The Arriflex 235 is a lightweight 35mm MOS movie camera released in 2003 by ARRI.
The number reflects its position as a smaller and lighter companion camera to the Arriflex 435 and the fact that it is designed for 35 mm film.
In contrast to the Arriflex 35 IIC, it has an adjustable reflex shutter from 11.2° to 180°. This shutter can be adjusted manually with a tool through the open mount (in the same year that Arri released the Arriflex 435 Xtreme which adjusted the shutter electronically). The camera uses a 54 mm PL mount. In contrast to the Arriflex 435 it uses a single registration pin. The ground glass is identical to the 435. [1]
The motor power ranges from 20-35V and is usually powered by an onboard battery on the AC side of the camera. The Arri 235 has an SDI video output and several power outputs for camera accessories, such as RCU, WRC, ICU or ESU.
The camera can shoot between 1 and 60 fps. The motor also has a reverse mode which runs at 25 fps.
The camera body with finder weighs 7.7 lbs (3,5 kg), which makes it one of the most lightweight 35mm movie cameras. [2] Therefore, it is commonly used for handheld or steadycam shots.
There are two types of magazines, a “dolphin” shoulder magazine (as seen in the picture), which was made in both 200 and 400-foot capacities, as well as a 400-foot vertical steadicam mag. It is also backwards compatible with Arriflex 2C, Arriflex 3, and Arriflex 435 mags as long as each is 400 foot size or less.
Cinema Products Corporation was an American manufacturer of motion picture camera equipment.
A rotary disc shutter is a type of shutter. It is notably used in motion picture cameras. Rotary shutters are semicircular discs that spin in front of the film gate, alternately allowing light from the lens to strike the film, or blocking it.
The Arri Group is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon mentioned this company in his book Hidden Champions of the 21st Century as an example of a "hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including Hugo, Life of Pi, Gravity, Birdman, The Revenant and 1917.
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. The Techniscope format uses a two film-perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography. Techniscope's 2.33:1 aspect ratio is easily enlarged to the 2.39:1 widescreen ratio, because it uses half the amount of 35 mm film stock and standard spherical lenses. Thus, Techniscope release prints are made by anamorphosizing and enlarging each frame by a factor of two.
The Arriflex D-20 is a film-style digital motion picture camera made by Arri first introduced in November 2005. The camera's attributes are its optical viewfinder, modularity, and 35mm-width CMOS sensor. The camera was discontinued in 2008 when its successor, the Arriflex D-21, was introduced.
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
Hand-held camera or hand-held shooting is a filmmaking and video production technique in which a camera is held in the camera operator's hands as opposed to being mounted on a tripod or other base. Hand-held cameras are used because they are conveniently sized for travel and because they allow greater freedom of motion during filming. Newsreel camera operators frequently gathered images using a hand-held camera. Virtually all modern video cameras are small enough for hand-held use, but many professional video cameras are designed specifically for hand-held use such as for electronic news-gathering (ENG), and electronic field production (EFP).
The Krasnogorsk-3 (Красногорск-3) is a spring-wound 16mm mirror-reflex movie camera designed and manufactured in the USSR by KMZ. A total of 105,435 Krasnogorsk-3 cameras were produced between 1971 and 1993.
Arricam is a 35 mm movie camera line manufactured by Arri.
This article summarized the comparison of movie cameras.
The Arriflex 35, released by Arri in 1937, was the first reflex 35mm production motion picture camera.
Panavision has been a manufacturer of cameras for the motion picture industry since the 1950s, beginning with anamorphic widescreen lenses. The lightweight Panaflex is credited with revolutionizing filmmaking. Other influential cameras include the Millennium XL and the digital video Genesis.
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex.
Arriflex 416 is a motion picture camera product line created by Arri in 2006. This camera line was introduced in large part to accommodate new lenses of larger diameter that physically interfered with the Arri 16 SR3 viewfinder. The 416 camera series is designed for 16mm filmmaking in the Super 16 format. The 416 series has some features that are derived from Arri's 35mm cameras. The 416 series is compatible with some 35mm camera accessories, such as PL-mount lenses, base plates, matte boxes, follow focus units, and more.
The Arri Alexa is a digital motion picture camera system developed by Arri. First introduced in April 2010, the camera was Arri's first major transition into digital cinematography after previous efforts such as the Arriflex D-20 and D-21.
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC
The Arriflex 16BL is ARRI's first silent 16mm production motion picture camera, released in 1965.
The Arriflex 35BL is a 35mm motion picture camera released by ARRI in 1972.
The Arriflex 765 is a 65 mm movie camera created by Arri in 1989.