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Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."
Warren "Baby" Dodds was an American jazz drummer born in New Orleans, Louisiana. He is regarded as one of the best jazz drummers of the pre-big band era. He varied his drum patterns with accents and flourishes, and he generally kept the beat with the bass drum while playing buzz rolls on the snare. Early influences included Louis Cottrell, Sr., Dave Perkins, and Tubby Hall. Dodds was among the first drummers to be recorded improvising while performing.
Charles Henry Christian was an American swing and jazz guitarist. He was among the first electric guitarists and was a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Arthur Stewart Farmer was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.
George Murphy "Pops" Foster was an American jazz musician, best known for his vigorous slap bass playing of the string bass. He also played the tuba and trumpet professionally.
Raymond Matthews Brown was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet.
Arthur James "Zutty" Singleton was an American jazz drummer.
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Oran Thaddeus "Hot Lips" Page was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
Christian McBride is an American jazz bassist, composer and arranger. He has appeared on more than 300 recordings as a sideman, and is an eight-time Grammy Award winner.
Irving Herbert Pomeroy III was an American jazz trumpeter, teacher, and the founder of the MIT Festival Jazz Ensemble.
Walter Sylvester Page was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page's Blue Devils and the Count Basie Orchestra.
Harold Mabern Jr. was an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as "one of the great post-bop pianists".
John Josephus Hicks Jr. was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
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Cecil Scott was an American jazz clarinetist, tenor saxophonist, and bandleader.
Herbie Lovelle was an American drummer, who played jazz, R&B, rock, and folk. He was also a studio musician and an actor.
Herbert Arnold Geller was an American jazz saxophonist, composer and arranger. He was born in Los Angeles, California, United States.
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