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Askeleton | |
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Origin | Minneapolis, Minnesota, U.S. |
Genres | Indie, post-hardcore |
Years active | 2000-present |
Members | Knol Tate, Noah Paster, Scott Johnson |
Askeleton is a band from the Twin Cities, Minnesota. Askeleton has former and current members of bands such as Kill Sadie, Hidden Chord, Aneuretical, The Swiss Army and Ela. The present line-up of Askeleton is: Knol Tate (vocals, guitar and percussion), Noah Paster (bass guitar, keyboards) and Scott Johnson (keys, guitar and backing vocals). Everyone plays a bit of everything.
In 2000, Askeleton was founded during the breakup of Knol's former bands Kill Sadie and The Hidden Chord. Using a free version of a digital audio program he wrote songs based on samples, simply arranged keyboard and guitar parts and left over Hidden Chord lyrics. During 2000 and 2001 Knol made two records released in 2002 as the Sad Album full-length CD (Minneapolis label Blood of the Young Records) and a CD/EP called Modern Fairy Tale (New York’s Alone Records). A modest amount of favorable press and reviews followed both releases.[ citation needed ]
In order to promote these releases, Knol assembled a band to play the songs live. Many different versions of the live band were formed and finally, in 2003 the line up that is now known as Askeleton was in place, making it no longer a solo project.
Askeletion has toured with bands such as Seattle's Minus the Bear, The New Trust and Velvet Teen, and Che Arthur. They have also had many local shows with local and national bands like of Radio 4, Dosh, Mark Mallman, Kid Dakota, 12 Rods, One AM Radio, Har-Mar Super Star, Motion City Soundtrack, Ted Leo, The Soviettes, and Detachment Kit.
In 2004 Askeleton released the second full-length album called Angry Album -or- Psychic Songs on Atlanta's Goodnight records.
The final album of the trilogy was released in 2005 it was sarcastically called the Happy album. After some success, positive reviews and winning Minneapolis weekly’s Cities Pages “Song Writer of the Year” for 2004's Angry Album, bandleader and multi-instrumentalist Knol Tate went straight into his own recording studio to work on the follow-up. Ever-changing sounds and aesthetic, Tate moved away from the sample and lo-fi based digi-pop sounds of Sad Album and the digital rock meets minimalism of Angry Album. The (Happy) Album utilizes the Twin Cities community of musicians and the Askeleton live band. No longer a one-man band. Askeleton leaps out of the world of the computer composers.
Keeping with some of the aesthetics fans of Askeleton have come to know, the music and lyrics are simple yet to the point. With songs about simple subjects like cities, cars, rock n’ roll and the idea of individuals and groups becoming simply “some people” Tate draws complex and sometimes abstract pictures with simple ideas and words. (Happy) Album is true to its name. The songs are brighter and more positive than past efforts and yet have the parenthesis around the songs (like the title) to clarify some of the meaning behind the underlined sarcasm of the happiness of the record. In a sense (Happy) Album is the perfect (happy) ending to the trilogy.
The music Askeleton makes is deconstructionist or simple. Some people call it pop music, some people call it punk, some people call it rock, some people call it new wave.
The band, although starting as a one-man project and becoming a five-person band works in recording primarily as a large orchestra of indie musicians. That list is as follows:
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
A bassline is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard. In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument such as guitar or piano while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes.
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
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Knol Tate is a singer/songwriter, poet, and artist hailing from Minnesota's Twin Cities. A former member of bands including Kill Sadie, The Hidden Chord, Ela, Satelitte Voices. Tate now performs under the moniker of Askeleton as well as performing in Minneapolis group Deleter as the vocalist and guitarist.
Killsadie or Kill Sadie was a Minneapolis-based post-hardcore band who formed in 1997 and eventually split in 2001 after a large number of line-up changes. It proved to be a launching ground for several influential modern emo, hardcore, and indie musicians, who found larger success in other outfits such as Minus the Bear, Pretty Girls Make Graves and These Arms Are Snakes. Rather than seek popular appeal or radio play, the band adopted the familiar DIY ethic of constant touring. They are often grouped with many of the 80s-90s emo bands such Rites of Spring and Texas Is The Reason although their musical style would probably be better described in reference to the members' subsequent projects.
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