The Winged Victory of Samothrace, or the Nike of Samothrace, is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BCE. It is composed of a statue representing the goddess Niké (Victory), whose head and arms are missing, and its base in the shape of a ship's bow.
The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Institute of Fine Arts (IFA) of New York University is dedicated to graduate teaching and advanced research in the history of art, archaeology and the conservation and technology of works of art. It offers Master of Arts and Doctor of Philosophy degrees in Art History and Archeology, the Advanced Certificate in Conservation of Works of Art, and the Certificate in Curatorial Studies.
Classical sculpture refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.
The Heraklion Archaeological Museum is a museum located in Heraklion on Crete. It is one of the greatest museums in Greece and the best in the world for Minoan art, as it contains by far the most important and complete collection of artefacts of the Minoan civilization of Crete. It is normally referred to scholarship in English as "AMH", a form still sometimes used by the museum in itself.
The Samothrace Temple Complex, known as the Sanctuary of the Great Gods, is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace within the larger Thrace. Built immediately to the west of the ramparts of the city of Samothrace, it was nonetheless independent, as attested to by the dispatch of city ambassadors during festivals.
The Temple of Aphaia or Afea is located within a sanctuary complex dedicated to the goddess Aphaia on the Greek island of Aigina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the great Doric temple is now recognized as dedicated to the mother-goddess Aphaia. It was a favourite of the Neoclassical and Romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.
The House of the Faun, built during the 2nd century BC, was one of the largest and most impressive private residences in Pompeii, Italy, and housed many great pieces of art. It is one of the most luxurious aristocratic houses from the Roman republic, and reflects this period better than most archaeological evidence found even in Rome itself.
The Artemision Bronze is an ancient Greek sculpture that was recovered from the sea off Cape Artemision, in northern Euboea, Greece. According to most scholars, the bronze represents Zeus, the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 209 cm, and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. The empty eye-sockets were originally inset, probably with bone, as well as the eyebrows, the lips, and the nipples. The sculptor is unknown. The statue is a highlight of the collections in the National Archaeological Museum of Athens.
The Archaeological Museum of Piraeus contains mainly sculptures, discovered in Piraeus and in the area of the Attic coast from Bronze Age to Roman times,
Phyllis Williams Lehmann, was an American classical archaeologist who specialised in the Samothrace temple complex, where she discovered a third statue of Winged Victory (1949), which is kept today at the Archaeological Museum of Samothrace and recovered missing fingers of the hand of the famous Winged Victory of Samothrace at the Louvre.
The Archaeological Museum of Ancient Corinth was constructed between 1931-1932, with intentions to display the numerous recent archaeological excavations. The museum is located within the archaeological site of Ancient Corinth, Greece, and lies under the jurisdiction of the 37th Ephoreia of the Greek Archaeological Service.
The Ephesos Museum in Vienna displays antiquities from the city of Ephesus, in modern-day Turkey. Begun in the late 19th century, the collection includes original works of sculpture and architecture, and belongs to the Kunsthistorisches Museum.
Nabataean art is the art of the Nabataeans of North Arabia. They are known for finely-potted painted ceramics, which became dispersed among Greco-Roman world, as well as contributions to sculpture and Nabataean architecture. Nabataean art is most well known for the archaeological sites in Petra, specifically monuments such as Al Khazneh and Ad Deir.
The Kelsey Museum of Archaeology is a museum of archaeology located on the University of Michigan central campus in Ann Arbor, Michigan, in the United States. The museum is a unit of the University of Michigan's College of Literature, Science, and the Arts. It has a collection of more than 100,000 ancient and medieval artifacts from the civilizations of the Mediterranean and the Near East. In addition to displaying its permanent and special exhibitions, the museum sponsors research and fieldwork and conducts educational programs for the public and for schoolchildren. The museum also houses the University of Michigan Interdepartmental Program in Classical Art and Archaeology.
Diana Buitron-Oliver was an American classical archaeologist and curator, specializing in Greek vase painting.
Warfare was a common occurrence in Greece from the Neolithic Period through its conquest by Alexander the Great and until its conquest by the Roman Empire. Because of this, warfare was a typical theme in many pieces of ancient Greek art. Many works of art, like the Doryphoros or the chryselephantine statue of Athena Parthenos, used military objects in their composition, and many others, like the Chigi vase, had warfare as their main subject. Ancient Greek art is an important aspect of not just the history of art, but the history of warfare as well, due to its frequent spot on many works of ancient Greek art. As each different period in Greek history occurred, more and more types of art formed, as well as differing depictions of warfare.
The neorion at Samothrace was a long, rectangular, monumental structure built to house a dedicatory ship to the gods at the Sanctuary of the Great Gods on the Greek island of Samothrace in the northern Aegean Sea. It consisted of two main chambers: one in which an entire ship in was displayed on marble supports, and a place where visitors to the building could view said ship. It is posited that the structure was built between 300–250 BCE. Neorions are found at few other places in Greece, but oftentimes they displayed captured warships of the enemy as their centerpiece; however, there is some debate as to what sort of ship exactly was housed within the neorion at the sanctuary on Samothrace.
The Archaeological Museum of Paros is a museum located in Parikia on Paros, Greece. The museum was found in 1960 and consists of two rooms and an atrium.
