Ausfilm is an Australian government-industry partnership that acts as a national content attraction organisation. Ausfilm connects the international film community with Australia's screen incentives, talent and facilities and is composed of about 40 private-sector screen production service companies, as well as the federal Department of Infrastructure, Transport, Regional Development and Communications. It is headquartered at Fox Studios Australia in Sydney and also maintains an office in Los Angeles. [1]
Ausfilm was established in 1994 as the Export Film Services Association after Austrade recognized potential opportunities for the country in the American market; it was converted to an incorporated association in 1998. [2]
Ausfilm markets Australia's incentives, locations and capabilities in production and post/digital/VFX (PDV) to attract international content to produce and/or conduct business in Australia, benefiting the Australian economy and film, television and arts industries.
Ausfilm develops and executes annual campaigns to the global screen market to promote Australia as a production destination, its film-making capabilities and Ausfilm members’ services and work.
Ausfilm's incentives are tax-based and provide a cash rebate to the producer on Qualifying Australian Production Expenditure. The federal government incentives (Producer Offset, Location Offset, PDV Offset) are mutually exclusive, however can be combined with state government incentives & funding.
The Australian Writers' Guild (AWG) is the professional association for Australian performance writers for film, television, radio, theatre, video and new media. The AWG was established in 1962. The AWG is a member of the Australian Council of Trade Unions.
The Media, Entertainment & Arts Alliance (MEAA), also sometimes referred to as the Alliance, is the Australian trade union and professional organisation which covers the media, entertainment, sports and arts industries.
The Australian Film Commission (AFC) was an Australian government agency was founded in 1975 with a mandate to promote the creation and distribution of films in Australia as well as to preserve the country's film history. It also had a production arm responsible for production and commissioning of films for the government. It was superseded by Screen Australia from 1 July 2008.
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries are working together.
Screen Producers Australia (SPA), formerly the Screen Producers' Association of Australia (SPAA) and earlier names, is a national organisation representing film production businesses, emerging producers, service providers and screen industry supporters. It campaigns for a healthy commercial environment for the Australian film industry. It also organises and hosts the annual SCREEN FOREVER conference for film industry professionals, and the Screen Producers Australia Awards.
Film commissions are quasi-governmental, non-profit, public organizations that attract motion media production crews to shoot on location in their respective localities, and offer support so that productions can accomplish their work smoothly.
The Film Finance Corporation Australia (FFC) was the government agency responsible for funding commercial productions of Australian film, documentary, and television from 1988 to 2008. Unlike other publicly funded organisations responsible for financing media production in Australia, the FFC operated as a commercially oriented funding agency, backing projects with the intention of recouping part of its funding through investment. The organisation was responsible for financing several notable Australian feature films, among them Strictly Ballroom (1992), Muriel’s Wedding (1994) and The Adventures of Priscilla, Queen of the Desert (1994). During its lifetime, the FFC supported 248 features with a total investment of A$662 million. In 2008, the FFC was succeeded by Screen Australia, which merged the similar film financing bodies operated by the Australian government.
Film and TV financing in Australia refers to government assistance to TV and cinema in Australia. Over the past 30 years, government assistance has involved a mixture of government support, distributor/ broadcaster involvement and private investment. To a significant extent, government policies have shaped the form and scale of financing.
The North Carolina Film Office, originally called the "North Carolina Film Commission," is a member of the Association of Film Commissioners International.
Screen Australia is the Australian Federal Government's key funding body for the Australian screen production industry, created under the Screen Australia Act 2008. From 1 July 2008 Screen Australia took over the functions of its predecessor agencies the Australian Film Commission (AFC), the Film Finance Corporation Australia (FFC) and Film Australia Limited.
An international film or television co-production is a production made by production companies in different countries. This note focuses on ‘official’ Australian co-productions, that is, co-productions that meet the requirements for benefits under the Australian Official Co-Production Program. It looks at trends in production, the potential impact of recent changes to film funding, and what lies ahead for Australia's involvement in co-production.
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA).
VicScreen, formerly known as Film Victoria, is the Victorian Government’s creative and economic screen development agency. They function behind the scenes, supporting professionals, infrastructure, projects and events – elevating Victoria, Australia as a global screen destination.
Shilo McClean is a writer, researcher, public speaker, consultant.
Entertainment One Ltd., commonly abbreviated as eOne, is an American-owned multinational entertainment company. Based in Toronto, Ontario, Canada, the company is primarily involved in the acquisition, distribution, and production of films and television series. The company was listed on the London Stock Exchange before it was acquired by Hasbro on December 30, 2019.
The National Screen Institute - Canada is a non-profit organization headquartered in Winnipeg, Manitoba, Canada. The organization describes itself as "Serving content creators across Canada to tell unforgettable stories through industry-informed training and mentoring."
Association of Film Commissioners International(AFCI) is worldwide network of more than 360 commissions from 40 countries on every continent except Antarctica. The AFCI represents trained, experienced and professional Film Commissioners and their offices and staff, sets standards and provides professional education, offers training and business services in the field of Film Commissioning, and provides regular marketing and network opportunities in Hollywood and around the world for Film Commissions.
The Australian Directors' Guild (ADG) is an industry guild representing the interests of film, television, commercials and digital media directors, including documentary makers and animators, throughout Australia. With its headquarters in Sydney, the ADG has branches in New South Wales, Queensland, South Australia, Victoria and Western Australia. As of 2022 the president of ADG is Rowan Woods.
The Trinidad & Tobago Film Company Limited (FilmTT)is the state agency established in 2006 to facilitate the growth and development of the film and audio-visual sector in Trinidad & Tobago. As a subsidiary of the Trinidad and Tobago Creative Industries Company Limited, FilmTT works on all aspects of film sector development, promotes Trinidad & Tobago as a film production location, and provides Film Commission services to local and incoming productions. FilmTT's mission is to maximise the economic and creative potential of Trinidad and Tobago's screen industries for the benefit of the country and its people.
Regulations on television programming in Australia are enforced by the Australian Communications and Media Authority to promote programming which reflects Australian identity and cultural diversity. Commercial networks must adhere to content quotas of Australian programming, in the categories of Australian content quotas, children's content quotas, commercial broadcasting quotas, community broadcasting quotas, public broadcasting quotas and subscription television quotas. Regulations are based on the Broadcasting Services Act 1992.