Ash Dargan | |
|---|---|
| Occupation | Musician |
| Instrument | Didgeridoo |
Ash Dargan is an indigenous Australian didgeridoo player. [1] He is a member of the Larrakia people [2] but did not find out about his aboriginality until he was 21. [3] He teaches and performs all over the world. He is a former member of Coloured Stone, appearing on their 1999 album Rhythm of Nature.
With Don Emilio Fernandez De La Vega
With Nigel Pegrum
With Coloured Stone
With David Hudson
With Oscar Serrallach
The didgeridoo, also spelt didjeridu, among other variants, is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the yiḏaki, or more recently by some, mandapul. In the Bininj Kunwok language of West Arnhem Land it is known as mako.
Yothu Yindi are an Australian musical group with Aboriginal and non-Aboriginal members, formed in 1986 as a merger of two bands formed in 1985 – a white rock group called the Swamp Jockeys, and an unnamed Aboriginal folk group consisting of Mandawuy Yunupingu, Witiyana Marika, and Milkayngu Mununggur. The Aboriginal members came from Yolngu homelands near Yirrkala on the Gove Peninsula in Northern Territory's Arnhem Land. Founding members included Stuart Kellaway on bass guitar, Cal Williams on lead guitar, Andrew Belletty on drums, Witiyana Marika on manikay, bilma and dance, Milkayngu Mununggurr on yidaki, Geoffrey Gurrumul Yunupingu on keyboards, guitar, and percussion, past lead singer Mandawuy Yunupingu and present Yirrnga Yunupingu on vocals and guitar.
Steve Roach is an American composer and performer of ambient and electronic music, whose recordings are informed by his impressions of environment, perception, flow and space. His work has been influential in the trance and new-age genres.
David Charles Hudson is an Australian musician, entertainer and artist. Hudson is a multi-instrumentalist and was taught to play traditional didgeridoo from an early age. He also plays guitar, kit drums, percussion. He plays traditional music, as well as more ambient music, country-folk, rock, and new age.
Mark Atkins is an Australian Aboriginal musician known for his skill on the didgeridoo, a traditional instrument.
Djalu Gurruwiwi, written Djalu, was a Yolngu musician, artist, and leader from Arnhem Land in the Northern Territory of Australia. He was globally recognised for his acquired skill as a player, maker, and spiritual keeper of the yiḏaki. As a respected artist with many of his works in several galleries, he aimed to spread his culture and traditions past his own community.
Goanna is an Australian rock band which formed in 1977 in Geelong as The Goanna Band with mainstay Shane Howard as singer-songwriter and guitarist. The group integrated social protest with popular music and reached the Top 20 on the Australian Kent Music Report Singles Chart with "Solid Rock" (1982) and "Let the Franklin Flow". Their debut album, Spirit of Place, peaked at No. 2 on the related albums chart. They disbanded in 1987 and briefly reformed in 1998.
Dreamtime Return (1988) is a double album by the American ambient musician Steve Roach, based on Australian Aboriginal culture and the concept of the Dreamtime. Described as "one of the pivotal works of ambient music" and "groundbreaking," the album has been included on a number of lists of the world's best music, including 1,000 Recordings to Hear Before You Die.
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance.
Coloured Stone is an Aboriginal Australian band whose members originate from the Koonibba Mission, west of Ceduna, South Australia. They first became known for their 1984 single, "Black Boy". The band performs using guitar, bass, drums, and Aboriginal instruments – didjeridu, bundawuthada and clap sticks – to play traditional music.
Stephen Kent is a professional didgeridoo performer, percussionist, composer and recording artist. He lives in the San Francisco Bay Area.
Brother is a rock band incorporating Celtic rock, mongrel rock, Australian rock and didgeridoo. They record on their own Rhubarb Records label, and gained a worldwide following with their meld of Celtic music and dress with alternative rock and style.
Alan Dargin was an indigenous Australian musician and songwriter known for being a didgeridoo player. He grew up in Wee Waa and started learning the instrument at age five from his grandfather and other Wiradjuri elders. His signature instrument was over a hundred years old and was made from a blood wood eucalypt. He received his secondary education at St Pius X High School, Newcastle.
No Fixed Address (NFA) are an Australian reggae rock group whose members are all Aboriginal Australians, mostly from South Australia. The band formed in 1979, split in 1984, with several brief reformations or guest appearances in 1987–1988 and 2008, before reuniting in 2016 and continuing to perform into 2024. The original members were Bart Willoughby, Les Graham, Ricky Harrison, John Miller, and Veronica Rankine. As of 2024 the members are Willoughby, Harrison, Tjimba Possum Burns, and Sean Moffat. They were the first Aboriginal band to travel overseas. They have been inducted into the Hall of Fame at the inaugural National Indigenous Music Awards as well as the SA Music Hall of Fame, and have had a laneway in Adelaide CBD named after them.
Matthew John Hindson AM is an Australian composer.
David Blanasi was an Aboriginal man of the Mayali language group of west Arnhem Land, who is known for popularising the didgeridoo outside Australia, after appearing on television on the Rolf Harris show in 1967. He subsequently travelled the world playing his "mago" and was widely recognised for his skills.
Adam Plack is an Australian-born didgeridoo player, composer, and producer, originally from East Brighton in Melbourne. He moved to New York City in 1991 and released four albums before moving into production and composition for meditation music in partnership with Deepak Chopra.
Nevill Drury was an English-born Australian editor and publisher, as well as the author of over 40 books on subjects ranging from shamanism and western magical traditions to art, music, and anthropology. His books have been published in 26 countries and in 19 languages.
Gnosis is the fourth album by the British progressive rock band, Gnidrolog. The album's title, Gnosis, means divine or spiritual knowledge and understanding. It is their third studio album and the first to be recorded in 27 years. The album was mostly recorded at Select Sound Studios, Cairns, Australia, where it was engineered and produced by Nigel Pegrum. "Repent Harlequin", "Two Helens" and the title track were all recorded at Music City Studios, London, engineered by Joe Suarez and produced by Nessa Glen, in courtesy of Sarastro Music. The album was mostly published by Kempyre Music, except "Two Helens", which was published by Sarastro Music. Chris Copping of Procol Harum played his Hammond B3 Organ for a couple of tracks, which were recorded in Woodstock Studios, Melbourne and engineered by Tim Dudfield. Post production is credited to David J Burrows and Stewart Goldring. The album was mastered by David J Burrows at Disques rue Bis. The album is noted to be eclectic not only for its transcontinental recording but also for the use of traditional instruments such as the Australian aboriginal, didgeridoos. The album marks the band's comeback, which had also prompted the release of the Live 1972 album. In order to release some of the Goldring brothers' original material, the album was a renewed cooperation with the other 1970s Gnidrolog members, with the addition of Rick Kemp of Steeleye Span and Nessa Glen.
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