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| Author | Fannie Hurst |
|---|---|
| Language | English |
| Genre | romance novel |
Publication date | 1931 |
| Publication place | USA |
Back Street is a romance novel written by Fannie Hurst in 1931, with underlying themes of death and adultery. [1] The book's copyright was renewed in 1958 for an original 1930 registration and a subsequent 1931 registration, meaning that different editions of the book were published. Each will become public domain in 2026 and 2027 for 1930 and 1931, respectively. [2] [3]
It has been filmed five times since its publication:
The 1932, 1941, and 1961 versions were released by Universal Pictures, and the third was in Technicolor. [7]
All the films—including those where the heroine dies at the end—romanticize the ending. In the book, she dies impoverished. [8]
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Susan Hayward was an American actress best known for her film portrayals of women that were based on true stories.
Richard Ewing Powell was an American actor, singer, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.
Raoul Walsh was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese.
John Gavin was an American actor and diplomat who was the president of the Screen Actors Guild (1971–1973), and the United States Ambassador to Mexico (1981–1986). Among the films he appeared in were A Time to Love and a Time to Die (1958), Imitation of Life (1959), Spartacus (1960), Psycho (1960), Midnight Lace (1960) and Thoroughly Modern Millie (1967), playing leading roles for producer Ross Hunter.
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at Metro-Goldwyn-Mayer, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Fannie Hurst was an American novelist and short-story writer whose works were highly popular during the post-World War I era. Her work combined sentimental, romantic themes with social issues of the day, such as women's rights and race relations. She was one of the most widely read female authors of the 20th century, and for a time in the 1920s she was one of the highest-paid American writers. Hurst actively supported a number of social causes, including feminism, African American equality, and New Deal programs.
John Francis Regis Toomey was an American film and television actor.
Lloyd Corrigan was an American film and television actor, producer, screenwriter, and director who began working in films in the 1920s. The son of actress Lillian Elliott, Corrigan directed films, usually mysteries such as Daughter of the Dragon starring Anna May Wong, before dedicating himself more to acting in 1938. His short La Cucaracha won an Academy Award in 1935.
A Star Is Born is a 1937 American Technicolor drama film produced by David O. Selznick, directed by William A. Wellman from a script by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, and starring Janet Gaynor as an aspiring Hollywood actress, and Fredric March as a fading movie star who helps launch her career. The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. At the 10th Academy Awards, it became the first color film to be nominated for the Academy Award for Best Picture.
Paul Causey Hurst was an American actor and film director.
Back Street is a 1961 American Eastmancolor drama film directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the 1931 novel of the same name by Fannie Hurst. The music score is by Frank Skinner, who also scored the 1941 version. The film stars Susan Hayward, John Gavin, and Vera Miles.
Back Street is a 1941 American drama film directed by Robert Stevenson and starring Charles Boyer, Margaret Sullavan and Richard Carlson. It is a remake of the 1932 film of the same name, also from Universal. The film is adapted from the 1931 Fannie Hurst novel and the 1932 film version which it follows very closely, in some cases recalling the earlier film scene-for-scene. It is a sympathetic tale of an adulterous couple.
Back Street or Backstreet may refer to:
Back Street is a 1932 American pre-Code drama film directed by John M. Stahl and starring Irene Dunne and John Boles. Based on the best-selling novel of the same title by Fannie Hurst, it tells the story of a woman who spends her life as the secret mistress of a wealthy married man. The devotion and love of the woman to the married man determines that she will be the “back streets” of him in the whole life; a story of a love that was not destined. This was the first of three film versions of Hurst's novel; remakes were released in 1941 and 1961.
The Vanguard Press was a United States publishing house established with a $100,000 grant from the left-wing American Fund for Public Service, better known as the Garland Fund. Throughout the 1920s, Vanguard Press issued an array of books on radical topics, including studies of the Soviet Union, socialist theory, and politically oriented fiction by a range of writers. The press ultimately received a total of $155,000 from the Garland Fund, which separated itself and turned the press over to its publisher, James Henle. Henle became sole owner in February 1932.
John Max Leipold was a prolific American film and radio score composer. He is most noted for winning 1939 Academy Award for Best Original Score for the film Stagecoach, along with Richard Hageman, Frank Harling, and Leo Shuken.
Serge Piménoff (1895–1960) was a Russian-born French art director. He designed the sets for the 1958 film Les Misérables.
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