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Audrey Levy (born 1928) is a British artist and textile designer.
Levy was born in the city of Nottingham, England. [1] She studied textiles at a young age and graduated from the Royal College of Art. [2] She received the Council of Industrial Design's (CoID) ‘Design of the Year’ award twice, the first time for a screen painted wallpaper she did for The Wall Paper Manufacturers Ltd (WPM), and a year later for the design ‘Phantom Rose’ for the Palladio Scheme. [1] She also contributed to Palladio with her skeletal leaf pattern. [1] For Palladio 3 she created murals such as Maze and Treescape, as well as smaller, textual patterns such as Pebble. [2]
She also designed a pattern for T G Green & Co. Ltd in 1959, a pottery company. [1] She helped judge the Design Centre Awards in 1964 together with, journalist Katherine Whitehorn, architect and designer Neville Ward, and George Williams, Chief Executive of the British Railways Design Panel. She was a Fellow of the Society of Industrial Artists and Designers. [1] Her work is displayed as a permanent collection at the Whitworth Art Gallery. [3] The Museum of Domestic Design and Architecture also holds a number of examples of her wallpapers. [4]
The Museum of Domestic Design and Architecture (MoDA) is a museum in North London, England, housing one of the most comprehensive collections of 19th- and 20th-century decorative arts for the home. The collection is designated as being of outstanding international value by Arts Council England.
The Silver Studio was one of the most influential textile design studios in the UK from its formation in 1880 until the middle of the twentieth century.
Charles Francis Annesley Voysey was an English architect and furniture and textile designer. Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style, and was recognized by the seminal The Studio magazine. He is renowned as the architect of several country houses.
Marianne Straub OBE was one of the leading commercial designers of textiles in Britain in the period from the 1940s to 1960s. She said her overriding aim was: "to design things which people could afford. ... To remain a handweaver did not seem satisfactory in this age of mass-production".
Mary Lillian White later Mary Dening was an English textile designer known for several iconic textile prints of the 1950s. Her designs were very popular and extensively copied in many 1950s homes, as well as in cabins aboard the RMS Queen Mary and at Heathrow Airport. She was also a commercial potter and ceramist, who in the 1960s founded Thanet Pottery, in partnership with her brother David White.
Enid Crystal Dorothy Marx, RDI, was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry.
Kvadrat is a Danish textile company that produces and supplies textiles and textile-related products to architects, designers and private consumers in Europe and worldwide. Kvadrat was established in Denmark in 1968 with deep roots in Scandinavia's design tradition.
EQ Nicholson was an English painter and textile designer.
Ann Agee is an American visual artist whose practice centers on ceramic figurines, objects and installations, hand-painted wallpaper drawings, and sprawling exhibitions that merge installation art, domestic environment and showroom. Her art celebrates everyday objects and experiences, decorative and utilitarian arts, and the dignity of work and craftsmanship, engaging issues involving gender, labor and fine art with a subversive, feminist stance. Agee's work fits within a multi-decade shift in American art in which ceramics and considerations of craft and domestic life rose from relegation to second-class status to recognition as "serious" art. She first received critical attention in the influential and divisive "Bad Girls" exhibition, curated by Marcia Tucker at the New Museum in 1994, where she installed a functional, handmade ceramic bathroom, rendered in the classic blue-and-white style of Delftware. Art in America critic Lilly Wei describes Agee's later work as "the mischievous, wonderfully misbegotten offspring of sculpture, painting, objet d'art, and kitschy souvenir."
Marion Victoria Dorn also known as Marion Dorn Kauffer was a textile designer primarily in the form of wall hangings, carpeting and rugs, however she is also known to have produced wallpaper, graphics, and illustrations. Known for her significant contributions to modern British interiors in particular for her 'sculpted' carpets, she contributed to some of the best-known interiors of the time including the Savoy Hotel, Claridges, the Orion and the Queen Mary. In the late 1930s and early 1940s she created moquette fabric designs for use in London Transport passenger vehicles.
Ilonka Karasz, was a Hungarian-American designer and illustrator known for avant-garde industrial design and for her many New Yorker magazine covers.
Althea McNishFSCD was a British textile designer of Trinidadian origin who has been called the first British designer of African descent to earn an international reputation. Born in Trinidad, McNish moved to Britain in the 1950s. She was associated with the Caribbean Artists Movement (CAM) in the 1960s, participating in CAM's exhibitions and seminars and helping to promote Caribbean arts to a British public. Her work is represented in the collections of the Victoria and Albert Museum, the Whitworth Museum, the Philadelphia Museum of Art, the Museum of Domestic Design and Architecture and the Cooper-Hewitt, among other places.
Mabel Phyllis Barron was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’
Arthur Silver (1853–1896) was a designer and founder of the Silver Studio. He was born in Reading in 1853. His grandfather had been in the cabinet-making business and his father, James Silver, was an upholsterer.
Laurence Scarfe (1914-1993) was a British artist and designer, active in the twentieth century.
Halima Jade Cassell FRSS is a British sculptor and ceramicist working in many materials. She was born in Pakistan and brought up in Lancashire, England, now living in Shropshire. Her work is described as having "strong geometric elements and recurrent patterns that are often inspired by the repetitive motifs found in Islamic architecture and North African surface design".
Bethan Laura Wood is an internationally-recognised English designer of jewellery, furniture, decorative objects, lighting and installations. She has designed for such media as glass, laminates and ceramics. Work produced by her studio, WOOD London, is characterised by colour, geometry and visual metaphor, pattern and marquetry. She has been described as "[re-contextualizing] ... elements from everyday objects, often focusing on the pattern and coloration of objects as indicators of their origins, production, and past usage."
Dr Frances Mary Burke was an Australian artist. She holds a significant place in the development of Australian design and evolution of printed textile design in Australia. She is recognised not only as a textile designer, but also as a design activist, homeware retailer, manufacturer and business woman.
Sheila Catherine Bownas was a British textile designer and botanical illustrator. Born in Linton, West Riding of Yorkshire, Bownas attended Skipton Girls' High School and Skipton Art School before being awarded a Yorkshire Senior County Art Scholarship to attend the Slade School of Fine Art.