Argosy Films was an Australian production company, best known for the feature films That Certain Something (1941) and The Power and the Glory (1941). It was formed by people formerly involved with National Productions.
The company was registered in 1937 with capital of £50,000. The subscribers were Frederick Daniel, George B. Bennett, Ronald H. Wolff, Cecil V. Stevenson, Noel Monkman, Harold L. Gray, and Joseph A. Byron. [1] The general manager was Frederick Daniell.
In 1940 it was announced they would make two feature films, [2] with 60% of the cost to be guaranteed by the New South Wales government. [3] The two films were to be Daughters of Australia, budgeted at £12,500, and Man Without a Country, at a cost of £12,500 (these were later re-titled That Certain Something (1941) and The Power and the Glory (1941) respectively). [4]
Plans for further production – including a version of the Stingaree stories [5] – did not come to fruition and the company was liquidated in 1948. [6]
Argosy is not to be confused with the British film company of the same name. [7]
Ronald Grant Taylor, known as Grant Taylor, was an English-Australian actor best known as the abrasive General Henderson in the Gerry Anderson science fiction series UFO and for his lead role in Forty Thousand Horsemen (1940).
Cinesound Productions Pty Ltd was an Australian feature film production company, established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres, that covered all facets of the film process, from production, to distribution and exhibition.
Shirley Ann Richards was an Australian actress and author, who achieved notability in a series of 1930s Australian films for Ken G. Hall before moving to the United States, where she continued her career as a film actress, mainly as a Metro-Goldwyn-Mayer starlet. Her best known performances were in It Isn't Done (1937), Dad and Dave Come to Town (1938), An American Romance (1944), and Sorry, Wrong Number (1948). In the 1930s, she was the only Australian actor under a long-term contract to a film studio, Cinesound Productions. She subsequently became a lecturer and poet.
Leslie Arliss was an English screenwriter and director. He is best known for his work on the Gainsborough melodramas directing films such as The Man in Grey and The Wicked Lady during the 1940s.
Rupert Kathner (1904–1954) was an Australian film director best known for newsreels and low-budget films. He worked with Alma Brooks, an ex-barmaid, who co-produced, operated the camera, edited, co-scripted and acted in their films. Kathner and Brooks were also "shady con artists and fugitives from the law", sometimes described as the "Bonnie and Clyde" of the Australian film industry.
Forty Thousand Horsemen is a 1940 Australian war film directed by Charles Chauvel. The film tells the story of the Australian Light Horse which operated in the desert at the Sinai and Palestine campaign during World War I. It follows the adventures of three rowdy heroes in fighting and romance. The film culminates at the Battle of Beersheba which is reputedly "the last successful cavalry charge in history". The film was clearly a propaganda weapon, to aid in recruitment and lift the pride of Australians at home during World War II. It was one of the most successful Australian movies of its day. It was later remade in 1987 as The Lighthorsemen.
Smart Alec is a 1951 British crime film directed by John Guillermin and starring Peter Reynolds.
Racing Luck is a 1941 Australian comedy film directed by Rupert Kathner and starring Joe Valli, George Lloyd and Marshall Crosby. The jockey Darby Munro, who had a cameo as himself, described it as the best Australian film he had ever seen.
Arthur Shirley was an Australian actor, writer, producer, and director of theatre and film. He was one of the first Australians to enjoy success as a film actor in Hollywood.
Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).
Albert Edward Bailey, better known as Bert Bailey, was a New Zealand-born Australian writer, theatrical manager and actor best known for playing Dad Rudd on stage and screen.
The Power and the Glory is a 1941 Australian war film about a Czech scientist who escapes from the Nazis to live in Australia. It features an early screen performance by Peter Finch.
That Certain Something is a 1941 Australian musical film directed by Clarence G. Badger and starring Megan Edwards and Thelma Grigg. The plot concerns an American film director who decides to make a musical in Australia. It was the last film directed by Badger, a noted silent era director.
The Glenrowan Affair is a 1951 movie about Ned Kelly from director Rupert Kathner. It was Kathner's final film and stars VFL star Bob Chitty as Kelly. It was known as one of the worst films ever made in Australia.
The Burgomeister is a 1935 Australian film directed by Harry Southwell based on the 1867 play Le juif polonais by Erckmann-Chatrian, adapted into English in 1871 by Leopold Lewis, previously filmed a number of times. The Burgomeister (1935) is considered a 'substantially lost' film, with only one sequence surviving.
Frederick Joseph Thwaites was an Australian novelist whose books sold over four million copies. He was best known for his first work The Broken Melody, which was adapted into a 1938 film.
The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.
Commonwealth Film Laboratories was an Australian production company that operated from 1925 to the 1950s. They were formerly located in Surry Hills, New South Wales.
Alan Burke was an Australian writer and film director and producer. His credits include the musical Lola Montez.
May Hollinworth was an Australian theatre producer and director, former radio actress, and founder of the Metropolitan Theatre in Sydney. The daughter of a theatrical producer, she was introduced to the theatre at a young age. She graduated with a science degree, and worked in the chemistry department of the University of Sydney, before being appointed as director of the Sydney University Dramatic Society. She held that post from 1929 to 1943, when she resigned and founded the Metropolitan Theatre, which she directed from 1944 to 1950. She presented a range of dramatic works, including Shakespeare and other classics, and contemporary plays from Australia and around the world. She premiered several Australian plays. She retired from the Metropolitan Theatre in 1950 due to illness, but was later invited to direct plays at the Independent Theatre and the Elizabethan Theatre in Sydney. She had a reputation as a superb producer, known for her highly effective use of lighting, and her abilities to arrange actors on stage to convey dramatic meaning visually, to overcome the challenges of large and small stages with minimal facilities, and to select and nurture a cast. Many actors who became notable in Australia and other countries played under her direction at the start of their careers.