Autograph book

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1888 autograph book AutographBook 2pages.png
1888 autograph book

An autograph book (also known as an autograph album, a memory album or friendship album) [1] is a book for collecting the autographs of others. Traditionally they were exchanged among friends, colleagues, and classmates to fill with poems, drawings, personal messages, small pieces of verse, and other mementos. Their modern derivations include yearbooks, friendship books, and guest books. They were popular among university students from the 15th century until the mid-19th century, after which their popularity began to wane as they were gradually replaced by yearbooks.

Contents

History

Origin

This page from the autograph book of Simon Haendel (compiled in the 1590s) features a personal greeting, written in Latin adde Stammbuch1.jpg
This page from the autograph book of Simon Haendel (compiled in the 1590s) features a personal greeting, written in Latin adde

By the beginning of the early modern period, there was a trend among graduating university students of central Europe to have their personal bibles signed by classmates and instructors. Gradually these expanded from mere signatures to include poetry and sketches, and publication companies responded to this trend by appending blank pages to bibles. Eventually they began offering small, decorated books with only blank pages. [2]

Other traditions dating back to the Middle Ages played into the development of the autograph book. [3] Genealogical tables and guides circulated within aristocratic families, with each person adding his or her own information. Similarly, tournament participators would record their names, coats-of-arms, and possibly mottoes into tournament books. [4]

The first true autograph books appeared in German and Dutch linguistic regions (possibly originating in Wittenberg) by the mid-16th century. [2] [5]

Known as an album amicorum ("book of friends") or stammbuch ("friendship book"), the oldest on record is that of Claude de Senarclens, an associate of John Calvin, and dates back to 1545. [3] By the end of the century, they were common throughout Germany among students and scholars. [4] Academics tended to retain their autograph books for many years and gather the correspondence of fellow intellectuals with whom they associated; therefore the books began to function not only as sentimental artifacts but also as a crude form of scholarly credentials, a precursor to the modern "list of references". [2]

Evolution

The popularity of autograph books was generally confined to Dutch and Germanic cultures, and they appeared only sporadically in other countries. [5] They began to fall out of favor in the academic community by the late 17th century, but rebounded a century later as they came into use among fraternity students and members of the burgeoning middle class. This new wave of autograph curators included women as well as men. [2]

German immigrants transported the tradition to American culture in the late 18th century, where their popularity peaked around the time of the Civil War. Thereafter the use of autograph books declined sharply in both cultures as they were replaced by school yearbooks, [6] though they remained a lingering fad among young women for some time. Autograph books in their classic form eventually disappeared from the landscape of American culture, but their usage endures among German schoolgirls, who know them as poesiealben. [2] In Scandinavia, children called them minnebøker.

In the twentieth century, the average age of owners of autograph books dropped from mostly young adults to young teenagers and, by the second half of the century, to seven- and eight-year-olds. [1] [7] The poems and texts written in these books have been characterised as half literary [1] [8] and as folk literature. [7] [9] In an analysis of Norwegian children's albums during the Nazi occupation of WW2, Agnete Nesse demonstrates how the poems and illustrations the children wrote and drew in each other's autograph albums often expressed resistance to the occupation, for instance by using the colours of the Norwegian flag in their drawings or writing poems about Norwegian nature. [1]

Function

Small album, Russia, 1820-30s. Pushkin Museum, Moscow Album russia.jpg
Small album, Russia, 1820-30s. Pushkin Museum, Moscow

When they first emerged in the 1500s, autograph books were used for collecting signatures at graduation and kept as a sentimental memento of college life. Eventually it became popular to use them well after graduation, and scholars would carry the books on their travels (particularly between various universities) to record the well-wishes of colleagues and noteworthy acquaintances. [5] The books therefore conveyed a form of academic credentials, dependent upon who had signed them and what had been written. [2]

Additionally, an autograph book may have been used as a crude address book to maintain correspondence to past and distant friends. [4]

Recently, researchers have come to see the historical value of these books in assessing the biographical data of those who composed them and the cultural backdrop in which they wrote. The autograph books of Ludwig van Beethoven and Babette Koch are among the most famous. [3]

Design and format

Books

Until the late 18th century, German autograph albums generally consisted of loose sheets of paper or sometimes vellum bound in an elongated octavo format; later, they became available in the horizontal format. The binding material varied dramatically, from cardboard to gold-tooled leather. [4]

A different type of album contained unbound pages in cassettes or folders, which could be passed out and collected individually and later arranged in any order. [3]

Autographs

A typical page contained a set of verses in Latin, Greek, or Hebrew at the top, and a formal greeting to the album's owner below, sometimes including a heraldic shield or emblematic picture of the signator. [5] More artistic autographers sketched full-page drawings, and less conventional entries included engravings, embroidery, paper silhouettes, locks of hair, or pressed flowers. [4] The high quality of some illustrations suggests that the books must have been kept by the autographer for some length of time to work on the composition. [5]

Related Research Articles

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<span class="mw-page-title-main">Emblem</span> Pictorial image that epitomizes a concept or that represents a person

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<span class="mw-page-title-main">Emblem book</span> Book collecting allegorical illustrations with explanatory text

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<i>Emblemata</i>

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The confession album, or confession book, was a kind of autograph book popular in late-nineteenth-century Britain. Instead of leaving free room for invented or remembered poetry, it provided a formulaic catechism. The genre died out towards the end of the century, with occasional brief revivals in the twentieth century. The same kind of form is now found in the Dutch vriendenboek, and German Freundschaftsbuch, used by small children; and the questions that the confession album contained live on in the Proust Questionnaire often used for celebrity interviews.

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The Two Pots is one of Aesop's Fables and numbered 378 in the Perry Index. The fable may stem from proverbial sources.

The Gourd and the Palm-tree is a rare fable of West Asian origin that was first recorded in Europe in the Middle Ages. In the Renaissance a variant appeared in which a pine took the palm-tree's place and the story was occasionally counted as one of Aesop's Fables..

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<span class="mw-page-title-main">The Blind Man and the Lame</span> Fable

"The Blind Man and the Lame" is a fable that recounts how two individuals collaborate in an effort to overcome their respective disabilities. The theme is first attested in Greek about the first century BCE. Stories with this feature occur in Asia, Europe and North America.

<span class="mw-page-title-main">The Elm and the Vine</span> Ancient fable and parable

The Elm and the Vine were associated particularly by Latin authors. Because pruned elm trees acted as vine supports, this was taken as a symbol of marriage and imagery connected with their pairing also became common in Renaissance literature. Various fables were created out of their association in both Classical and later times. Although Aesop was not credited with these formerly, later fables hint at his authorship.

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<i>Album amicorum</i>

The album amicorum was an early form of the poetry book, the autograph book and the modern friendship book. It emerged during the Reformation period, during which it was popular to collect autographs from noted reformers. In the 1700s, the trend of the friendship book was still mainly limited to the Protestant people, as opposed to the Catholics. These books were particularly popular with university students into the early decades of the 19th century. Noteworthy are the pre-printed pages of a friendship book from 1770 onwards, published as a loose-leaf collection by the bookbinder and pressman Johannes Carl Wiederhold (1743-1826) from Göttingen.

References

  1. 1 2 3 4 Nesse, Agnete (2022). "Poetic Resistance: Girls' Autograph Albums during World War II in Norway". Scandinavian Studies. 94 (4): 453–474. doi:10.5406/21638195.94.4.03. S2CID   253371690 via MUSE.
  2. 1 2 3 4 5 6 Petty, Antje. "Dies schrieb Dir zur Erinnerung...: From Album Amicorum to Autograph Book". Madison, Wisconsin, United States: Max Kade Institute for German-American Studies. Archived from the original on 7 February 2009. Retrieved 9 February 2009.
  3. 1 2 3 4 "Album amicorum, Autograph Book". Art Directory. Retrieved 9 February 2009.
  4. 1 2 3 4 5 "Album amicorum / Stammbuch / Memory book or friendship book". Ketter Kunst Auctions & Exhibitions. Archived from the original on 6 May 2012. Retrieved 9 February 2009.
  5. 1 2 3 4 5 Barker, William (December 2002). "Alciato's Emblems and the Album Amicorum: A Brief Note on Examples in London, Moscow, and Oxford". Alciato's Book of Emblems: The Memorial Web Edition in Latin and English. Memorial University of Newfoundland. Archived from the original on 17 January 2008. Retrieved 9 February 2009.
  6. "History of the Autograph Book Collection". Autograph Book Collection, 1825–1884. Princeton, New Jersey, United States: Princeton University Library. 1997. Archived from the original on 30 August 2009. Retrieved 9 February 2009.
  7. 1 2 Klintberg, Bengt af (1978). Harens klagan och andra uppsatser om folklig diktning. Stockholm: Bokförlaget Pan/Norsteds. p. 69.
  8. Helk, Vello (1994). "Stambogstudier med Forskningsoversigt, Tilbageblik og Ajourføring". Fund og Forskning. 33: 171–224.
  9. Angermann, Gertrud (1971). Stammbücher und Poesialben als Spiegel ihrer Zeit nach Quellen des 18.-20. Jahrhunderts aus Minden-Ravensberg. Münster: Verlag Aschendorff.