Arsenale Institute for Politics of Representation

Last updated
Arsenale Institute
Arsenale Institute Marinarezza AI 2022.jpg
The Marinarezza complex on the waterfront (Riva dei Sette Martiri) in Venice
Established2009 (2009)
LocationItaly, Venice, Marinarezza (Riva dei Sette Martiri)
TypeNon-profit institution for cultural studies and philosophical research
Founder Lewis Baltz, Marco de Michelis, Wolfgang Scheppe
Director Wolfgang Scheppe
Website arsenale.com

The Arsenale Institute for Politics of Representation is an international institution for cultural studies and philosophical research in Venice, Italy. [1] [2] It focuses on image politics in different areas of social communication, the media and the arts. Special emphasis is given to the study of image criticism in the avant-garde of the early 20th century.  

Contents

History

The Institute grew out of the class on politics of representation at the IUAV University in Venice. [3] It was founded in 2006 by Lewis Baltz, Marco de Michelis , and Wolfgang Scheppe. [4] In 2009, it became an independent entity under the direction of Wolfgang Scheppe known for his urbanist and image critical work since the 2002 project Endcommercial. [5] It began exhibiting in its current location, the Marinarezza spaces in Venice, in 2017. [6]

Archives

The Arsenale Institute's archive contains an extensive research collection of the avant-garde movements of the early 20th century, with a focus on documents and works by the Futurists, Raymond Roussel, DADA, Marcel Duchamp, the Surrealists, Belgian Revolutionary Surrealism, the Lettrists and Situationists. The Institute's library and archive are available to research for scholars and students upon request.

Exhibitions

The Institute's exhibitions are usually conceived as traveling exhibitions for international venues, designed and probed in the Venice premises in the form of laboratory installations. For example, the 2017 exhibition Tous Contre le Spectacle led to the large exhibition on the Situationists at the HKW in Berlin in 2018. [7] They are complemented by a program of lectures, conferences, guided tours and workshops.

The Institute carries out its projects in cooperation and dialogue with universities, museums and private foundations. Among others, the partnering institutions are: ARCH+, Archiv der Avantgarden: Sammlung Marzona, L'Arengario Studio Bibliografico, Bevilacqua la Masa, The British Council, Bundesministerium für Verkehr und Digitale Infrastruktur, Musée Carnavalet, DOX: Centre for Contemporary Art, Fondation Cartier pour l'Art Contemporain, Comune di Venezia, Fondazione Olivetti, Gagosian Gallery, Hatje Cantz, Haus der Kunst, Haus der Kulturen der Welt, Johann Jacobs Museum, Lisson Gallery, Mai 36 Galerie, Marian Goodman Gallery, Nero Publishers, Regen Projects, Staatliche Kunstsammlungen Dresden, Steidl Verlag, Storefront for Art and Architecture and Verlag der Buchhandlung Walther König.

Location

The Arsenale Institute is located in a prominent building named Marinarezza located directly on the waterfront (Riva dei Sette Martiri). [4] It is recognised as an important example of Venetian vernacular architecture that anticipates the urbanism of the modern city. [8]

The complex, dating back to 1347 includes a series of houses that, since the 14th century, were given free of charge to seamen and shipyard workers at the Arsenale who had rendered services to the Republic of Venice. [9] [4] In 1645, a front building for workshops and warehouses was added to the ensemble, enclosing the two alleys with monumental arches facing the waterfront. The three parallel rows of Gothic dwellings behind it embody not only one of the earliest known approaches to the concept of public housing, but also that of modular architecture. [10]

Exhibitions (selection)

The Arsenale Institute's exhibition space in the Marinarezza building on the occasion of the exhibition on Lawrence Weiner in 2022 Arsenale Institute interior.jpg
The Arsenale Institute's exhibition space in the Marinarezza building on the occasion of the exhibition on Lawrence Weiner in 2022

The following include both collaborations and independently organized exhibitions:

Publications (selection)

The following publications are based on research conducted or supported by the Institute:

Related Research Articles

<span class="mw-page-title-main">Venice Biennale</span> International arts exhibition

The Venice Biennale is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture. The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.

<span class="mw-page-title-main">Lewis Baltz</span> American photographer

Lewis "Duke" Baltz was an American visual artist, photographer, and educator. He was an important figure in the New Topographics movement of the late 1970s. His best known work was monochrome photography of suburban landscapes and industrial parks which highlighted his commentary of void within the "American Dream".

<span class="mw-page-title-main">Grand Canal (Venice)</span> Water channel in Venice, Italy

The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.

<span class="mw-page-title-main">Peter Schreier</span> German tenor and conductor (1935–2019)

Peter Schreier was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century.

<span class="mw-page-title-main">Juergen Teller</span> German fine-art and fashion photographer (born 1964)

Juergen Teller is a German fine-art and fashion photographer. He was awarded the Citibank Prize for Photography in 2003 and received the Special Presentation International Center of Photography Infinity Award in 2018.

<span class="mw-page-title-main">Bucentaur</span> State barge of the doges of Venice

The bucentaur was the ceremonial barge of the doges of Venice. It was used every year on Ascension Day up to 1798 to take the doge out to the Adriatic Sea to perform the "Marriage of the Sea" – a ceremony that symbolically wedded Venice to the sea.

Joel Sternfeld is an American fine-art photographer. He is best known for his large-format color pictures of contemporary American life and identity. His work contributed to the establishment of color photography as a respected artistic medium. Furthering the tradition of roadside photography started by Walker Evans in the 1930s, Sternfeld documents people and places with unexpected excitement, despair, tenderness, and hope. Ever since the 1987 publication of his landmark “American Prospects,” Sternfeld’s work has interwoven the conceptual and political, while being steeped in history, landscape theory and his passion for the passage of the seasons. Sternfeld’s is a beautiful and sad portrait of America - ironic, lyrical, unfinished, seeing without judging.

<span class="mw-page-title-main">Paul Graham (photographer)</span> English photographer

Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 17 other publications.

<span class="mw-page-title-main">Ca' Pesaro</span> Art museum, Historic site in Venice, Italy

Ca' Pesaro is a Baroque marble palace turned art museum, facing the Grand Canal of Venice, Italy. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system.

<span class="mw-page-title-main">Herbert Achternbusch</span> German writer, painter and filmmaker (1938–2022)

Herbert Achternbusch was a German film director, writer and painter. He began as a writer of avant-garde prose, such as the novel Die Alexanderschlacht, before turning to low-budget films. He had a love-hate relationship with Bavaria which showed itself in his work. Some of his controversial films, such as Das Gespenst, were presented at the Berlinale festival.

<span class="mw-page-title-main">Dayanita Singh</span> Indian photographer

Dayanita Singh is an Indian photographer whose primary format is the book. She has published fourteen books.

Gregor Schneider is a German artist. His projects have proven controversial and provoked intense discussions. In 2001, he was awarded the Golden Lion at the Venice Biennale for his infamous work Totes Haus u r exhibited at the German Pavilion.

<span class="mw-page-title-main">Heribert Prantl</span> German journalist and author

Heribert Prantl is a German author, journalist and jurist. At the Süddeutsche Zeitung he was head of the department of domestic policy from 1995 to 2017, head of the department "opinion" from 2018 to 2019, member of the chief editors from 2011 to 2019 and is now columnist and author. Since 2002 he has been a lecturer at the faculty of law at Bielefeld University, where he was appointed honorary professor in 2010.

<span class="mw-page-title-main">Artur Walther</span> German-American art collector

Artur Walther is a German-American art collector focused on exhibiting and publishing contemporary photography and video art. A graduate of Harvard Business School, Walther was a General Partner at Goldman Sachs until his retirement in 1994. He began collecting photography in the late 1990s and later established The Walther Collection, which is open to the public at its museum campus in Neu-Ulm, Germany and its Project Space in New York City.

<span class="mw-page-title-main">Arte Laguna Prize</span>

Arte Laguna Prize is an international art and design competition which takes place in Venice (Italy) since 2006 and it is aimed at promoting and enhancing contemporary art. There are different contest sections: painting, sculpture and installation, photographic art, video art, performance, virtual art, digital graphics, land art, urban art and design. The competition is based in Venice, open to all, with free theme and no age restrictions. Its goal is to promote the artists and their careers through an array of opportunities.

<span class="mw-page-title-main">Maurizio Pellegrin</span> Italian-American visual artist

Maurizio Pellegrin is an Italian and American visual artist. He works with installations, photography and video. He is married and has two sons.

<span class="mw-page-title-main">Joachim Kaiser</span>

Joachim Kaiser was a German musician, literature and theatre critic and senior editor in the feuilleton of the Süddeutsche Zeitung. Starting 1977 to 1996 he held a seat as a professor of history of music at the State University of Music and Performing Arts Stuttgart.

Ralph Hammerthaler is a German writer.

Wolfgang Scheppe is a German philosopher, author and curator who since 1996 has lived and taught in the US, Switzerland and Italy. His work as a theorist frequently includes the medium of exhibitions taking a form described as “theory installations”. Since 2009, he has directed the Arsenale Institute for Politics of Representation in Venice, which emerged from the Università Iuav di Venezia and was founded with Lewis Baltz.

Giuseppe "Bepi" Santomaso was an Italian painter and educator. Santomaso was an important figure in 20th-century Italian painting, and he taught art at the Accademia di Belle Arti di Venezia for 20 years.

References

  1. Redazione. "ARSENALE INSTITUTE FOR POLITICS OF REPRESENTATION | Artribune" (in Italian). Retrieved December 16, 2022.
  2. Petra, Schaefer. "Herr der Worte". Weltkunst/Die Zeit. Retrieved September 26, 2022.
  3. "Migropolis Galleria Bevilacqua La Masa Venezia". 'Migropolis', in: UnDo.net (in Italian). October 5, 2009. Retrieved December 16, 2022.
  4. 1 2 3 Werneburg, Brigitte (October 5, 2019). "Biennale Venedig 2019: Gotischer Glamour". Die Tageszeitung (in German). ISSN   0931-9085 . Retrieved December 26, 2022.
  5. Johnson, Ken (August 9, 2002). "Art in Review: 'Endcommercial'". The New York Times. ISSN   0362-4331 . Retrieved December 16, 2022.
  6. "Un nuovo spazio in cui pensare". La Nuova Venezia (in Italian). August 1, 2017. Retrieved December 8, 2022.
  7. Richter, Peter (October 18, 2018). "Antikunst. Und raus bist du". Süddeutsche Zeitung (in German). Retrieved December 14, 2022.
  8. "Canal Grande di Venezia - Catalogo illustrato - Riva dei Sette Martiri". www.canalgrandevenezia.it. Retrieved December 16, 2022.
  9. "La Marinarezza a Castello e le splendide case popolari della Venezia del V° secolo: città sempre all'avanguardia". Venezia Nascosta. Retrieved December 16, 2022.
  10. Trincanato, Egle Renata (1982) [1948]. Venezia Minore. Venice: Filippi editore. pp. 158–171. ISBN   9-78888314-460-8.
  11. Kong, Thomas (January 1, 2012). "Migropolis. Venice / Atlas of a Global Situation". Design Issues published by MIT Press Journals. 28 (1).
  12. Salerno, Gaetano (November 30, 2009). "Migropolis | Venezia, Fondazione Bevilacqua La Masa". exibart.com (in Italian). Retrieved December 16, 2022.
  13. Steinfeld, Thomas (June 2, 2010). "Das wahre Gesicht von Venedig". Süddeutsche Zeitung (in German). Retrieved December 16, 2022.
  14. "2010 Villa Frankenstein". British Council: UK at the Venice Biennale.
  15. Steinfeld, Thomas (August 25, 2010). "Ich wäre besser unsichtbar". Süddeutsche Zeitung (in German). Retrieved December 16, 2022.
  16. "The Things of Life". www.skd.museum. April 24, 2014. Retrieved December 16, 2022.
  17. "Logical Rain". www.skd.museum. Retrieved December 16, 2022.
  18. Nedo, Kito (April 7, 2015). "Logical Rain". Frieze. No. 19. ISSN   0962-0672 . Retrieved December 16, 2022.
  19. GbR, Beutin & Günther. "Museum für Völkerkunde (Dresden) Ausstellung: Die Logik des Regens / Logical Rain". www.kunst-und-kultur.de (in German). Retrieved December 16, 2022.
  20. Platthaus, Andreas. "Papierverbrennung in China: Kleiner Warenverkehr ins Jenseits". Frankfurter Allgemeine Zeitung (in German). ISSN   0174-4909 . Retrieved December 16, 2022.
  21. "Supermarket of the Dead". www.skd.museum. Retrieved December 16, 2022.
  22. "Surveying the Non-Human". www.skd.museum. Retrieved December 16, 2022.
  23. Bisky, Jens (May 13, 2016). "Affe raubt Frau". Süddeutsche Zeitung (in German). Retrieved December 16, 2022.
  24. Platthaus, Andreas. "Ausstellungen: Affe als Freund, Affe als Feind". Frankfurter Allgemeine Zeitung (in German). ISSN   0174-4909 . Retrieved December 16, 2022.
  25. DOX, Centre for Contemporary (May 2, 2016), DUŠE PENĚZ / THE SOUL OF MONEY , retrieved December 16, 2022
  26. "Johann Jacobs Museum" . Retrieved December 16, 2022.
  27. "Tous contre le spectacle". www.marinarezza.com. Retrieved December 16, 2022.
  28. Haus der Kulturen der Welt (April 4, 2022). "The Most Dangerous Game". HKW. Retrieved December 16, 2022.
  29. Richter, Peter (October 18, 2018). "Antikunst. Und raus bist du". Süddeutsche Zeitung (in German). Retrieved December 16, 2022.
  30. Scarano, Alessandro. "Paul Jaray, the car designer that Nazism erased from history". Domus. Retrieved December 16, 2022.
  31. Lüdeking, Karlheinz (January 2, 2022). "Die Stromlinienform war eine jüdische Erfindung". Neue Zürcher Zeitung (in German). Retrieved December 16, 2022.
  32. "The Language of Lawrence Weiner (1942–2021)". Artribune (in Italian). April 22, 2022. Retrieved December 16, 2022.