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Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Walter Brown "Brownie" McGhee was an American folk and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry.
Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.
The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck "Pops" Staples, the patriarch of the family, formed the group with his children Cleotha, Pervis, and Mavis. Yvonne replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits "Respect Yourself", "I'll Take You There", "If You're Ready ", and "Let's Do It Again". While the family name is Staples, the group used "Staple" commercially.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
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Jay Mayo "Ink" Williams was a pioneering African-American producer of recorded blues music. Some historians have claimed that Ink Williams earned his nickname by his ability to get the signatures of talented African-American musicians on recording contracts, but in fact it was a racial sobriquet from his football days, when he was a rare Black player on white college and professional teams. He was the most successful "race records" producer of his time, breaking all previous records for sales in this genre.
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence.
"Good Shepherd" is a traditional song, best known as recorded by Jefferson Airplane on their 1969 album Volunteers. It was arranged and sung by the group's lead guitarist Jorma Kaukonen, who described their interpretation of it as psychedelic folk-rock.
Joel Washington Taggart, usually known as Blind Joe Taggart, was an American country blues and gospel singer and guitarist who recorded in the 1920s and 1930s. Though primarily a performer of evangelistic gospel songs, he also recorded secular music under a number of pseudonyms including Blind Joe Amos, Blind Jeremiah Taylor, Blind Tim Russell, Blind Joe Donnel, and possibly Blind Percy and Six Cylinder Smith.
Blind Connie Williams was an American blues guitarist who was a street performer beginning in the early 1930s. Williams was something of a journeyman throughout his busking career, but he lived in Philadelphia for most of his life. Much of his repertoire consisted of sanctified gospel songs and pre-war country blues standards. In 1961, Williams had a recording session with the record producer Pete Welding, the results of which were later released on a compilation album.
References
- 1 2 3 Doc Rock. "The 1980s". The Dead Rock Stars Club. Retrieved November 4, 2015.
- ↑ Lewis, Catherine P. (November 22, 2005). "Blind Arvella Gray - The Singing Drifter". Paste Magazine. Retrieved May 18, 2019.
- 1 2 Colin Larkin, ed. (1995). The Guinness Who's Who of Blues (Second ed.). Guinness Publishing. p. 151. ISBN 0-85112-673-1.
- ↑ "Blind Arvella Gray, The Singing Drifter". Conjuroo.com. Retrieved November 4, 2015.
