Henry Gwiazda is a composer who specializes in virtual audio, the simulation of a three-dimensional sound space in either headphones or precisely positioned speakers. He composes what may be called musique concrète, using samples usually without “tinker[ing]” with them.
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de recherches musicales at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of elektronische Musik, and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century.
New Interfaces for Musical Expression, also known as NIME, is an international conference dedicated to scientific research on the development of new technologies and their role in musical expression and artistic performance.
Roy Kenzie Kiyooka was a Canadian painter, poet, photographer, arts teacher, and multi-media artist.
STEIM was a center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam, Netherlands. Beginning in the 1970's, STEIM became known as a pioneering center for electronic music, where the specific context of electronic music was always strongly related to the physical and direct actions of a musician. In this tradition, STEIM supported artists in residence such as composers and performers, but also multimedia and video artists, helping them to develop setups which allowed for bespoke improvisation and performance with individually designed technology.
İlhan Kemaleddin Mimaroğlu was a Turkish American musician and electronic music composer. He was born in Istanbul, Turkey, the son of the famous architect Mimar Kemaleddin Bey depicted on the Turkish lira banknotes, denomination 20 lira, of the 2009 E-9 emission. He graduated from Galatasaray High School in 1945 and the Ankara Law School in 1949. He went to study in New York supported by a Rockefeller Scholarship. He studied musicology at Columbia University under Paul Henry Lang and composition under Douglas Moore.
Tzvi Jacob Avni is an Israeli composer.
Founded in 1986, La Communauté électroacoustique canadienne / The Canadian Electroacoustic Community (CEC) is Canada's national electroacoustic / computer music / sonic arts organization and is dedicated to promoting this progressive art form in its broadest definition: from "pure" acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond.
Francis Dhomont is a French composer of electroacoustic / acousmatic music.
The Iranian Orchestra for New Music was founded by maestro Alireza Mashayekhi in 1995. The orchestra performs works using both Persian and non-Persian instruments.
Darren Copeland is an electroacoustic music composer born June 18, 1968 in Bramalea, Ontario, Canada, and currently living in Brampton, Ontario, Canada.
Gilles Gobeil is an electroacoustic music composer from Sorel-Tracy, Quebec, Canada, and currently living in Montreal, Quebec, Canada. Gobeil received his musical education at the Université de Montréal.
Jonty Harrison is an electroacoustic music composer born 27 April 1952 in Scunthorpe, UK, and currently living in Birmingham, UK.
Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
Norma Marian Beecroft is a Canadian composer, producer, broadcaster, and arts administrator. A member of the Canadian League of Composers and an associate of the Canadian Music Centre, she twice won the Canada Council's Lynch-Staunton Award for composition. She has been commissioned to write works for such organizations as the Atlantic Symphony Orchestra, the Canadian Broadcasting Corporation, the Canadian Electronic Ensemble, The Music Gallery, the National Arts Centre Orchestra, the National Ballet of Canada, the Quebec Contemporary Music Society, the Toronto Symphony Orchestra, and York Winds among others. She is an honorary member of the Canadian Electroacoustic Community and has served on the juries of the SOCAN Awards and the Jules Léger Prize for New Chamber Music. In 1988 she donated many of her original manuscripts, papers, and recordings to the library at the University of Calgary.
Myke Roy is a Canadian composer and recording engineer. An associate of the Canadian Music Centre and a member of the Canadian Electroacoustic Community, his compositional output includes a substantial amount of electroacoustic music, instrumental music, multi-media works, and music for the theatre. In 1976 he was awarded the Sir Ernest MacMillan Award/Fellowship by the Composers, Authors and Publishers Association of Canada for his works Sveln, Dra-men Dzunkt and Tsé Tnant/Te Deum. In 1987 he won the Robert Fleming Prize.
Gordon Fitzell is a composer, concert organizer, and professor of music. His catalog consists of solo, chamber, and electroacoustic music, including open and improvisatory works.
James Harley is a Canadian composer, author, and professor of music born in Vernon, British Columbia. His creative output consists of orchestral, chamber, solo, electroacoustic, and vocal music.
Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon, as a component specific to new musical techniques the concept of spatial music was introduced as early as 1928 in Germany.
Elsa Justel is an Argentine composer of instrumental and electroacoustic music, and video-artist.
