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Aurin Squire is an African-American playwright, screenwriter, and reporter. [1] He has written numerous plays, [2] while his reporting has appeared in The New Republic, Talking Points Memo, Chicago Tribune , Miami Herald , and ESPN , among other outlets. [3]
Born and raised in Opa-locka, Florida, Squire graduated from The Juilliard School, New School University, and Northwestern University, where he majored in radio/TV/film and worked as a professional journalist for the Chicago Tribune and the Miami Herald. In his senior year, Shadows in the Light, an epic play about Cuban immigrants in Miami, was produced by the ETA Theatre in Chicago. At Juilliard he was in the school's playwriting fellowship while working for The New Republic and Talking Points Memo as a journalist.
Many of Squire's plays revolve around multiracial societies in transition or America's changing cultural make-up. His work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
Squire was a part of the Lincoln Center Lab and his comedy "The Great Black Sambo Machine" was presented there and at Ars Nova the following year.
In 2007, Squire spent a year in Albuquerque, New Mexico, working with artists Leigh Fondakowski and Krista DeNio on a docudrama about Converso and Crypto-Jewish families who fled the Spanish Inquisition and settled in Arizona and New Mexico. Squire was commissioned to interview surviving Crypto- and Converso-Jewish residents, research, and collaborate to create what became A Light In My Soul/Una Luz En Mi Alma. The epic docudrama was performed by Working Classroom Theatre the following year at the National Hispanic Cultural Center in Albuquerque, and received additional performances around New Mexico.
Squire's off-Broadway plays, such as Matthew Takes Mannahatta and To Whom It May Concern, have been produced around New York and the United States. His plays have also been produced at off-Broadway and regional venues including Brooklyn Arts Exchange, Ars Nova, Vital Theatre, ArcLight Theatre, Cherry Lane, and Barrington Stage Company.
His play "Obama-ology" was developed at The Juilliard School in 2014 New Play Festival, before opening to critical acclaim in London's West-End at the Finborough Theatre , and then the Royal Academy of Dramatic Art (RADA) .
"Freefalling" premiered at Barrington Stage before receiving a second run at InspiraTO Theatre in Toronto.
Squire graduated from The Juilliard School in May 2015.
His play, Fire Season, world premiered at the Seattle Public Theater in January 2019. [4]
Squire was a co-writer for "Confessions of a Cocaine Cowboy", a world-premiere documentary theatre piece based on Billy Corben's Cocaine Cowboys documentaries. The play was commissioned by Miami New Drama, [5] an award-winning South Florida theater company, [6] and ran at the Colony Theatre from March 7 - April 7 of 2019. [7]
Squire is the book writer for A Wonderful World , a world-premiere musical based on the life of Louis Armstrong, and told from the perspective of the musician's four wives. [8] It was part of Miami New Drama's 2019–2020 season at the Colony Theatre, but as of July 2020, the musical was postponed. [9] It has since reopened with a run from December 4, 2021 through January 16, 2022. The show will debut on Broadway in 2024. [10] [11]
In recent years Squire's work has expanded into other media, including online video. He has written and produced a viral video series for the gay social and dating app Mister. The series includes "Evil Twink" and "Boyfriend Shopping," satirizing the unrealistic and juvenile expectations of the gay dating scene.
The following year Squire was hired by installation art company Local Project and wrote the script Dreams of Freedom for the National Museum of American Jewish History in Philadelphia. Dreams is an interactive multimedia piece based on interviews of Jewish immigrants coming to America.
In October 2012, Squire ran the Vote It Forward Festival, promoting a competition that awarded $500–$1000 in prizes to the best voting-related videos.
He has also ghostwritten novels and memoirs and been published in online cultural journals such as Racialicious.
Aurin Squire was a staff writer on the CBS political satire BrainDead that premiered over the summer of 2016. He was a story editor and writer on the first season of the hit NBC drama This Is Us, and is a Co Executive Producer on the CBS dramas The Good Fight and Evil (TV series). [12]
He is currently writing a feature film based on the life of Reginald Dwayne Betts for Amazon, Ridley Scott's Scott Free, and Epic. [12]
Prior to TV writing, he was hired to ghostwrite and adapt novels into screenplays for New York indie film companies like Moxie Pictures.
Many of Squire's plays have received enthusiastic reviews and revivals, among them To Whom it May Concern, which ran off-Broadway in 2009, Match Me, produced by the New York International Fringe Festival in 2005. [13] His writing has been called "a true gem that deserves to be set apart from the rest" by The Drama Review , "brilliant" and "thoroughly entertaining" by Show Business Weekly , and "engaging and provocative" by critic Martin Denton. [14] [15]
His dark comedy To Whom It May Concern premiered at the Abingdon Theatre and won the Fresh Fruit Festival awards for best play and best playwright. [16] To Whom It May Concern was also produced off-Broadway in 2009 at the Arclight Theatre with a cast including: Israel Gutierrez, Matthew Alford, Nicholas Reilly, and Carmelo Ferro.
In 2009, Squire wrote the book for the children's musical Matthew Takes Mannahatta, called "refreshingly clever" and a "cheerful tribute to our multiracial, multicultural America" by The New York Times . [17]
Squire has won several awards for his docudramas on Jewish issues, including Spanish Jewish families who fled the Inquisition and European Jewish immigrants who came to America. Dreams of Freedom won a Core 77 Design Award, NMAJ's Communication Award, and an AIGA Design Effectiveness Award.
In 2013, Freefalling won the Fiat Lux Play Award from the Catholic Church. Squire is also a recipient of the Lila Acheson Wallace American Playwright Fellowship at The Juilliard School, and the two-time winner of the Le Comte du Nuoy Prize from Lincoln Center.
In 2014 his work garnered first prize at InspiraTO Theatre's International Play Festival in Toronto and Lincoln Center's Act One Prize.
In 2015 Squire was a Dramatists Guild of America playwriting fellow , an artist in residence at the Brooklyn Arts Exchange , and received a playwriting fellowship at National Black Theatre . He's also in the US Writers' Residency at Royal Court Theatre in London.
His play "Obama-ology" received rave reviews when it premiered at Finborough Theatre in London, before being remounted at the Royal Academy of Dramatic Arts in 2015. He returned to Finborough Theatre the following year with another sold-out hit with his dark comedy "Don't Smoke in Bed."
In 2016, Squire won the Helen Merrill Award for Emerging Playwrights. In 2017, he was nominated for a WGA Award and Black Reel TV award for his writing on THIS IS US. In theatre, he won the Emerald Prize "" from Seattle Public Theatre for new works in American theatre.
In 2018, Squire's play "Running on Fire," was produced at Lee Street Theatre in North Carolina. "Defacing Michael Jackson" and "Don't Smoke in Bed" were produced in Chicago to critical acclaim. The following year, Squire's "Fire Season" world premiered at Seattle Public Theatre in 2019. Squire also co-wrote "Confessions of a Cocaine Cowboy" which world-premiered at Miami New Drama a few months later to sold-out crowds and became the highest grossing play in the theatre's history.
- To Whom It May Concern (2018)
- Defacing Michael Jackson (2019)
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Paula Vogel is an American playwright. She is known for her provocative explorations of complex social and political issues. Much of her work delves into themes of psychological trauma, abuse, and the complexities of human relationships. She has received the Pulitzer Prize as well as nominations for two Tony Awards. In 2013 she was inducted into the American Theater Hall of Fame.
Marsha Norman is an American playwright, screenwriter, and novelist. She received the 1983 Pulitzer Prize for Drama for her play 'night, Mother. She wrote the book and lyrics for such Broadway musicals as The Secret Garden, for which she won a Tony Award and the Drama Desk Award for Outstanding Book of a Musical, and The Red Shoes, as well as the libretto for the musical The Color Purple and the book for the musical The Bridges of Madison County. She was co-chair of the playwriting department at The Juilliard School until stepping down in 2020.
Moisés Kaufman is a Venezuelan American theater director, filmmaker, playwright, founder of Tectonic Theater Project based in New York City, and co-founder of Miami New Drama at the Colony Theatre. He was awarded the 2016 National Medal of Arts by President Barack Obama. He is best known for creating The Laramie Project (2000) with other members of Tectonic Theater Project. He has directed extensively on Broadway and Internationally, and is the author of numerous plays, including Gross Indecency: The Three Trials of Oscar Wilde and 33 Variations.
The Finborough Theatre is a fifty-seat theatre in the West Brompton area of London under artistic director Neil McPherson. The theatre presents new British writing, as well as UK and world premieres of new plays primarily from the English speaking world including North America, Canada, Ireland, and Scotland including work in the Scots language, alongside rarely seen rediscovered 19th and 20th century plays. The venue also presents new and rediscovered music theatre.
Gregory Mosher is an American director and producer of stage productions at the Lincoln Center and Goodman Theatres, on and off-Broadway, at the Royal National Theatre, and in the West End. He is also a film director and television director, producer, and writer. He currently serves as Senior Associate Dean for the Arts at Hunter College.
Lynn Nottage is an American playwright whose work often focuses on the experience of working-class people, particularly working-class people who are Black. She has received the Pulitzer Prize for Drama twice: in 2009 for her play Ruined, and in 2017 for her play Sweat. She was the first woman to have won the Pulitzer Prize for Drama two times.
Oren Safdie is a Canadian-American-Israeli playwright and screenwriter, and the son of architect Moshe Safdie.
Tarell Alvin McCraney is an American playwright. He is the chair of playwriting at the Yale School of Drama and a member of the Steppenwolf Theatre Ensemble.
Tanya Barfield is an American playwright whose works have been presented both nationally and internationally.
Halley Feiffer is an American actress, playwright and television writer, known for her award-winning plays I'm Gonna Pray for You So Hard, Moscow Moscow Moscow Moscow Moscow Moscow and A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, and for showrunning and writing the entire season of American Horror Story: Delicate starring Emma Roberts and Kim Kardashian.
Jason Hall is a Canadian playwright. He was born and raised in Toronto, Ontario. He attended Queen's University, King's College London, and the Royal Academy of Dramatic Art.
Katori Hall is an American playwright, screenwriter, producer, actress, and director from Memphis, Tennessee. Hall's best known works include the hit television series P-Valley, the Tony-nominated Tina: The Tina Turner Musical, and plays such as Hurt Village, Our Lady of Kibeho, Children of Killers, The Mountaintop, and The Hot Wing King, for which she won the Pulitzer Prize for Drama.
William Cohen, better known by the stage name Billy Corben, is an American documentary film director. Along with producing partner Alfred Spellman, he is co-founder of the Miami-based studio Rakontur, which has created films such as Cocaine Cowboys, Dawg Fight, The U, and The U Part 2.
Michel Hausmann is a Venezuelan-born theater director, writer, and producer. He is the co-founder and artistic director of Miami New Drama, the resident theater company and operator of the Colony Theatre in Miami Beach. Under Hausmann's leadership, the company has produced over a dozen productions - nine of them world premieres. Michel Hausmann also started Miami New Drama's educational program, which serves more than 8,000 students annually and provides online programming for people across the United States and internationally - offering master classes on a variety of different theater topics such as acting, playwriting, directing, and theater management.
Hilary Bettis is a playwright, a producer, and a writer.
Duncan Macmillan is an English playwright and director. He is most noted for his plays Lungs, People, Places and Things, Every Brilliant Thing, and the stage adaptation of the George Orwell novel Nineteen Eighty-Four, which he co-adapted and co-directed with Robert Icke.
Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.
Janine Nabers is an American playwright and television writer.
Miami New Drama is a nonprofit professional theater company located in Miami Beach, Florida, founded in 2014. Since October 2016 it has been the resident theater company and operator of the historic Colony Theatre on Miami Beach. Since its first production in January 2016, the company has produced work by American, Latin American, and international theater artists.
Deborah Zoe Laufer is an American playwright and theatre director. Her plays have been performed at the Steppenwolf Theatre Company, Cincinnati Playhouse in the Park, the Everyman Theatre in Baltimore, the Humana Festival of New American Plays, and Off-Broadway at The Duke on 42nd Street and the Ensemble Studio Theatre. She won a Harold and Mimi Steinberg New Play Citation from the American Theatre Critics Association for her play End Days in 2008. Reviewer Patricia Mitchell writes that Laufer is known for "dealing with serious, existential questions in seriously hilarious ways."
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