 | This article relies largely or entirely on a single source .(March 2020) |
The Arriflex 35BL is a 35mm motion picture camera released by ARRI in 1972.
| | This article relies largely or entirely on a single source .(March 2020) |
The Arriflex 35BL is a 35mm motion picture camera released by ARRI in 1972.
The Arriflex 35BL was the first silent 35mm camera (BL stands for blimped).[ citation needed ] It uses a fixed butterfly reflex shutter, which gave the cinematographer an exact representation of the recorded frame. It recorded up to 100 frames per second, which was revolutionary in documenting sporting events. It uses a dual registration pin system. It also has an odometer-styled analogue footage counter. The camera uses both 400 feet (120 m) and 1,200 feet (370 m) magazines.
The development of the 35BL began in 1966, since there was no handholdable, silent, reflex 35 mm camera at that time. The release of this camera, together with the Panaflex Lightweight released in 1975, changed the filmmaking process profoundly and made big camera setups like the Mitchell BNCR obsolete. [1] The Arriflex 35BL was released just in time to document the 1972 Summer Olympics, in Arri's hometown Munich. This led to a huge boost in popularity of this camera. It was also one of Arri's longest running product lines, being produced from 1972 until 1990, when the Arriflex 535 replaced it.
The 35BL series has been used on many notable films, such as Barry Lyndon , [2] Taxi Driver , [3] The Shining , [4] and Return of The Jedi . [5]
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
Minolta Co., Ltd. was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten. It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima".
Cinema Products Corporation was an American manufacturer of motion picture camera equipment.
A rotary disc shutter is a type of shutter. It is notably used in motion picture cameras. Rotary shutters are semicircular discs that spin in front of the film gate, alternately allowing light from the lens to strike the film, or blocking it.
Arri Group is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon as an example of a "hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including Hugo (2011), Life of Pi (2012), Gravity (2013), Birdman (2014), The Revenant (2015) and 1917 (2019).
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. The Techniscope format uses a two film-perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography. Techniscope's 2.33:1 aspect ratio is easily enlarged to the 2.39:1 widescreen ratio, because it uses half the amount of 35 mm film stock and standard spherical lenses. Thus, Techniscope release prints are made by anamorphosing, enlarging each frame vertically by a factor of two.
The Arriflex D-20 is a film-style digital motion picture camera made by Arri first introduced in November 2005. The camera's attributes are its optical viewfinder, modularity, and 35mm-width CMOS sensor. The camera was discontinued in 2008 when its successor, the Arriflex D-21, was introduced.
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. It has since been replaced by Panavision System 65.
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
This article summarized the comparison of movie cameras.
The Arriflex 35 was the first reflex 35mm production motion picture camera, released by German manufacturer Arri in 1937.
Kinor is the name of a line of movie cameras produced in the USSR. All cameras under the Kinor name were intended for professional use and were equipped with a through-the-lens viewfinder with a mirror shutter, but were otherwise unrelated in their technical design as they were created by a variety of different organizations.
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex.
Arriflex 416 is a motion picture camera product line created by Arri in 2006. This camera line was introduced in large part to accommodate new lenses of larger diameter that physically interfered with the Arri 16 SR3 viewfinder. The 416 camera series is designed for 16mm filmmaking in the Super 16 format. The 416 series has some features that are derived from Arri's 35mm cameras. The 416 series is compatible with some 35mm camera accessories, such as PL-mount lenses, base plates, matte boxes, follow focus units, and more.
The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras, the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC
The Arriflex 235 is a lightweight 35mm MOS movie camera released in 2003 by ARRI.
The Arriflex 16BL is ARRI's first silent 16mm production motion picture camera, released in 1965. It was replaced by the Arriflex 16SR in 1975.
The Arriflex 765 is a 65 mm movie camera created by Arri in 1989.