Freddie Joe Ward was an American character actor. Starting with a role in an Italian television movie in 1973, he appeared in such diverse films as Escape from Alcatraz, Southern Comfort, The Right Stuff, Timerider: The Adventure of Lyle Swann, Remo Williams: The Adventure Begins, Tremors and Tremors 2: Aftershocks, Henry & June, The Player, Swing Shift, Short Cuts, and 30 Minutes or Less.
The Return of Frank James is a 1940 Western film directed by Fritz Lang and starring Henry Fonda and Gene Tierney. It is a sequel to Henry King's 1939 film Jesse James. Written by Sam Hellman, the film loosely follows the life of Frank James following the death of his outlaw brother, Jesse James, at the hands of the Ford brothers. The film is universally considered historically inaccurate, but was a commercial success. It was the first motion picture for the actress Gene Tierney, who plays a reporter for the newspaper The Denver Star.
Henry Silva was an American actor. A prolific character actor, Silva was a regular staple of international genre cinema, usually playing criminals or gangsters. His notable film appearances include ones in Ocean's 11 (1960), The Manchurian Candidate (1962), Johnny Cool (1963), Sharky's Machine (1981), and Ghost Dog: The Way of the Samurai (1999).
Poliziotteschi constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s. They are also known as polizieschi all'italiana, Italo-crime, spaghetti crime films, or simply Italian crime films. Influenced primarily by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films, poliziotteschi films were made amidst an atmosphere of socio-political turmoil in Italy known as Years of Lead and amidst increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system.
Il Boss is a poliziottesco-noir film written and directed by Fernando Di Leo in 1973. It is the final part of Di Leo's Milieu Trilogy, also consisting of Milano calibro 9 and La mala ordina, both released in 1972.
Mussolini and I is a 1985 made-for-television docudrama film directed by Alberto Negrin. It chronicles the strained relationship between Italy's fascist dictator Benito Mussolini and his son-in-law and foreign minister, Count Galeazzo Ciano, based on Ciano's diaries. Made in English as an Italian-French-German-Swiss-Spanish-US co-production, with Bob Hoskins, Anthony Hopkins and Susan Sarandon in the leading roles, it first aired on Rai Uno on 15 April 1985 in a 130-minute version. On 8 September 1985, it premiered in the USA on HBO in an extended four-hour version.
Secret Agent 077 is a fictional superspy, lead character in a trilogy of Eurospy films starring Ken Clark as Dick Malloy. However "077" was used on posters or advertising of several other Eurospy films with little or no relationship to each other perhaps to exploit the audience's knowledge of 007.
Frankenstein '80 is a 1972 Italian film directed by Mario Mancini.
Weapons of Death is a poliziottesco film directed by Mario Caiano in 1977. It is spin-off from the Commissioner Betti Trilogy as the character of Gennarino returns from the film Violent Naples.
Agent 077, sfida ai killers, internationally released as Bob Fleming: Mission Casablanca and The Killers Are Challenged, is a 1966 Italian/French international co-production eurospy film directed by Anthony Dawson. Richard Harrison reprised his role as Bob Fleming from Secret Agent Fireball (1965). The film was shot in Casablanca and Geneva.
Crimebusters, is a 1976 Italian "poliziottesco" film directed by Michele Massimo Tarantini.
The Killer Is on the Phone is a 1972 giallo film directed by Alberto De Martino. It was released in the U.S. in July, 1975. The film is set in Bruges, Belgium, and stars Telly Savalas and Anne Heywood. The story follows an attractive actress who suffers from amnesia and paranoia triggered by a chance encounter with a professional assassin, who in turn begins to follow her with his knife.
Manhunt in the City, also known as The Manhunt, is a 1975 Italian poliziottesco film directed by Umberto Lenzi. It was co-written by Dardano Sacchetti and has a score by Bruno Nicolai.
The Spy Who Loved Flowers is a 1966 Italian/Spanish co-production science fiction-Eurospy film written and directed by Umberto Lenzi. Set in Paris, Geneva and Athens, it is the sequel to Super Seven Calling Cairo (1965). It starred Roger Browne and Yoko Tani.
Operation Poker is a 1965 Italian-Spanish spy film produced, written and directed by Osvaldo Civirani. The first choice for the main role was Ken Clark, who was replaced by Roger Browne a few days before the start of filming. It was mainly shot in Copenhagen.
Frame Up is a 1968 Italian noir-crime film directed by Emilio Miraglia and starring Henry Silva, Beba Lončar and Keenan Wynn. In 1971, the American edit was shortened by several minutes and released as The Falling Man.
Belle Starr's Daughter is a 1948 American Western film directed by Lesley Selander and starring George Montgomery, Rod Cameron and Ruth Roman.
Suicide Mission to Singapore is a 1966 Italian-Spanish-French Eurospy film shot on location in Singapore that was written and directed by Ferdinando Baldi. It was the first role as absolute protagonist for Stelio Candelli, who shortly before had appeared in another spy film, Secret Agent 777, as a villain.
Z7 Operation Rembrandt is a 1966 German-Italian-Spanish Eurospy film written and directed by Giancarlo Romitelli and starring Lang Jeffries. It was shot in Macau, Tangier, Rome, Málaga, and Torremolinos.
My Seven Little Sins, released in UK as I Had Seven Daughters, is a 1954 French-Italian comedy film co-written and directed by Jean Boyer and starring Maurice Chevalier and Delia Scala. It is based on a comedy play of Aldo De Benedetti, previously adapted by Nunzio Malasomma in the film We Were Seven Sisters.
