Aurelio Luini (c. 1530–1593) was an Italian painter and draughtsman from Milan, the fourth and last son of Bernardino Luini. A representative of late Lombard Mannerism, he was a friend of Gian Paolo Lomazzo.
Together with his brother Giovan Pietro, also a painter, he frescoed the Bergamini chapel in San Maurizio al Monastero Maggiore in Milan (1555).
Other works by him include a Lamentation in San Barnaba, frescoes in Santa Maria di Campagna at Pallanza, near Lake Maggiore (together with Carlo Urbino), frescoes for San Vincenzo alle Monache (now in the Pinacoteca di Brera), a Saint Tecla for the Milan Cathedral and a Madonna between SS. Roch and Sebastian for Tortona cathedral.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
Bernardino Luini was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Gaudenzio Ferrari was an Italian painter and sculptor of the Renaissance.
Ambrogio Borgognone was an Italian painter of the Renaissance period active in and near Milan.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Tortona is a comune of Piemonte, in the Province of Alessandria, Italy. Tortona is sited on the right bank of the Scrivia between the plain of Marengo and the foothills of the Ligurian Apennines. Its frazione of Vho is one of I Borghi più belli d'Italia.
Andrea Appiani was an Italian neoclassical painter.
The Certosa di Pavia is a monastery complex in Lombardy, Northern Italy, situated near a small village of the same name in the Province of Pavia, 8 km (5.0 mi) north of Pavia. Built from 1396 to 1495, it was once located at the end of the Visconti Park a large hunting park and pleasure ground belonging to the Visconti dukes of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.
The Basilica of San Simpliciano is an ancient Roman Catholic church in the centre of Milan, region of Lombardy, Italy: the church, commissioned by the 4th century bishop St Ambrose, is the second oldest known Christian church with a Latin cross layout. It is dedicated to Saint Simplician, who was Ambrose's successor as bishop of Milan.
BernardoZenale was an Italian painter and architect.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Cesare Nebbia (c.1536–c.1614) was an Italian Mannerist painter from Orvieto.
Events from the year 1530 in art.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Filippo Abbiati (1640–1715) was an Italian painter of the early-Baroque period, active in Lombardy and Turin, together with Andrea Lanzani and Stefano Maria Legnani, he was a prominent mannerist painters from the School of Lombardy. Born in Milan, he was a pupil of the painter Antonio Busca. Alessandro Magnasco was one of his pupils along with Pietro Maggi and Giuseppe Rivola. Ticozzi claims he trained, along with Federigo Bianchi, with Carlo Francesco Nuvolone. Along with Bianchi, he painted the cupola of Sant'Alessandro Martire in Milan. Abbiati also painted a St. John preaching in the Wilderness for a church in Saronno.
Simone Peterzano was an Italian Mannerist painter. Born in Bergamo, he stressed his links to Venice where he probably trained. He is mostly known as the master of Caravaggio.
San Maurizio al Monastero Maggiore is a church in Milan, Northern Italy. It was originally attached to the most important female convent of the Benedictines in the city, Monastero Maggiore, which is now in use as the Civic Archaeological Museum. The church today is used every Sunday from October to June to celebrate in the Byzantine Rite, in Greek according to the Italo-Albanian tradition. It is also used as a concert hall.
The Abbey of Santa Maria di Rovegnano is a Cistercian monastic complex in the comune of Milan, Lombardy, northern Italy. The borgo that has developed round the abbey was once an independent commune called Chiaravalle Milanese, now included in Milan and referred to as the Chiaravalle district.
Mosè Bianchi (1840–1904) was an Italian painter and printmaker.
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