Art Kahn was an American jazz musician, composer, and bandleader in Chicago during the 1920s. In later years, he sang and played piano as a solo act at the Torch Club in Chicago. The Art Kahn Orchestra recorded "Hello, Baby" with singer Ruth Etting in 1926. Other songs included "Shanghai Lullaby" (1924) and "When Day Is Done"( 1927) [1] Art Kahn and His Orchestra appear in the short film, Gags and Gals (1936).
This name was also used as a pseudonym for Gene Kardos.[ citation needed ]
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916.
"I Only Have Eyes for You" is a romantic love song by composer Harry Warren and lyricist Al Dubin, written for the film Dames (1934) when Dick Powell introduced it. Several successful recordings of the song were made in 1934; later, there were charted versions by The Flamingos (1959) and Art Garfunkel (1975).
"My Buddy" is a popular song with music written by Walter Donaldson, and lyrics by Gus Kahn. The song was published in 1922 and early popular versions were by Henry Burr (1922), Ernest Hare (1923) and Ben Bernie.
"I'll See You in My Dreams" is a popular song, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States. Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James; with three of these four reaching the Top 10.
"The One I Love (Belongs to Somebody Else)" is a popular song composed by Isham Jones with lyrics by Gus Kahn. The song was recorded by Isham Jones' Orchestra on December 21, 1923, at Brunswick Studios in New York City, and published on January 7, 1924. On January 17 in Chicago, Jones recorded another version, with Al Jolson on lead vocals. Both versions made the charts that Spring, with Jolson's peaking at number 2, and Jones' at number 5. Sophie Tucker recorded her version February 1924, released on Okeh 40054.
"I'm Sitting on Top of the World" is a popular song with music written by Ray Henderson and lyrics by Sam M. Lewis and Joe Young. It was published in 1925.
Theodore Salvatore Fiorito, known professionally as Ted Fio Rito, was an American composer, orchestra leader, and keyboardist, on both the piano and the Hammond organ, who was popular on national radio broadcasts in the 1920s and 1930s. His name is sometimes given as Ted Fiorito or Ted FioRito.
"Everything I Have Is Yours" is a popular song. The music was written by Burton Lane, the lyrics by Harold Adamson. The song was published in 1933. It was first sung by Art Jarrett in the 1933 film Dancing Lady.
Dudley Mecum (1896–1978) was an American pianist, vocalist and songwriter. He was based in Chicago and had a musical group, Dudley Mecum's Wolverines. In the 1920s he also performed with a number of other ensembles such as Merritt Brunies and his Friar's Inn Orchestra. Mecum wrote the lyrics for the song "Angry" which was composed by Merritt Brunies, Henry Brunies, and Jules Cassard in 1925. By 1929 Mecum had become a full-time songwriter. His other published pieces included "How's Your Folks and My Folks", recorded by the pianist and vocalist Art Gillham while testing new electric microphone technology, "I've Got the Blues for Tennessee", co-written by Mecum with Cal DeVoll and Wallace Bradley.
"Clap Yo' Hands" is a song composed by George Gershwin, with lyrics by Ira Gershwin.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"Yes Sir, That's My Baby" is a popular U.S. song from 1925. The music was written by Walter Donaldson and the lyrics by Gus Kahn. It is now in the public domain.
"Ukulele Lady" is a popular standard, an old evergreen song by Gus Kahn and Richard A. Whiting. Published in 1925, the song was first made famous by Vaughn De Leath.
"Some Sunday Morning" is the title of two well-known American songs. The first has music written by Richard A. Whiting with lyrics by Gus Kahn and Raymond B. Egan, and was recorded by Ada Jones and Billy Murray in 1917. The second has music by M.K. Jerome and Ray Heindorf, with lyrics by Ted Koehler, and was introduced in the 1945 film San Antonio by Alexis Smith.
"Way Down Yonder in New Orleans" is a popular song with music by John Turner Layton Jr. and lyrics by Henry Creamer. First published in 1922, it was advertised by Creamer and Layton as "A Southern Song, without A Mammy, A Mule, Or A Moon", a dig at some of the Tin Pan Alley clichés of the era.
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
"Among My Souvenirs" is a 1927 song with words by Edgar Leslie and music by Horatio Nicholls.
"Coquette" is a 1928 fox trot jazz standard. It was composed by Johnny Green and Carmen Lombardo, with lyrics by Gus Kahn. Guy Lombardo had great success with the song in 1928.
Toot, Toot, Tootsie is a 1922 song with music and lyrics by Gus Kahn, Ernie Erdman and Danny Russo, per the credits on the original sheet music cover. Some other sources also credit Ted Fio Rito and Robert King for the song, but make no mention of Dan Russo. It debuted in the Broadway musical Bombo, where it was a major hit. It was first recorded by Al Jolson with Frank Crumit's orchestra for Columbia Records on September 9, 1922. It was further popularised by the racy singer-comedian Eddie Cantor.
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