The Arts and Crafts Society of Ireland was formed in Ireland in 1894 to promote Irish decorative and fine arts. The society held exhibitions to showcase these Irish arts. [1]
The Arts and Crafts Society of Ireland (ACSI) was founded in 1894, instigated by Dermot Bourke, 7th Earl of Mayo, with the aim of encouraging and sponsoring the development of artistic industries in Ireland. It held its first exhibition in 1895, opening on 7 November in the Royal University Buildings, Earlsfort Terrace, Dublin. It was broadly modelled on its British counterpart, the Arts and Crafts Exhibition Society. [2] Along with holding exhibitions, the society also held lectures for both members and non-members. [3] It also published exhibition catalogues, pamphlets, and reports. [1]
In 1907, the ASCI founded the Guild of Irish Art Workers for professional craftspeople. [2] The society was disbanded in 1925, after its seventh exhibition that year. [4]
Amongst the member of the society were Harry Clarke, Richard Orpen, Robert Arthur Dawson, Rosamond Praeger, Oswald Reeves, Evelyn Gleeson, Alice Brittain and Alice Shaw. [3] The members worked in varying media including leather, lace, metal, wood, stone, marble, stained glass and porcelain. [5]
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
Henry Patrick Clarke was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
Sir Grayson Perry is an English artist. He is known for his ceramic vases, tapestries, and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".
The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design. In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
Eglantyne Louisa Jebb was an Anglo-Irish social reformer. A keen supporter of the Arts and Crafts movement, in 1884 she founded the Home Arts and Industries Association as a way of reviving country crafts and overcoming rural poverty.
The Musée des Arts Décoratifs is a museum in Paris, France, dedicated to the exhibition and preservation of the decorative arts. Located in the city’s 1st arrondissement, the museum occupies the Pavillon de Marsan, the north-western wing of the Palais du Louvre. With approximately one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe. It is one of three museums operated by the non-profit arts association MAD, founded in 1882.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
Veronica Mary Whall (1887–1967) was an important stained glass artist, painter, and illustrator associated with the Arts and Crafts movement. Her father, Christopher Whall, was the leader of the movement in stained glass. She was educated in the techniques of painting and stained glass making in her father's studio-workshop. She later became his studio assistant and designer for his studio in 1914. In 1922, Whall and her father co-founded a stained glass studio together, which she managed for nearly thirty years after his death in 1924.
Georgina Evelyn Cave Gaskin, known as Georgie Gaskin, was an English jewellery and metalwork designer, as well as an illustrator.
The New Gallery is a Crown Estate-owned Grade II Listed building at 121 Regent Street, London, which originally was an art gallery from 1888 to 1910, The New Gallery Restaurant from 1910 to 1913, The New Gallery Cinema from 1913 to 1953, and a Seventh-day Adventist Church from 1953 to 1992. After having been empty for more than ten years, the building was a Habitat furniture store from 2006 to 2011, and since September 2012 it is a flagship store for Burberry.
The Arts and Crafts Exhibition Society was formed in London in 1887 to promote the exhibition of decorative arts alongside fine arts. The Society's exhibitions were held annually at the New Gallery from 1888 to 1890, and roughly every three years thereafter, were important in the flowering of the British Arts and Crafts Movement in the decades prior to World War I.
Talwin Morris was a prolific book designer and decorative artist working in the late 19th and early 20th centuries, particularly known for his Glasgow Style furniture, metalwork and book designs.
Edward Woore or Davie Woore (1880–1960) was a British stained glass artist and member of the British Society of Master Glass Painters. He was a student, apprentice and collaborator with Christopher Whall, a stained glass artist and leader in the Arts and Crafts movement.
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery.
Hazel Ruthven Armour was a Scottish sculptor and medalist.
Lilias Marianne Ar de Soif Farley was a Canadian painter, sculptor, designer, and muralist in realism and abstraction. In 1967, she was awarded the Centennial Medal for Service to the Nation in the Arts. She was an alumna of the Vancouver School of Decorative and Applied Arts and was a member of the school's first graduating class.
Edith Brearey Dawson was an English artist, jeweller and member of the Arts and Crafts movement.
Kathleen Quigly was an Irish stained glass artist, illustrator and painter. She was also a metal worker and jewellery designer.
Elizabeth Muntz was a Canadian-born artist based in Dorset, noted for her sculptures and paintings.
Joyce Rosemary Himsworth was a British independent designer silversmith. From an early age she worked with her father, the polymath Joseph Beeston Himsworth (1874–1968) making small spoons and items of jewellery. She went on to study at Sheffield College of Arts and Craft, focusing on jewellery manufacture and enamelling. Her undoubted talents were not enough for her to gain a position within the family cutlery firm, B. Worth & Sons.