Artt Frank

Last updated
Artt Frank
Born (1933-03-09) March 9, 1933 (age 90)
Westbrook, Maine, U.S.
Genres Jazz
Occupation(s)Musician
Instrument(s)Drums
Years active1948–present

Artt Frank (born March 9, 1933) is an American jazz drummer specializing in the bebop, hard bop, and cool jazz styles. He is best known for touring with trumpet player Chet Baker during much of his career. [1]

Contents

Biography

Frank was born in Westbrook, Maine, and was one of seven children. He took up the drums in 1939 [2] after hearing jazz musicians such as drummer Gene Krupa and saxophone player Charlie Parker on the radio, learning to play solely by ear. [1] According to drummer Stan Levey, Frank first arrived on the New York bebop scene in 1948. [1] Musicians Frank played with during this time include Parker, Dexter Gordon, Sonny Stitt, and Bud Powell. [1]

Frank served on the USS Des Moines during the Korean War, but he continued to listen to jazz recordings on the radio. He first heard a recording of trumpeter Chet Baker in 1953, and first met Baker later that year at Storyville, a jazz club in Boston. [3]

Frank later moved to California and continued to pursue his career as a drummer. According to some accounts, he rediscovered Baker at a gas station in 1967, where the trumpet player was working after having lost his teeth and consequently his ability to play the instrument. [4] Another account indicates Frank passed Donte's, a jazz club where Baker was playing, on the way to a gig. [3] Frank worked extensively with Baker until the latter died in 1988, and two albums came out of live performances: Burnin' at Backstreet (1980) and Live at the Renaissance II (1984). Frank was known for playing "brushes at stick level and sticks at brush level," which suited Baker's playing style. [3] Frank played with Sal Nistico, Lorne Lofsky, Chris Connors, Drew Salperto, and Michael Formanek on these live albums with Baker. [3]

After Baker's death in 1988, Frank wrote and published a biography of Baker titled Chet Baker: The Missing Years, which was notable for its "conversational narrative" and extensive knowledge of previously unknown details about Baker. The book focuses on Baker's comeback from 1967-1971 and the later years the two toured and recorded two live albums during the 1980s. [5]

Frank recorded several albums as joint leader with trumpet player Pat Morrissey, saxophone player Ken Barry, pianist Chris Clarke, and bassist Phil Bowler starting in the 1990s. In the year 2000, he played a concert series at The Aldrich with this quintet. [6]

Frank was inducted into the Oklahoma Jazz Hall of Fame in 2010. [7]

Discography

As leader

As sideman

With Chet Baker

  • Burnin' at Backstreet (1991)
  • Live at the Renaissance II (1992)

Related Research Articles

<span class="mw-page-title-main">Bebop</span> Subgenre of jazz music developed in the U.S. in mid-1940s

Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.

<span class="mw-page-title-main">Dizzy Gillespie</span> American jazz trumpeter (1917–1993)

John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.

<span class="mw-page-title-main">Max Roach</span> American jazz percussionist, drummer, and composer (1924–2007)

Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.

<span class="mw-page-title-main">Bud Powell</span> American jazz pianist and composer (1924–1966)

Earl Rudolph "Bud" Powell was an American jazz pianist and composer. A pioneer in the development of bebop, jazz critics have commented that his compositions and playing style "greatly extended the range of jazz harmony," and his application of complex bebop phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris. Although a severe beating by police in 1945, followed by years of electroconvulsive therapy treatments and hospitalization, impacted his health during the latter half of his career, he continued to compose, record, and perform until shortly before his death in 1966. In the decades following his death, his career and life story became the inspiration for films and written works, including Bertrand Tavernier's Round Midnight. Many Powell compositions, including "Un Poco Loco", "Bouncing with Bud", and "Parisian Thoroughfare", have become jazz standards.

<span class="mw-page-title-main">Hard bop</span> Subgenre of jazz music

Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.

<span class="mw-page-title-main">Freddie Hubbard</span> American jazz trumpeter (1938–2008)

Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.

<span class="mw-page-title-main">Cool jazz</span> Sub-genre of jazz associated with the U.S. West Coast

Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that of contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."

<span class="mw-page-title-main">Chet Baker</span> American jazz musician (1929–1988)

Chesney Henry "Chet" Baker Jr. was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool".

Clifford Osbourne Jarvis was an American hard bop and free jazz drummer, who in the 1980s moved to London, England, where he spent the remainder of his career.

<span class="mw-page-title-main">George Coleman</span> American jazz saxophonist

George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.

West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it was not the only form of jazz heard on the American West Coast.

<span class="mw-page-title-main">Russ Freeman (pianist)</span> American jazz pianist and composer (1926–2002)

Russell Donald Freeman was a bebop and cool jazz pianist and composer.

<span class="mw-page-title-main">Straight-ahead jazz</span> Genre of jazz

Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.

<span class="mw-page-title-main">Denzil Best</span> American jazz drummer (1917–1965)

Denzil DaCosta Best was an American jazz percussionist and composer born in New York City. He was a prominent bebop drummer in the 1950s and early 1960s.

<span class="mw-page-title-main">Michael Formanek</span> American jazz bassist

Michael Formanek is an American jazz bassist born in San Francisco, California, United States, and associated with the jazz scene in New York.

Harold Danko is an American jazz pianist.

<span class="mw-page-title-main">1999 in jazz</span> Overview of the events of 1999 in jazz

This is a timeline documenting events of Jazz in the year 1999.

This article contains the discography of the American jazz trumpeter and singer Chet Baker. His most productive period was arguably for Pacific Records during the 1950s, which included his first vocal recordings.

<i>Silence</i> (Charlie Haden album) 1989 studio album by Charlie Haden

Silence is an album by the American jazz bassist Charlie Haden recorded in 1987 and released on the Italian Soul Note label two years later. The album features West Coast jazz trumpeter Chet Baker, and was recorded six months before Baker's death. Three of the six songs on the album--"My Funny Valentine", "'Round Midnight", and "Conception"—were regular features in Baker's concerts at the time. A fourth song, "Visa", was a bebop composition written by Charlie Parker, a musician Baker played with early in his career. Joining Haden and Baker on the album are drummer Billy Higgins and pianist Enrico Pieranunzi.

<i>Chet Baker Big Band</i> 1956 studio album by Chet Baker

Chet Baker Big Band is an album by jazz trumpeter Chet Baker recorded in 1956 and released on the Pacific Jazz label.

References

  1. 1 2 3 4 "Artt Frank: Essentials for the Be Bop Drummer". drummercafe.com. 2007-06-24. Retrieved 2023-10-29.
  2. rford@gvnews.com, Regina Ford (2014-10-24). "Jazz drummer hasn't skipped a beat in 75 years". Green Valley News & Sahuarita Sun. Retrieved 2023-10-29.
  3. 1 2 3 4 Jazz, All About (2020-11-04). "Jazz news: Chet Baker and Artt Frank". All About Jazz. Retrieved 2023-10-29.
  4. 1 2 Hicks, Shannon. "Artt Frank, Live At The Aldrich". www.newtownbee.com. Retrieved 2023-10-29.
  5. Jazz, All About (2014-03-24). "Chet Baker: The Missing Years by Artt Frank article @ All About Jazz". All About Jazz. Retrieved 2023-10-29.
  6. Hicks, Shannon. "Artt Frank, Live At The Aldrich". www.newtownbee.com. Retrieved 2023-10-29.
  7. Breznikar, Klemen (2023-07-04). "Mike Armando | Interview | Screamin' Jay Hawkins Guitarist". It's Psychedelic Baby Magazine. Retrieved 2023-10-29.
  8. "Artt Frank: Chet Baker's Brother in Bebop | Jazz on the Tube" . Retrieved 2023-10-29.