Art Almanac is a monthly guide to galleries, news and awards in Australia established in 1974. [1]
Art Almanac is issued 11 times a year, with alphabetical listings of exhibitions at select Australian galleries, organised regionally. It provides a guide to art services and artist opportunities across all Australian states and territories with city and region maps.
Art Almanac includes a database of over 1,700 artists cross-referenced with galleries, and with this data Art Almanac has proven to be a useful research resource on Australian art, [2] [3] providing a robust and uniform longitudinal base dataset for industry analysis as a result of the consistent industry practice to list in Art Almanac as a base level of marketing. [4]
The online edition of Art Almanac features art news and provides listings of upcoming events.
In 1974 George Paton Gallery, at the University of Melbourne, then under the leadership of curator Kiffy Rubbo (1944–1980), [5] [6] with Meredith Rogers, the gallery's assistant director, began the magazine as an informal roneo-ed publication of Melbourne gallery listings, naming the publication Art Almanac [7] (though later confessing their misunderstanding and misuse of the term 'almanac' for a monthly publication). [8] In the first edition for March–June 1974, they wrote, ‘We felt there was a need to compile a comprehensive listing of galleries, exhibitions, lectures, seminars and art events related to the visual arts in and around Melbourne.’ The first edition, totalling 11 pages, listed 50 galleries and 4 pages of various events. From early 1976 Art Almanac was included as a supplement to the short-lived Arts Melbourne, and by early 1979 the number of gallery listings increased to 59. [8]
When issues became irregular in 1982, the then George Paton Gallery director Judy Annear mailed an apology to subscribers and commercial production and distribution was initiated from June 1982, with Paul Nolan as publisher, adopting the current A5 format printed on gloss art paper. [9] Priced at $1, this monthly version of Art Almanac listed 69 galleries, all within Victoria.
Janice McCulloch (1938–2009) purchased the publication in 1985, and the magazine was then based in Sydney. Under her editorship and despite her lack of any previous publishing experience, Art Almanac expanded to include galleries in Sydney and nationally. From the slim, stapled black-and-white edition of 1982 had grown the perfect-bound full-colour magazine at the time of her death, [10] with 186 pages listing 207 galleries in Melbourne, 153 in Sydney 153, and over 560 galleries Australia-wide. [8] Art Almanac continued under the management of the McCulloch family before being acquired by nextmedia Pty Limited in late 2011. In December 2020, the publication settled in its new home, joining Artist Profile magazine and Art Investor at Artist Profile Pty Ltd with John Feitelson as publisher, Kon Gouriotis as managing director and Melissa Pesa as editor.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Peter Benjamin Graham was an Australian visual artist, printer, and art theorist.
Janine Burke is an Australian author, art historian, biographer, novelist and photographer. She also curates exhibitions of historical and contemporary art. She is Honorary Senior Fellow, Faculty of Fine Arts and Music, University of Melbourne. She was born in Melbourne in 1952.
Evelyn Juers is an Australian writer and publisher.
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.
Eric Prentice Anchor Thake was an Australian artist, designer, painter, printmaker and war artist.
The Women’s Art Register is Australia's living archive of women's art practice. It is a national artist-run, not-for-profit community and resource in Melbourne, Australia.
Geoff Todd is an Australian artist and social commentator and has a contemporary figurative style in drawing, painting and sculpture. Geoff Todd works between studios in Winnellie, NT, and Ararat, Victoria.
Kristin "Kiffy" Dattilo Rubbo (1944–1980) was an Australian gallery director and curator.
Pinacotheca was a gallery in Melbourne, Australia. Established in 1967 by Bruce Pollard, it was ideologically committed to the avant-garde and represented a new generation of artists interested in post-object, conceptual and other non-traditional art forms.
Miriam Stannage (1939–2016) was an Australian conceptual artist. She was known for her work in painting, printmaking and photography, and participated in many group and solo exhibitions, receiving several awards over her career. Her work was also featured in two Biennales and two major retrospective exhibitions.
Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.
Lesley Dumbrell, born on 14 October 1941 in Melbourne, is an Australian artist known for her precise abstract geometric paintings, and was a pioneer of the Australian Women's Art Movement of the 1970s. She became known as 'one of the leading artists in Melbourne to adopt the international styles of colour field and hard-edged abstraction'.
Geoffrey Bartlett is an Australian sculptor working in Melbourne. Bartlett's career in sculpture has spanned over almost 50 years since 1973. He is known for both his studio-based works and major public commissions in sculpture. Bartlett's work has been noted for its contribution to modern Australia sculpture. In 2007, the National Gallery of Victoria held a major retrospective on Bartlett's work since 1987.
The George Paton Gallery is the first institutionally supported experimental art space in Australia. Established in 1975 as the Ewing and George Paton Gallery, it is run by the University of Melbourne Student Union, on the University of Melbourne Parkville Campus. In 2022, the gallery relocated from its longstanding space at Union House building to the purpose built Arts and Cultural Building.
Trefor Prest is a Welsh-born Australian sculptor living in Victoria since 1961. He produces highly-finished intricate and puzzling, often humorous, quasi-mechanical or machine-age constructions that are the subject of solo shows in major public and commercial galleries and feature in national and international group exhibitions, including the Mildura Sculpture Triennials.
Rozalind Drummond is a photographic artist and an early exponent of postmodernism in Australia.
The Women's Art Movement (WAM) was an Australian feminist art movement, founded in Sydney in 1974, Melbourne in 1974, and Adelaide in 1976.
Meredith Rogers is an Australian theatre director and academic, and has written on performance and theatremaking. Rogers is an Honorary Associate of the Humanities & Social Sciences School at La Trobe University and for over a decade has lectured in their Theatre and Drama Program.