Auricle Ensemble | |
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Background information | |
Origin | Glasgow, Scotland |
Years active | 2007 | –present
Website | www |
The Auricle Ensemble is a chamber ensemble based in Scotland. It was created by a co-operative of professional musicians working in the UK in 2007 and has become known for its diverse programming. [1] The group is based in the West End of Glasgow, with rehearsal space and administration based at St Bride's Church, Glasgow. The Auricle Ensemble performs throughout the year as a resident ensemble in the St Bride's at 7 series, and repeats these concerts across Scotland, in places such as the University of Edinburgh, Falkirk Town Hall, Byre Theatre St. Andrews, Isle of Bute, Wigtown Book Festival.
It performs annually at Glasgow's West End Festival and Edinburgh Festival, and received critical attention with its tour of Arnold Schoenberg's Pierrot Lunaire. [2] The ensemble's family concert with its orchestral octet performances for young audiences narrated by Balamory actress, Juliet Cadzow has been performed in festivals and venues across Scotland. [3]
The Auricle Ensemble's 2010/2011 season features a Mini-Mahler series wherein all of Gustav Mahler's reduced works created for Arnold Schoenberg's Society for Private Musical Performances are being performed over Mahler's two anniversary years. [4]
An "auricle", is the external part of an ear.
Arnold Schoenberg or Schönberg was an Austrian-born composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He emigrated to the United States in 1933, becoming an American citizen in 1941.
Albert Giraud was a Belgian poet who wrote in French.
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire", commonly known simply as Pierrot lunaire, Op. 21, is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter who delivers the poems in the sprechstimme style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921.
Jan (Janice) DeGaetani was an American mezzo-soprano known for her performances of contemporary classical vocal compositions.
Gurre-Lieder is a large cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen. The title means "songs of Gurre", referring to Gurre Castle in Denmark, scene of the medieval love-tragedy revolving around the Danish national legend of the love of the Danish king Valdemar Atterdag for his mistress Tove, and her subsequent murder by Valdemar's jealous Queen Helvig.
The Fires of London, founded as the Pierrot Players, was a British chamber music ensemble which was active from 1965 to 1987.
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Bethany Beardslee is an American soprano particularly noted for her collaborations with major 20th-century composers, such as Igor Stravinsky, Milton Babbitt, Pierre Boulez, George Perle, Sir Peter Maxwell Davies and her performances of great contemporary classical music by Arnold Schoenberg, Alban Berg, Anton Webern. Her legacy amongst midcentury composers was as a "composer's singer"—for her commitment to the highest art of new music. Milton Babbitt said of her "She manages to learn music no one else in the world can. She can work, work, work." In a 1961 interview for Newsweek, Beardslee flaunted her unflinching repertoire and disdain for commercialism: "I don't think in terms of the public... Music is for the musicians. If the public wants to come along and study it, fine. I don't go and try to tell a scientist his business because I don't know anything about it. Music is just the same way. Music is not entertainment."
A Pierrot ensemble is a musical ensemble comprising flute, clarinet, violin, cello and piano, frequently augmented by the addition of a singer or percussionist, and/or by the performers doubling on other woodwind/stringed/keyboard instruments. This ensemble is named after 20th-century composer Arnold Schoenberg’s seminal work Pierrot Lunaire, which includes the quintet of instruments above with a narrator.
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Scottish Ensemble is a professional string orchestra based in Glasgow, Scotland and led by Artistic Director and violinist Jonathan Morton.
The Melos Ensemble is a group of musicians who started in 1950 in London to play chamber music in mixed instrumentation of string instruments, wind instruments and others. The ensemble's reputation for excellence has encouraged composers to write music exploring these resources. Benjamin Britten composed the chamber music for his War Requiem for the Melos Ensemble and conducted the group in the first performance in Coventry.
ascolta is a modern music ensemble. Its programming runs the gamut from classical modernism to the limits of contemporary classical and its boundary with rock music. The main focus of the ensemble's work is on world and national premieres of compositions written for the group.
Jane Marian Manning OBE was an English concert and opera soprano, writer on music, and visiting professor at the Royal College of Music. She was described by one critic as "the irrepressible, incomparable, unstoppable Ms. Manning – life and soul of British contemporary music".
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Pierrot lunaire: rondels bergamasques is a cycle of fifty poems published in 1884 by the Belgian poet Albert Giraud, who is usually associated with the Symbolist Movement. The protagonist of the cycle is Pierrot, the comic servant of the French Commedia dell'Arte and, later, of Parisian boulevard pantomime. The early 19th-century Romantics, Théophile Gautier most notably, had been drawn to the figure by his Chaplinesque pluckiness and pathos, and by the end of the century, especially in the hands of the Symbolists and Decadents, Pierrot had evolved into an alter-ego of the artist, particularly of the so-called poète maudit. He became the subject of numerous compositions, theatrical, literary, musical, and graphic.
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