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Ashleigh Brilliant | |
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| Born | 9 December 1933 London, UK |
| Occupation(s) | author and syndicated cartoonist |
Ashleigh Ellwood Brilliant (born 9 December 1933) is an English-born American author and cartoonist. He is best known for his Pot-Shots, single-panel illustrations with one-line humorous remarks, which began syndication in the United States in 1975.
Brilliant was born in London, England. He attended Hendon County School, London, in the 1940s–50s. He graduated from the University of California at Berkeley with a PhD in history in 1964 and taught on a "floating university", an educational cruise ship that traveled around the world in the mid-60s. He later taught at a community college in Bend, Oregon.
During the "Summer of Love" in San Francisco in 1967, Brilliant gave daily lectures near the Haight Street entrance of Golden Gate Park. He released a live album recorded in Golden Gate Park in 1967 on a small Hollywood, California, record label, Dorash Enterprises (Dorash LP-1001). The album, Ashleigh Brilliant in the Haight-Ashbury, is quite rare today. The material uses familiar public domain tunes and melodies and incorporates clever poetic lyrics about marijuana, the Diggers, San Francisco neighborhoods, and his personal experiences, all the while displaying a banter which ebbs and flows with his audience, who respond warmly to the performance and also participate in the songs. He states in the recording that he had been performing in this setting for approximately two hours each day the prior four weeks. He laughs throughout his performance, while the audience joins him in singing along and banging on percussive items. The album ends with a "Haight-Ashbury Farewell".
The Wall Street Journal described him in a 1992 profile as "history's only full time, professional published epigrammatist". [1]
At one time, there was some confusion and controversy as to the ownership and recognition of his distinctive art form. In a copyright infringement suit filed by Brilliant, a United States federal judge ruled that while short phrases are not eligible for copyright, Brilliant's works were epigrams and therefore copyrightable (Brilliant v. W.B. Productions Inc., 1979).
While Brilliant employs a self-imposed limit of 17 words per epigram, he has actually written and published 41 with 18 words and one with 19 words. Once discovered, all these errors were corrected and then re-published.
In 1999 he authored the "Y1K Crisis" article which parodies the "Y2K Crisis" of 1999. [2]
Part of the counter-culture scene in San Francisco in the late 1960s, Brilliant wrote and sang a series of parody songs about the hippie movement in Golden Gate Park as the hippie movement happened. Called The Haight-Ashbury Songbook, the songs now appear on a CD collection available on his website.
Brilliant lives in Santa Barbara, California. [3]
In his 1998 book Information Liberation, Brian Martin cites Brilliant as a "professional epigrammatist" who has been known to threaten legal action in order to display his market precedence over legally owned fragments of human language, thus managing to reveal one of the many absurdities behind "intellectual property", namely its ability to limit the free use and dissemination of human expression. When Brilliant finds someone who has "used" one of his epigrams, he contacts them demanding a payment for breach of copyright. [4]
For instance, in 1991 television journalist David Brinkley wrote a book, Everyone is Entitled to My Opinion, the title of which he attributed to a friend of his daughter. Brilliant contacted Brinkley about copyright violation, concerned that this friend had been "subconsciously quoting" an aphorism that Brilliant had copyrighted in 1974. Random House, Brinkley's publisher, paid Brilliant $1000 without contesting the issue. [5]
In a separate 1979 case, a company copied two of Brilliant's phrases – "I may not be totally perfect, but parts of me are excellent" and "I have abandoned my search for truth and am now looking for a good fantasy"—and altered a third phrase, all for sale on T-shirt transfers. The district court acknowledged that the phrases were distinguished by conciseness, cleverness, and pointed observation, ruling that they were protected by copyright. [6]
All books published by Woodbridge Press (Santa Barbara, California)
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967. As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park. More broadly, the Summer of Love encompassed hippie culture, spiritual awakening, hallucinogenic drugs, anti-war sentiment, and free love throughout the West Coast of the United States, and as far away as New York City. An episode of the PBS documentary series American Experience referred to the Summer of Love as "the largest migration of young people in the history of America".
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
The Diggers were a radical community-action group of activists and street theatre actors operating from 1966 to 1968, based in the Haight-Ashbury neighborhood of San Francisco. Their politics have been categorized as "left-wing;" more accurately, they were "community anarchists" who blended a desire for freedom with a consciousness of the community in which they lived. The Diggers' central tenet was to be "authentic," seeking to create a society free from the dictates of money and capitalism.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called The Haight and The Upper Haight. The neighborhood is known as one of the main centers of the counterculture of the 1960s.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and the so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.
Chester Leo "Chet" Helms, often called the father of San Francisco's 1967 "Summer of Love," was a music promoter and a counterculture figure in San Francisco during its hippie period in the mid- to-late 1960s.
Emmett Grogan was a founder of the Diggers, a radical community-action group of Improvisational actors in the Haight-Ashbury district of San Francisco. The Diggers took their name from the English Diggers (1649–1650), a radical movement opposed to feudalism, the Church of England and the British Crown.
Flower child originated as a synonym for hippie, especially among the idealistic young people who gathered in San Francisco and the surrounding area during the Summer of Love in 1967. It was the custom of "flower children" to wear and distribute flowers or floral-themed decorations to symbolize ideals of universal belonging, peace, and love. The mass media picked up on the term and used it to refer in a broad sense to any hippie. Flower children were also associated with the flower power political movement, which originated in ideas written by Allen Ginsberg in 1965.
Stephen Gaskin was an American counterculture Hippie icon best known for his presence in the Haight-Ashbury district of San Francisco in the 1960s and for co-founding "The Farm", a spiritual commune in 1970. He was a Green Party presidential primary candidate in 2000 on a platform which included campaign finance reform, universal health care, and decriminalization of marijuana. He was the author of over a dozen books, a political activist, a philanthropic organizer and a self-proclaimed professional Hippie.
The San Francisco sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the counterculture community in San Francisco, particularly the Haight-Ashbury district, during these years. San Francisco is a westward-looking port city, a city that at the time was 'big enough' but not manic like New York City or spread out like Los Angeles. Hence, it could support a 'scene'. According to journalist Ed Vulliamy, "A core of Haight Ashbury bands played with each other, for each other"
According to lexicographer Jesse Sheidlower, the terms hipster and hippie derive from the word hip and the synonym hep, whose origins are disputed. The words hip and hep first surfaced in slang around the beginning of the 20th century and spread quickly, making their first appearance in the Oxford English Dictionary in 1904. At the time, the words were used to mean "aware" and "in the know". In the late 1960s, African language scholar David Dalby popularized the idea that words used in American slang could be traced back to West Africa. He claimed that hipi was the source for both hip and hep. Sheidlower, however, disputes Dalby's assertion that the term hip comes from Wolof origins.
The Haight Ashbury Free Clinics, Inc. is a free health care service provider serving more than 34,000 people in Northern California.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
The Love-Ins is a 1967 American counterculture-era exploitation movie about LSD that was directed by Arthur Dreifuss.
During the "hippie" period 1967–1968 in San Francisco, an individual named Al Rinker started an organization located at 1830 Fell St in the city's Haight Ashbury district called the Switchboard. Its purpose was to act as a social switchboard for people living there.
The Mantra-Rock Dance was a counterculture music event held on January 29, 1967, at the Avalon Ballroom in San Francisco. It was organized by followers of the International Society for Krishna Consciousness (ISKCON) as an opportunity for its founder, A. C. Bhaktivedanta Swami Prabhupada, to address a wider public. It was also a promotional and fundraising effort for their first center on the West Coast of the United States.
Lee Quarnstrom was an American journalist, executive editor of Larry Flynt’s Hustler Magazine, and a Beatnik. He was a core member of the Merry Band of Pranksters, a group loosely led by novelist Ken Kesey.
"All Watched Over by Machines of Loving Grace" is a poem by Richard Brautigan first published in his 1967 collection of the same name, his fifth book of poetry. It presents an enthusiastic description of a technological utopia in which machines improve and protect the lives of humans. The poem has counterculture and hippie themes, influenced by Cold War-era technology. It has been interpreted both as utopian and as an ironic critique of the utopia it describes. It is Brautigan's most frequently reprinted poem.
It Was Twenty Years Ago Today is a 1987 British-made television documentary film about the 1967 Summer of Love. It premiered on 1 June 1987, twenty years after the official release date of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band, and presents the album as the central factor behind the events and scenes that led to the full emergence of the 1960s counterculture.
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