserved in the National Archaeological Museum of Athens.
The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of artifacts from Greek antiquity worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550-510 BC. He signed as the potter on over 120 black-figure vases, but only 9 red-figure. Most of his vases were painted by someone else, called Painter N. Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery.
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to circa 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name Menon Painter by John Beazley. Only later was it realised that the artist was identical with the painters signing as Psiax.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from c. 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period, in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic era. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
The Mykonos vase, a pithos, is one of the earliest dated objects to depict the Trojan Horse from Homer's telling of the Trojan war in the Iliad. It was found in 1961 on Mykonos, the Greek island for which it is named, by a local inhabitant.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The Archaeological Museum of Aegina is a museum in Aegina, Greece, founded on 21st October 1828 by Ioannis Kapodistrias, the first governor of independent Greece.
The Archaeological Museum of Delos is a museum on the island of Delos, near Mykonos in the South Aegean, Greece. It is noted for its extensive collection of statues unearthed in the surrounding area of the ancient site, which has been declared a UNESCO World Heritage Site. Although the museum has a considerable collection, it does not contain all of the items found in Delos: a large quantity are on display in Athens at the National Archaeological Museum.
The Archaeological Museum of Eretria is a museum in Eretria, in the Euboea regional unit of Central Greece.
The pottery of ancient Cyprus starts during the Neolithic period. Throughout the ages, Cypriot ceramics demonstrate many connections with cultures from around the Mediterranean. During the Early and Middle Bronze Ages, it is especially imaginative in shape and decoration. There are also many early terracotta figurines that were produced depicting female figures.
The Archaeological Museum of Milos is a museum, in Plaka, Milos on Milos, in Greece. Its collections include exhibits dating from the late Neolithic to the Byzantine period. The unique is collection of ancient Cycladic art, especially numerous findings from Phylakopi on Milos, from early Bronze Age to the late Bronze Age. The best pieces from Phylakopi are in the Ashmolean Museum (Oxford), in the British Museum and in the National Museum of Athens and elsewhere around the world.
The Mycenaean palace amphora with octopus in the National Archaeological Museum of Athens (NAMA) with inventory number Π 6725 is dated to the 15th century BC. It was found in the second grave of the Mycenaean cemetery at Prosymna, near Argos.
The Euphiletos Painter Panathenaic Amphora is a black-figure terracotta amphora from the Archaic Period depicting a running race, now in the Metropolitan Museum of Art in New York. It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC.
Building of the Museum
Early Cycladic pottery, 2800-2300 BC
Donkey vase, orientalizing style, probably from Sifnos, 700-650 BC
Large relief pithos, capture of Troy, 675-650 BC
Large relief pithos, capture of Troy, detail, 675-650 BC
Melian amphora, a girl with earring, 625-600 BC
Kouros as a handle, archaic small bronze, 560-540 BC
Pelike, sales of oil, Eucharidés painter, 520-500 BC
Amphora, Dionysus and menade, Shuvalov Painter, 450-425 BC
Heracles, Parakastri, Roman copy of a classical Attic work
