Bill Wurtz, known professionally as B. Wurtz (b. 1948, Pasadena, California), [1] is an American painter and sculptor. He lives and works in New York City. [2]
Bill Wurtz, known professionally as B. Wurtz (b. 1948, Pasadena, California), [1] is an American painter and sculptor. He lives and works in New York City. [2]
Wurtz received a BA from the University of California at Berkeley in 1970, and an MFA from the California Institute of the Arts in 1980. [2]
Wurtz is known for his transformations of commonplace materials into sculptures. [3] Wurtz's sculptures are characterized by an appreciation for the ubiquitous, common-place items he uses: plastic grocery bags, disposable baking trays, coat hangers, tuna tins, buttons, shoelaces, cardboard, and construction lumber. [4]
Wurtz's work has been described as a "bricolage of found objects." [1] He has shown his work widely in solo and group exhibitions internationally. He works in a variety of scales from small-scale sculptures to large-scale public sculptures. In 2015, The Baltic Centre for Contemporary Art in Gateshead, United Kingdom mounted a retrospective exhibition of the artist's work that traveled to La Casa Encendida in Madrid through 2016. [3] [5] In 2018, the Institute of Contemporary Art in Los Angeles mounted a major solo exhibition of his work, This Has No Name. [6]
His work has been reviewed in the New York Times, [7] Artsy, [8] Surface, [9] Artforum, [10] Frieze, [4] among other publications.
Wurtz's work is represented in the permanent collections of the Whitney Museum of American Art, [11] the Museum of Contemporary Art, Chicago, [12] the Portland Art Museum, [13] among others.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Kiki Smith is a German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
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Ivana Bašić is a Serbian artist living and working in New York.
Charles Ray is a Los Angeles–based American sculptor. He is known for his strange and enigmatic sculptures that draw the viewer's perceptual judgments into question in jarring and unexpected ways. Christopher Knight in the Los Angeles Times wrote that Ray's "career as an artist…is easily among the most important of the last twenty years."
Nina Katchadourian is an American interdisciplinary artist and educator. She works with photography, sculpture, video, and sound—often in playful ways. She is best known for her "Lavatory Self-Portraits in the Flemish Style," a series of self-portraits taken in airplane bathrooms.
Dike Blair is a New York-based artist, writer and teacher. His art consists of two parallel bodies of work: intimate, photorealistic paintings and installation-like sculptures assembled from common objects—often exhibited together—which examine overlooked and unexceptional phenomena of daily existence in both a romantic and ironic manner. Blair emerged out of the late 1970s New York art scene, and his work relates to concurrent movements such as the Pictures Generation, Minimalism and conceptual art, while remaining distinct from and tangential to them. New York Times critic Roberta Smith places his sculpture in a "blurred category" crossing "Carl Andre with ikebana, formalist abstraction with sleek anonymous hotel rooms, talk-show sets with home furnishings showrooms." Cameron Martin writes in Artforum that the paintings are "rendered with a lucidity that extracts something metaphysical from the mundane."
Mark Handforth is a sculptor based in Miami, Florida. Some of his works are attributed to site-specific art. In 2007 he installed a sculpture titled Dallas Snake in the park of the Dallas Museum of Art. Four works are exhibited outside the Museum of Contemporary Art, Chicago through October 2011.
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Laura Owens is an American painter, gallery owner and educator. She emerged in the late 1990s from the Los Angeles art scene. She is known for large-scale paintings that combine a variety of art historical references and painterly techniques. She lives and works in Los Angeles, California.
Mary Corse is an American artist who lives and works in Topanga, California. Fascinated with perceptual phenomena and the idea that light itself can serve as both subject and material in art, Corse's practice can be seen as existing at an crossroads between American Abstract Expressionism and American Minimalism. She is often associated with the male-dominated Light and Space art movement of the 1960s, although her role has only been fully recognized in recent years. She is best known for her experimentation with radiant surfaces in minimalist painting, incorporating materials that reflect light such as glass microspheres. Corse initially attended University of California, Santa Barbara starting in 1963. She later moved on to study at Chouinard Art Institute, earning her B.F.A. in 1968.
Aaron Flint Jamison is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design. He works with various media including sculpture, publication, video, and performance.
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Jacolby Satterwhite is an American contemporary artist who creates immersive installations. He has exhibited work at the Minneapolis Institute of Art, the Museum of Contemporary Art, Chicago, Louis Vuitton Foundation in Paris, the New Museum and the Museum of Modern Art, both in New York City, and the Institute of Contemporary Art, Philadelphia. In addition to MoMA, his work is in the public collections of the Studio Museum in Harlem, the Seattle Art Museum, the Whitney Museum of American Art, the Kiasma, and the San Jose Museum of Art. Satterwhite has also served as a contributing director for the music video that accompanied Solange's 2019 visual album When I Get Home and directed a short film accompaniment to Perfume Genius's 2022 studio album Ugly Season.
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Charles Goldman is an American conceptual artist whose work spans sculpture, installation, performance, painting and drawing. His practice involves mundane construction materials, household objects, or studio scraps that are refashioned using self-imposed systems that recontextualize experiences of public and private space and time. Writers have described Goldman's art as "deceptively minimal, mischievously abstract" work offering both "slow-burn conceptual humor" and a practical everyman’s philosophy.
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