ArtTactic

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ArtTactic is an art market research firm based in London [1] [2] founded by Anders Petterson in 2001. [3] The company uses techniques similar to those used in the financial markets to analyze the art market and build up art market trends. [4] Their services include market sector reports for both art mediums such as photography [5] and regional sectors such as China, [6] auction analysis, [7] artist reports, [8] and the ArtTactic confidence reports, which are surveys of the leading art market players and their sentiments and confidence towards individual artists and different segments of the art market. [9] There are confidence reports for US & Europe, [10] China, [11] India [12] and South Asia. [13]

Contents

History

ArtTactic was founded in London by Anders Petterson in 2001. In 2004, ArtTactic organized Art Market Forum in conjunction with Frieze Art Fair and Zoo Art Fair in London. [14] Later that year, Petterson began lecturing on art as an asset class at Sotheby's Institute of Art in London. The following year, ArtTactic launched its first Art Market Confidence Survey for the US & European art market. In 2006, ArtTactic published an Artist Analysis Report on contemporary artist Richard Prince, following a successful report on Damien Hirst. Two years later, ArtTactic published its first Indian Art Market report, presenting its findings at Art Dubai. In 2009, ArtTactic launched its weekly podcasts, hosted by Adam Green. In 2011, ArtTactic published an Artist Analysis Report on Andy Warhol, which was presented in New York during the inaugural Artelligence Conference [15] and the first edition of the Art & Finance Report, a co-production between Deloitte and ArtTactic. The next year, ArtTactic authored the first edition of the Hiscox Online Art Trade Report. In 2013, ArtTactic published an in-depth, updated Artist Analysis Report on the Damien Hirst market. [16] Also that year, ArtTactic launches ArtForecaster and organizes its first public online forecasting competition. [17] Two years afterwards, ArtTactic's Art Market Outlook warns that the art market could start to cool. [18] In 2016, ArtTactic began publishing ArtTactic Rawfacts, a weekly, monthly and quarterly report on auctions performances at Christie's, Sotheby's and Phillips, in addition to launching its first online course on Big Data and the Art Market. [19] In 2017, ArtTactic published its inaugural South Asian Art Market Report in partnership with Rawlinson & Hunter, Constantine Cannon, Gurr Johns and W/R/B Underwriting. [20]

ArtTactic Podcast

In 2009, ArtTactic launched the ArtTactic Podcast , [21] a weekly podcast hosted by Adam Green. The podcast features in-depth interviews with leading art market figures, focusing on topics such as art market analysis, art auctions, art investment funds, art fairs and art financing. Past guests include Simon de Pury, [22] Richard Polsky, [23] Howard Rachofsky [24] and Matthew Slotover. [25]

Art & Finance Report

In 2011, ArtTactic began publishing the Art & Finance Report, [26] alongside Deloitte Luxembourg, an annual report that assesses the developments in the art and finance industry.

Online Art Trade Report

In 2013, ArtTactic launched the Online Art Trade Report, [27] in collaboration with Hiscox, an annual report that analyzes several trends and aspects of the emerging online art market.

ArtTactic Forecaster

In 2014, ArtTactic introduced the ArtTactic Forecaster, an online platform that enables art market enthusiasts and professionals to compete against one another in predicting sales results for artworks upcoming at auction. In addition to a year-long competition, tournaments occur throughout the year surrounding major auction weeks in which top performing players earn awards such as art by contemporary artists including Damien Hirst and art market themed books. Players may compete in the Expert or Rookie League based on their past performance as well as their experience within the art world.

Related Research Articles

<span class="mw-page-title-main">Damien Hirst</span> British artist (born 1965)

Damien Steven Hirst is an English artist and art collector. He is one of the Young British Artists (YBAs) who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom's richest living artist, with his wealth estimated at US$384 million in the 2020 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.

<span class="mw-page-title-main">Saatchi Gallery</span> Physical and online contemporary art museum in Chelsea, London

The Saatchi Gallery is a London gallery for contemporary art and an independent charity opened by Charles Saatchi in 1985. Exhibitions which drew upon the collection of Charles Saatchi, starting with US artists and minimalism, moving to the Damien Hirst-led Young British Artists, followed by shows purely of painting, led to Saatchi Gallery becoming a recognised authority in contemporary art globally. It has occupied different premises, first in North London, then the South Bank by the River Thames, and finally in Chelsea, Duke of York's HQ, its current location. In 2019 Saatchi Gallery became a registered charity and began a new chapter in its history. Recent exhibitions include the major solo exhibition of the artist JR, JR: Chronicles, and London Grads Now in September 2019 lending the gallery spaces to graduates from leading fine art schools who experienced the cancellation of physical degree shows due to the pandemic.

<span class="mw-page-title-main">Frieze Art Fair</span> International contemporary art fair

Frieze Art Fair is an annual contemporary art fair first held in 2003 in London's Regent's Park. Developed by the founders of the contemporary art magazine Frieze, the fair has since expanded to include editions in four cities, in addition to acquiring several other art fairs. Following the original Frieze Art Fair, the fair added Frieze Masters (2012), also in London, dedicated to art made before the year 2000; Frieze New York (2012); Frieze Los Angeles (2019); and Frieze Seoul (2022). In 2023, Frieze acquired The Armory Show in New York, and EXPO Chicago.

<span class="mw-page-title-main">Matthew Slotover</span> British publisher

Matthew Slotover is an English publisher and entrepreneur. He is co-founder of Frieze, a media and events company, which now includes the Frieze Art Fair, frieze and Frieze Academy.

<span class="mw-page-title-main">Gagosian Gallery</span> Contemporary and modern art gallery with multiple locations

The Gagosian Gallery is a modern and contemporary art gallery owned and directed by Larry Gagosian. The gallery exhibits some of the most well-known artists of the 20th and 21st centuries. As of 2024, Gagosian employs 300 people at 19 exhibition spaces – including New York City, London, Paris, Basel, Beverly Hills, San Francisco, Rome, Athens, Geneva, and Hong Kong – designed by architects such as Caruso St John, Richard Gluckman, Richard Meier, Jean Nouvel, and Annabelle Selldorf.

<span class="mw-page-title-main">Little Artists</span>

The Little Artists are John Cake and Darren Neave. They create versions of well known contemporary artworks and art personalities in miniature using toy Lego bricks. They also produce a range of merchandise. They describe themselves as conceptual artists. Their work is collected by Charles Saatchi.

<i>For the Love of God</i> 2007 sculpture by Damien Hirst

For the Love of God is a sculpture by artist Damien Hirst produced in 2007. It consists of a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds, including a pear-shaped pink diamond located in the forehead that is known as the Skull Star Diamond. The skull's teeth are original, and were purchased by Hirst in London. The artwork is a memento mori, or reminder of the mortality of the viewer.

Frieze is an international contemporary art magazine, published eight times a year from London.

<span class="mw-page-title-main">Art valuation</span>

Art valuation, an art-specific subset of financial valuation, is the process of estimating the market value of works of art. As such, it is more of a financial rather than an aesthetic concern, however, subjective views of cultural value play a part as well. Art valuation involves comparing data from multiple sources such as art auction houses, private and corporate collectors, curators, art dealer activities, gallerists, experienced consultants, and specialized market analysts to arrive at a value. Art valuation is accomplished not only for collection, investment, divestment, and financing purposes, but as part of estate valuations, for charitable contributions, for tax planning, insurance, and loan collateral purposes. This article deals with the valuation of works of fine art, especially contemporary art, at the top end of the international market, but similar principles apply to the valuation of less expensive art and antiques.

<span class="mw-page-title-main">The European Fine Art Fair</span> Annual art fair held in Maastricht

The European Fine Art Fair (TEFAF) is an annual art, antiques, and design fair organized by The European Fine Art Foundation in the MECC in Maastricht, Netherlands. It was first held open in 1988.

Pauline Karpidas is an English contemporary art collector, private art space benefactor, socialite, and patron of the arts. She lives in the United States.

Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani is the sister of Qatar's ruling Emir Tamim bin Hamad Al Thani, and daughter of the country's former Emir Hamad bin Khalifa Al Thani and his second wife Sheikha Moza bint Nasser Al-Missned. Al-Mayassa was declared the most influential person in art on Art+Auction's top-10 list and ArtReview's Power 100, and prominently appears on the Time 100, and Forbes' The World's 100 Most Powerful Women. She was listed in the 'Top 100 most powerful Arabs' from 2014 to 2017 and 2021 by Gulf Business. Al-Mayassa serves as Chairperson of Qatar Museums, and it was reported by Bloomberg that her annual acquisition budget on behalf of the organization is estimated at $1 billion.

The year 2012 in art involves some significant events.

Paddle8 was an online auction house based in New York City selling fine art including Post-War and Contemporary art, prints & multiples, photography, street art and collectibles. Paddle8's sales focus on pieces priced between $1,000 and $100,000, all vetted by specialists for authenticity. Paddle8 had offices in New York, Los Angeles, London and Hong Kong. In 2016, Paddle8 merged with the Berlin online auction house Auctionata. In February 2017, Auctionata declared insolvency and Paddle8 became an independent company once again, before selling to Native in 2018, and then to Facebank AG in 2019. In March 2020, Paddle8 filed for Chapter 11 bankruptcy protection in New York just one week after the non-profit New American Cinema Group filed a lawsuit against the company for allegedly misappropriating funds from a charity auction.

Judith Benhamou-Huet is a French journalist, independent curator and author specialized in art and the art market. She is a weekly columnist for the French newspaper Les Echos and regularly publishes articles related to art and the art market on her own blog Judith Benhamou-Huet Reports. Benhamou-Huet is also the author of a number of books as well as an independent curator.

<span class="mw-page-title-main">Art market</span>

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<i>Untitled</i> (1982 Basquiat skull painting) Painting by Jean-Michel Basquiat

Untitled is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork, which depicts a skull, is among the most expensive paintings ever. In May 2017, it sold for $110.5 million at Sotheby's, the highest price ever paid at auction for artwork by an American artist in a public sale. That record was surpassed by Shot Marilyns by Andy Warhol, which sold for $195 million in May 2022.

<i>Untitled (Fishing)</i> 1981 painting by Jean-Michel Basquiat

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References

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  8. Scott Reyburn, "Hirst Auction Is Crucial to Art-Market Confidence, Report Says", 01/09/2010, , 09/08/2010
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  10. Scott Reyburn, "Contemporary Art Market Confidence Slumps 40%, Survey Shows", 24/01/2008, , 09/08/2010
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