Arthur Christmas: Original Motion Picture Soundtrack | ||||
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Film score by | ||||
Released | 14 November 2011 | |||
Venue | September–October 2011 | |||
Studio | Abbey Road Studios, London | |||
Genre | Film score | |||
Length | 46:50 | |||
Label | Madison Gate Records | |||
Producer | Harry Gregson-Williams | |||
Harry Gregson-Williams chronology | ||||
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Arthur Christmas: Original Motion Picture Soundtrack is the score album to the film of the same name directed by Sarah Smith. The film's original score is composed and produced by Harry Gregson-Williams and released on 14 November 2011 by Madison Gate Records. [1] The music was described by Gregson-Williams as "a very much tune-led, melody-led, theme-led score, utilising a large and colorful orchestration". [2] It received positive reviews from music critics.
In March 2010, Michael Giacchino was roped in to score music, [3] [4] and was joined by singer-songwriter Adam Cohen to score additional music on that November. [5] [6] However, in September 2011, Harry Gregson-Williams was roped in to score the film at the last minute, replacing Giacchino, due to creative differences. [7] Gregson-Williams had previously worked with Aardman Animations on Chicken Run (2000) and Flushed Away (2006), both were co-produced with DreamWorks Animation. [2] This also marks as Gregson-Williams first score for an animated film that's not from DreamWorks, since The Tigger Movie (2000) by Walt Disney Pictures. Unlike Flushed Away, which had only needle drops of songs in the film being placed, and the score was being minimal, the film had only one song at the end credits, thereby having much scope for the score to contribute the film. He had only four to five weeks for scoring which was "abnormal" for any animated film, but called it as "wonderful" as it had "action-adventure, with a great emotional charge" and being a Christmas film which he had never done. [2]
Gregson-Williams felt that the Christmas film is being a fresh genre and has no antagonists as "the only thing is the threat that Arthur has of the possibility of one child not getting a Christmas present on Christmas morning". He felt that the film's animation is much different to that of Shrek and also superior to Flushed Away as DreamWorks being involved in both the projects and Sony Animation being involved in Arthur Christmas, who were supportive in making this film. While recording and mixing the score at Abbey Road Studios, the orchestra included over 70 to 80 performers. [2] [8]
Gregson-Williams felt that the film was perfect for some thematic material. [8] The protagonist's theme appeared in the end of the film and a nostalgic tune was played for GrandSanta character, who represent the old way to doing things. He used the sound of tubular bells played outside his studio while recording. On the film's music approach, Gregson-Williams said: [2]
"there are two distinct approaches to how the Santa Claus family sees Christmas. One through the eldest son played by Hugh Laurie, that is all about technology, about an overview as opposed to detail. And then, the opposite of that, which is Arthur and his grandfather, who are much more interested in details, and the fact that one child might be left behind. Musically, I was able to reflect that through this very energetic music that’s often driven by loops, custom-developed by me for the purpose, loops that you wouldn’t necessarily expect here." [2]
He further incorporated instruments he associated with Christmas, which includes kantele, a Finland-based instrument which he used in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) for creating crystalline-kind of sounds. However, while writing music for Arthur and his Grandfather he was devoid of the contemporary tech music, but a nostalgic one which felt organic and orchestral. At the end of the score, the approaches collide and mix together which was "very satisfying to tie up the themes in the last five or six minutes of the film". In addition to those two aspects, he added an intrusion of NATO which had a "quite serious music that completes the themes". [2]
No. | Title | Length |
---|---|---|
1. | "Trelew, Cornwall, England" | 1:48 |
2. | "Operation Christmas" | 4:54 |
3. | "Waker!" | 2:51 |
4. | "Mission Control" | 2:55 |
5. | "One Missed Child" | 3:00 |
6. | "Bring Them Home" | 1:43 |
7. | "Dash Away" | 3:46 |
8. | "Paris Zoo?" | 2:29 |
9. | "The Wrong Trelew" | 1:54 |
10. | "Race to Gwen's House" | 2:09 |
11. | "Arthur's Sadness" | 2:22 |
12. | "Serengeti Escape" | 2:24 |
13. | "Worry Me!" | 1:37 |
14. | "Space Travel" | 2:48 |
15. | "Goodbye Evie" | 2:48 |
16. | "Christmas Morning" | 4:00 |
17. | "We Wish You A..." | 0:48 |
18. | "Make Someone Happy" (Performed by Bill Nighy) | 2:34 |
Total length: | 46:50 |
Filmtracks.com wrote "Gregson-Williams did an admirable job for Arthur Christmas. The thematic attributions don't seem as complexly layered as they could have been, probably due to time constraints, but the 47-minute album is breezy entertainment that surpasses most of its peers in the genre." [9] James Southall of Movie Wave wrote "Throughout, he injects a real sense of magic – there are big themes, there’s a big orchestra, there’s an obvious big smile on the faces of everyone involved in its production which inevitably finds its way onto the listener. It’s hard to imagine anyone not being won over by its charms – a little like Randy Newman’s Pixar scores, there’s nothing here to dislike – it’s well-composed music, perhaps not with the spectacular clarity of orchestration that Newman offers, but the inherent goodness of it all is a joy to behold. Direct Christmas references are few and far between – this is not one of those Christmas scores which people will only listen to during December – but it’s well and truly a Christmas cracker." [10] Maintitles.net wrote "it is a return to the scores that sky rocketed his career in the late 90's and in the early millennium. Scores like Sinbad and The Borrowers will definitely come to mind when listening to Arthur Christmas. Showing us that Harry Gregson-Williams still has it in him, if he just pushes himself a little bit." [11] The Hollywood Reporter , Variety 's Peter Debruge and The Patriot Ledger's Brett Michel called Gregson-Williams' score as "buoyant" and "zippy". [12] [13] [14]
Credits adapted from CD liner notes. [15]
Aardman Animations Limited is a British animation studio based in Bristol. It is known for films and television series made using stop motion and clay animation techniques, particularly those featuring its plasticine characters from Wallace & Gromit, Chicken Run, Shaun the Sheep, and Morph. After some experimental computer-animated short films during the late 1990s, beginning with Owzat (1997), Aardman entered the computer animation market with Flushed Away (2006). As of February 2020, it had earned $1.1 billion worldwide, with an average $135.6 million per film.
Harry Gregson-Williams is a British composer, conductor, orchestrator, and record producer. He has composed music for video games, television and films including the Metal Gear series, Spy Game, Phone Booth, Man on Fire, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Prince Caspian, Déjà Vu, X-Men Origins: Wolverine, The Martian, Team America: World Police, Antz, The Tigger Movie, Chicken Run and its sequel, the Shrek franchise, Sinbad: Legend of the Seven Seas, Flushed Away, Arthur Christmas, Early Man, and Catch-22. He is also the older brother of fellow composer Rupert Gregson-Williams.
David Buckley is a British composer of film and television scores, based in Santa Monica, California.
John Powell is an English composer best known for his film scores. He has been based in Los Angeles since 1997 and has composed the scores to over 70 feature films. He is best known for composing score for films, including Face/Off, the Bourne film series, the Happy Feet films, United 93, X-Men: The Last Stand, Evolution, Dr. Seuss' The Lorax, Migration, Drumline, Hancock, The Call of the Wild, Bolt, eight Blue Sky Studios films, and nine DreamWorks Animation films.
Arthur Christmas is a 2011 animated Christmas comedy film produced by Columbia Pictures and Sony Pictures Animation in association with Aardman Animations, and distributed by Sony Pictures Releasing. The film is Aardman's second mostly computer-animated feature film after 2006's Flushed Away. It was directed by Sarah Smith, co-directed by Barry Cook, and written by Smith and Peter Baynham. Featuring the voices of James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent, Imelda Staunton, and Ashley Jensen, the film centres on Arthur Claus, the younger son of Santa Claus, who discovers that his father's high-tech ship has failed to deliver one girl's present. Accompanied only by his grandfather, a Christmas elf and a team of reindeer, he embarks on a mission to deliver the girl's present personally in the early morning hours of Christmas Day before sunrise.
Cars 2 (Original Motion Picture Soundtrack) is the soundtrack album to the 2011 Disney/Pixar film of the same name composed by Michael Giacchino. It was directed by John Lasseter, a sequel to Cars (2006) and the second film in the Cars franchise. The film is scored by Michael Giacchino in his first and only collaboration with Lasseter. The film marked Giacchino's fourth Pixar film after The Incredibles, Ratatouille and Up, which was also by Lasseter and also the fourth Pixar film not to be scored by Randy Newman or Thomas Newman. The score was recorded at the Eastwood Scoring Stage for over six to seven weeks, whereas the orchestra recording happened for six to eight days. The album was released by Walt Disney Records on June 14, 2011, ten days ahead of the film's release, and featured songs performed by Weezer, Robbie Williams, Brad Paisley and Perfume, with Giacchino's score accompanying the remainder of it.
Prometheus: Original Motion Picture Soundtrack is an original motion picture soundtrack album for the 2012 science fiction film, Prometheus. Written by German composer Marc Streitenfeld, the soundtrack also features two supplemental pieces by English composer Harry Gregson-Williams, and it was conducted by Ben Foster.
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Alien: Covenant is a soundtrack album for the 2017 science fiction film, Alien: Covenant, composed by Jed Kurzel. It was released on May 19, 2017, by Milan Records. A vinyl pressing of the soundtrack was released on July 7, 2017.
Mulan (Original Motion Picture Soundtrack) is the soundtrack to the 2020 film of the same name, which is a live-action adaptation of the identically named 1998 animated musical adventure film. Unlike the original version, the film did not reuse any songs from the former, but instead used instrumental version of the tracks. Harry Gregson-Williams, who previously worked with Caro on The Zookeeper's Wife, composed the film's score with additional music by Tom Howe and Stephanie Economou, while also adapted the original themes composed by Jerry Goldsmith for the 1998 film. The soundtrack album was released by Walt Disney Records on September 4, 2020.
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John Carter is the soundtrack album to the eponymous 2012 science fiction action film directed by Andrew Stanton. The soundtrack, released by Walt Disney Records on March 6, 2012, features original score themes composed by Michael Giacchino, in his first and only collaboration with Stanton, and also replacing his norm composer Thomas Newman, whom he had previously scored for Stanton's animated films: Finding Nemo (2003) and WALL-E (2008). The score received critical acclaim.
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Incredibles 2 (Original Motion Picture Soundtrack) is the soundtrack album to the 2018 film Incredibles 2, the sequel to Pixar's The Incredibles (2004). The film is directed by Brad Bird and featured musical score composed by Michael Giacchino, who also worked on the predecessor. The recording of the score began during mid-2017 and continued till May 2018, at the Sony Scoring Stage in California. The soundtrack album was released digitally, alongside the film, on June 15, by Walt Disney Records and in CDs on June 29. The soundtrack featured Giacchino's scores as well as vocalised theme songs for Mr. Incredible, Frozone, and Elastigirl featured in the credits. The digital release also featured bonus versions of the theme songs sung by Disney's a cappella group, DCappella, and their version of the track "The Glory Days" from the predecessor.
Mission: Impossible – Ghost Protocol is the score album to the 2011 film Mission: Impossible – Ghost Protocol. The fourth installment in the Mission: Impossible film series, starring Tom Cruise, and the sequel to Mission: Impossible III (2006), the film is directed by Brad Bird and featured musical score composed by Michael Giacchino, who scored for Mission: Impossible III (2006), and also for Bird's previous animated films, The Incredibles (2004) and Ratatouille (2007). Varèse Sarabande released the soundtrack on December 13, 2011.
X-Men Origins: Wolverine – Original Motion Picture Soundtrack is the soundtrack to the 2009 superhero film X-Men Origins: Wolverine directed by Gavin Hood, based on the Marvel Comics fictional character Wolverine and starred Hugh Jackman as the titular character. It is the fourth installment of the X-Men film series, the first installment of the Wolverine trilogy within the series, and a spin-off/prequel to X-Men (2000) and X2 (2003). The film's score composed and produced by Harry Gregson-Williams, released through the Varèse Sarabande record label, three days before the film. The score, however, received mixed reviews.
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Prince of Persia: The Sands of Time is the score album to the 2010 film Prince of Persia: The Sands of Time, based on the 2003 video game of the same name. Directed by Mike Newell and produced by Jerry Bruckheimer, the film stars Jake Gyllenhaal, Ben Kingsley, Gemma Arterton, and Alfred Molina. The film features musical score composed by Harry Gregson-Williams and produced by Hans Zimmer. The soundtrack was released through Walt Disney Records on May 25, 2010.
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