Bell Gothic is a realist sans-serif typeface designed by Chauncey H. Griffith in 1938 while heading the typographic development program at the Mergenthaler Linotype Company. The typeface was commissioned by AT&T as a proprietary typeface for use in telephone directories and has since been made available for general licensing. Bell Gothic is designed for maximum legibility in the adverse conditions of small print on poor-quality newsprint paper, into which ink tends to absorb and spread out. It is therefore a popular font in printing at small sizes.
Cooper Black is an ultra-bold serif typeface intended for display use that was designed by Oswald Bruce Cooper and released by the Barnhart Brothers & Spindler type foundry in 1922. The typeface was drawn as an extra-bold weight of Cooper's "Cooper Old Style" family. It rapidly became a standard typeface and was licensed by American Type Founders and also copied by many other manufacturers of printing systems.
Umbra is a sans-serif display typeface designed in 1935 by R. Hunter Middleton for the Ludlow Typograph company. It is an adaptation of the uppercase light weight of his earlier typeface Tempo. The name Umbra refers to its shadow effect, in which the actual letter shape consists of negative space and is defined solely by its black dimensional shadow. Several other typefaces were created in similar style around the same time, including shadowed weights of Gill Sans. Nebiolo's Ombra, part of their Semplicità family, is very similar.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications.
City is a slab serif typeface designed by Georg Trump and released around 1930 by the Berthold type foundry in Berlin, Germany. Though classified as a slab serif, City displays a strong modernist influence in its geometric structure of right angles and opposing round corners. The typeface takes inspiration from the machine age, and industry. A consistent application of repeated parts: an outer circle softening interior rectilinear spaces, results in a highly unified and refined typeface.
Interstate is a digital typeface designed by Tobias Frere-Jones in the period 1993–1999, and licensed by Font Bureau. The typeface is based on Style Type E of the FHWA Series fonts, a signage alphabet drawn for the United States Federal Highway Administration by Dr. Theodore W. Forbes in 1949.
ITC Benguiat is a decorative serif typeface designed by Ed Benguiat and released by the International Typeface Corporation (ITC) in 1977. The face is loosely based upon typefaces of the Art Nouveau period but is not considered an academic revival. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.
Calisto MT is an old style, serif typeface designed for the Monotype Corporation foundry in 1986 by Ron Carpenter, a British typographer.
Dead History is a typeface which explores combining structural elements of both geometric sans-serif and Didone serif typefaces. Designed in 1990 by P. Scott Makela, the face is licensed by Emigre.
Granjon is an old-style serif typeface designed by George W. Jones in the period 1928–1929 for the British branch of the Linotype company, and based on the Garamond typeface that was used in a book printed by the Parisian Jean Poupy in 1592. The roman design was from Claude Garamond and the italic version was from Robert Granjon. Because several other Garamonds were on the market in the 1920s, Jones decided to name his type Granjon. Jones, a master printer based in London, had been engaged by Linotype to improve the quality of their typeface range through the development of revivals of notable type designs of the past.
Roger Excoffon was a French typeface designer and graphic designer.
Ron Carpenter is an English typographer. He was trained as a cartographer and later became a typeface designer. He works for independent font foundry, Dalton Maag.
Tower was a slab serif typeface designed by Morris Fuller Benton for American Type Founders and based upon his earlier design for Stymie, but with straight sides to the round letters emphasizing the vertical appearance. Tower Italic was designed but not cast. In 1936, Tower Bold was started by the same designer, but was instead made into Stymie Bold Condensed.
Walbaum is the name given to serif typefaces in the "Didone" or modern style that are, or revive the work of early nineteenth-century punchcutter Justus Erich Walbaum, based in Goslar and then in Weimar.
Fournier is the name commonly applied to typefaces which are based on the typefaces of Parisian typefounder Pierre-Simon Fournier around the 1740s. Created in the Rococo style and influenced by the Romain du Roi typefaces commissioned by the French government in the previous century, Fournier's typefaces showed an advanced delicacy above what was previously common.
Méridien is a serif typeface designed by Adrian Frutiger and released by Deberny & Peignot in 1957 for its phototypesetting system.
Harlow is a typeface intended for display use. Designed by Colin Brignall and originally published by Letraset, it is inspired by lettering in the Streamline Moderne style of the 1930s and 1940s.
The Legibility Group is a series of serif typefaces created by the American Mergenthaler Linotype Company and intended for use in newspapers on Linotype's hot metal typesetting system. They were developed in-house by Linotype's design team, led by Chauncey H. Griffith, and released from 1922, when the first member, Ionic No. 5, appeared.
