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The Asian Arts Initiative (AAI) is a nonprofit organization in Philadelphia which focuses on art and the Asian-American community. It was founded by Gayle Isa, [1] who also served as AAI's first executive director until June 2018. Its current executive director is Anne Ishii. [2]
Initially a small part of the Painted Bride Art Center, the Asian Arts Initiative (AAI) was created by Gayle Isa, a 1993 graduate of Swarthmore College, who envisioned creating a community of artists which could contribute to the growth of the neighborhood and to its cultural revival. [3] In 1993, as a way of raising awareness about social and racial tension, the Painted Bride Art Center organized an Asian-American festival entitled "Live Traditions/Contemporary Issues," [1] the first such festival dedicated to Asian American culture in Philadelphia.
In 1996, the AAI separated from the Painted Bride Art Center, becoming an independent nonprofit organization and moved into their own building located in the heart of Chinatown. In the same year, AAI began its first program, Artists in Community Training (ACT), a program meant to provide training for different artists interested in teaching and leading workshops. In 1998, the Youth Arts Workshops was introduced and offered diverse courses in which students of all ages could participate and in order to develop skills in creative writing and the visual arts. In the same year, the Rap Series was created as a way for Asian American artists to be able to meet, dialogue and get involved in the community.
The Asian Arts Initiative was forced to relocate in August 2008, "due to the expansion of the Philadelphia Convention Center," [4] to a "three-level, 24,000 square-foot building at 1219 Vine Street", [5] in the northern part of Chinatown. [6] With funding from the City of Philadelphia, the State of Pennsylvania and private sources, the organization renovated part of the building into a multi-media facility that includes a gallery space and exhibition area, a theater, a media lab and library, and a generous space for workshops and meetings. As of 2008, the organization had a yearly budget of approximately $650,000. [7]
The Asian Arts Initiative is partnered with the National Performance Network [8] and with the Mural Arts Program (MAP), through which it hopes to promote its belief that "art produced and presented in the community context". [9]
The Asian Arts Initiative's gallery space hosts a number of contemporary artists of Asian descent originating in Philadelphia. Sparked by activism against large-scale changes to Chinatown, due to the proposal of a baseball stadium,[ which? ] the gallery was created to exhibit work that reflected the protest of the stadium project. Since the gallery’s opening in 2000, it has continued to host exhibitions ranging from paintings to installations 4 to 5 times a year. It featured several prominent figures in the art community as well as displaying the work of their youth workshops once a year. Visitors and participants become involved in viewing and learning about different artists and their artwork through these galleries. Several different benefactors support the Gallery exhibits, one being the Andy Warhol Foundation for Visual Arts. [10]
The Asian Arts Initiative provides a number of workshops that encourage participation from Philadelphia residents, focusing on specific types of artistic skills such as mural art, cooking, video editing, radio broadcasting, writing, and poetry. [11]
An art centre or arts center is distinct from an art gallery or art museum. An arts centre is a functional community centre with a specific remit to encourage arts practice and to provide facilities such as theatre space, gallery space, venues for musical performance, workshop areas, educational facilities, technical equipment, etc.
The City of Philadelphia Mural Arts Program is an anti-graffiti mural program in Philadelphia and Pennsylvania, in the United States. The program was founded in 1986 under the direction of the local artist Jane Golden, as part of the Philadelphia Anti-Graffiti Network, with the goal of facilitating collaboration between professional artists and prosecuted graffiti writers to create new murals in the city. It also works with community groups to educate and children in the arts and involve them in the creation of the murals. The program is currently one of the largest employers of artists in Philadelphia, employing more than 300 artists each year. In 2016 the organization was rebranded as Mural Arts Philadelphia.
The Chinese Culture Center of San Francisco, California, United States, is a community-based, non-profit organization established in 1965 as the operations center of the Chinese Culture Foundation.
Lenny Seidman is a tabla player, a composer, a co-director of the Spoken Hand Percussion Orchestra, and a World Music/Jazz curator at the Painted Bride Art Center in Philadelphia.
Isaiah Zagar is an American mosaic artist based in Philadelphia. He is notable for his murals, primarily in or around Philadelphia's South Street.
Kearny Street Workshop (KSW) in San Francisco, California, is the oldest multidisciplinary arts nonprofit addressing Asian Pacific American issues. The organization's mission is to produce and present art that enriches and empowers Asian Pacific American communities. Notable participants include author and Asian American studies scholar Russell Leong, playwright and author Jessica Hagedorn, author Janice Mirikitani, poet and historian Al Robles, and actor and filmmaker Lane Nishikawa.
The Asian American Arts Centre (AAAC) is a non-profit organization located in Chinatown in New York City. Founded in 1974, it is one of the earliest Asian American community organizations in the United States. The Arts Centre presents the ongoing developments between contemporary Asian & Asian American art forms and Western art forms through the presentation of performance, exhibitions, and public education. AAAC's permanent collection, which it has accumulated since 1989, contains hundreds of contemporary Asian American art works and traditional/folk art pieces. The organization also has an Artists Archive which documents, preserves, and promotes the presence of Asian American visual culture in the United States since 1945. This includes the East Coast, especially the greater New York area; the West Coast; and some artists in Canada, Hawaii, and overseas. The artists include Asian Americans producing art, Asian artists who are active in the United States, and other Americans who are significantly influenced by Asia. Pan-Asian in outlook, the Arts Centre's understanding of ‘Asia’ encompasses traditions and influences with sources ranging from Afghanistan to Hawaii.
An alternative exhibition space is a space other than a traditional commercial venue used for the public exhibition of artwork. Often comprising a place converted from another use, such as a store front, warehouse, or factory loft, it is then made into a display or performance space for use by an individual or group of artists. According to art advisor Allan Schwartzman "alternative spaces were the center of American artistic life in the '70s."
The Painted Bride Art Center, sometimes referred to informally as The Bride, is a non-profit artist-centered performance space and gallery particularly oriented to presenting the work of local Philadelphia artists, which presents dance, jazz, world, folk and electronic music, visual arts, theatre and performance art, poetry and spoken word performances. It is located at 5212 Market Street in the West Philadelphia neighborhood of Philadelphia, Pennsylvania,
Peckham Platform is a public art gallery in London that commissions and exhibits work by contemporary artists, usually in collaboration with local community groups.
Tomie Arai is an American artist and community activist who was born, raised, and is still active in New York City. Her works works consist multimedia site specific art pieces that deal with topics of gender, community, and racial identity. She is highly involved in community discourse, and co-founded the Chinatown Art Brigade.
Kay Ulanday Barrett is a published poet, performer, educator, food writer, cultural strategist, and transgender, gender non-conforming, and disability advocate based in New York and New Jersey, whose work has been showcased nationally and internationally. Their second book, More Than Organs received a 2021 Stonewall Honor Book Award by the American Library Association and is a 2021 Lambda Literary Award for Transgender Literature Finalist. They are a 2020 James Baldwin Fellowship recipient, three-time Pushcart Prize Nominee, and two-time Best of the Net Nominee. Barrett's writing and performance centers on the experience of queer, transgender, people of color, mixed race people, Asian, and Filipino/a/x community. The focus of their artistic work navigates multiple systems of oppression in the context of the U.S.
Sarah McEneaney is an American artist, painter, and community activist who lives and works in Philadelphia, Pennsylvania. Working primarily in egg tempera her paintings are characterized by their autobiographical content, detailed brushwork, and brilliant color. McEneaney's intimate subject matter focuses on daily scenes from her home, studio, travels, and neighborhood. Her work is included in public collections such as the Philadelphia Museum of Art and she has received numerous grants and awards. McEneaney is also active in community work, including the formation of the Callowhill Neighborhood Association in 2001, and the co-founding of the Reading Viaduct Project in 2003.
Ginger Brooks Takahashi is an American artist based in Brooklyn, New York, and North Braddock, Pennsylvania. A self-identified “punk,” Takahashi grew up in Oregon. She co-founded the feminist genderqueer collective and journal LTTR and the Mobilivre project, a touring exhibition and library. She was also a member of MEN (band). Her work consists of a collaborative project-based practice. Takahashi is currently an adjunct professor of Art at Carnegie Mellon University.
Erica Cho is a bi-coastal visual artist, animator, and filmmaker. They are Assistant Professor of Narrative Media in the Department of Visual Arts at the University of California, San Diego, and were previously a visiting assistant professor at Swarthmore College in the Film and Media Studies department. Cho has acted as a film curator for the Los Angeles Asian Pacific Film Festival since 2011, and organized and founded the first Tri-Co Film Festival in 2012. They have received the Creative Capital Moving Image Award, among other awards.
Basement Workshop emerged as the first Asian-American political and arts organization in New York City, in existence from 1970 to 1986. Created during the Asian American Movement, it became an umbrella organization for a diverse group of young Asian-Americans seeking creative and new ways of intersecting artistic expression with political and community activism. The rise of the Black Power Movement and protests against the Vietnam War provided a partial yet weighty backdrop for Basement’s inception.
Jaishri Abichandani is a Brooklyn-based artist and curator. Her interdisciplinary practice focuses on the intersection of art, feminism, and social practice. Abichandani was the founder of the South Asian Women's Creative Collective, with chapters in New York City and London, and director from 1997 until 2013. She was also the Founding Director of Public Events and Projects from at the Queens Museum from 2003-2006.
Katie Baldwin is an American printmaker and book artist living in Huntsville, Alabama. She is currently an Assistant Professor at the University of Alabama in Huntsville. She received her Bachelor of Fine Arts from Evergreen State College in Olympia, Washington and her Master of Fine Arts from the University of the Arts (Philadelphia). She served as a Victor Hammer Fellow at Wells College from 2011-2013. Baldwin produced the book Treasure at Women's Studio Workshop.
Ka-Man Tse is a Hong Kong-born photographer, video artist, and educator based in New York. Influenced by her Asian-American and queer identity, Tse primarily uses portraiture to tell stories about the people, identity, visibility, and place in and around the queer community.
The National Association of Artists' Organizations (NAAO) was, from 1982 through the early 2000s, a Washington, D.C.-based arts service organization which, at its height, had a constituency of over 700 artists' organizations, arts institutions, artists and arts professionals representing a cross-section of diverse aesthetics, geographic, economic, ethnic and gender-based communities especially inclusive of the creators of emerging and experimental work in the interdisciplinary, literary, media, performing and visual arts. At the apex of its activities, in the late 1980s and early 1990s, NAAO served as a catalyst and co-plaintiff on the Supreme Court case, National Endowment for the Arts v. Finley having spawned the National Campaign for Freedom of Expression. NAAO's dormancy in the early years of the 21st century led to the formation of Common Field.