Astarto is an opera in three acts by Giovanni Bononcini to a libretto by Paolo Rolli, after Apostolo Zeno and Pietro Pariati. It was premiered in January 1715 in Rome at the Teatro Capranica, then revised for the King's Theatre, Haymarket, in London on 19 November 1720 with contralto castrato Senesino. [1] [2]
Le donne curiose is an opera in three acts by Ermanno Wolf-Ferrari to a text by Luigi Sugana after Carlo Goldoni's play of the same name.
Giovanni Bononcini was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers.
Muzio Scevola is an opera seria in three acts about Gaius Mucius Scaevola. The Italian-language libretto was by Paolo Antonio Rolli, adapted from a text by Silvio Stampiglia. The music for the first act was composed by Filippo Amadei, the second act by Giovanni Bononcini, and the third by George Frideric Handel. Collaborations of groups of composers were common in the 18th century, though this is the only one done in London. Bononcini had written the music for two earlier treatments of this story on his own, works dating from 1695 and 1710.
Giove in Argo is an Italian opera by George Frideric Handel. It is one of Handel's three pasticcio works made up of music and arias from his previous operas. The libretto was written by Antonio Maria Lucchini. The opera was first performed at the King's Theatre, Haymarket, London, on 1 May 1739.
Le Huron is a French opéra comique in two acts by André Grétry. The libretto is by Jean-François Marmontel based on the story L'Ingénu (1767) by Voltaire. It was the composer's first big success with Parisian audiences.
Vanda is a grand opera in five acts by Antonín Dvořák. The Czech libretto was written by Václav Beneš-Šumavský and František Zákrejs after a work by Julian Surzycki.
Xerse (Xerxes) is an opera in three acts by Giovanni Bononcini. It was designated as a dramma per musica. The libretto was written by Silvio Stampiglia after that by Nicolò Minato which had been used for the 1654 opera of the same name by Francesco Cavalli. Stampiglia's version was in turn used as the basis for Handel's Serse.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Der Rattenfänger von Hameln is a grand opera in five acts by Viktor Nessler. The German libretto by Friedrich Hofmann is based on a 1875 romantic poem by Julius Wolff about the Pied Piper of Hamelin.
L'attaque du moulin is a drame lyrique (opera) in four acts by the French composer Alfred Bruneau. The libretto, by Louis Gallet with the collaboration of Émile Zola, is based on a short story by Zola. Zola's story is about the Franco-Prussian War, but the setting of the opera was changed to the period of the French Revolution.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
Griselda is an opera in three acts composed by Antonio Maria Bononcini. The opera uses a slightly revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio's The Decameron. The opera was dedicated to Prince Maximilian Karl von Löwenstein, the Austrian governor of Milan, who died during the opera's world première on 26 December 1718 at the Teatro Regio Ducale in Milan. Nevertheless, Bononcini's opera was well received and enjoyed several revivals during the eighteenth century.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role. The libretto is based on the plays Medea by Euripides and Médée by Pierre Corneille.
Issé is an operatic pastorale héroïque by the French composer André Cardinal Destouches. Initially it was in three acts. The definitive revised version consists of a prologue and five acts. The libretto was by Antoine Houdar de la Motte. Although Destouches was only 25 at the time of its premiere, it is considered his best score.
La villanella rapita is an opera giocosa in two acts by Francesco Bianchi. The libretto was by Giovanni Bertati.
Zanaida is a three-act opera with music by Johann Christian Bach and libretto by Giovanni Gualberto Bottarelli. It debuted in London on 7 May 1763.
Domenico Giacinto Fontana (1692–1739), also known as "Farfallino", was an Italian castrato singer active primarily in Rome from 1712 to 1736. He specialised in singing soprano female roles and earned the name "Farfallino" for his graceful stage appearance. He was born in Perugia and died there at the age of 47. At times he feared ridicule by performing certain roles, such as a pregnant primadonna.
Giuseppe Ferdinando Brivio was an Italian composer, conductor, violinist, and singing teacher who is chiefly known for his operas. His work displays a natural expression and uses figurations similar to that of Antonio Vivaldi.
Maria Caterina Negri was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters en travesti or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range.
 | This article about an Italian language opera is a stub. You can help Wikipedia by expanding it. |
