The Shop Around the Corner is a 1940 American romantic comedy film produced and directed by Ernst Lubitsch and starring Margaret Sullavan, James Stewart and Frank Morgan. The screenplay was written by Samson Raphaelson based on the 1937 Hungarian play Parfumerie by Miklós László. Eschewing regional politics in the years leading up to World War II, the film is about two employees at a leathergoods shop in Budapest who can barely stand each other, not realizing they are falling in love as anonymous correspondents through their letters.
Margaret Brooke Sullavan was an American stage and film actress.
Leland Hayward was a Hollywood and Broadway agent and theatrical producer. He produced the original Broadway stage productions of Rodgers and Hammerstein's South Pacific and The Sound of Music.
Secrets is a 1933 American pre-Code Western film directed by Frank Borzage and starring Mary Pickford in her last film role. The film is a remake of Secrets (1924), a silent film starring Norma Talmadge, which was based on a 1922 play of the same name.
The Mudlark is a 1950 film made in Britain by 20th Century Fox. It is a fictional account of how Queen Victoria was eventually brought out of her mourning for her dead husband, Prince Albert. It was directed by Jean Negulesco, written and produced by Nunnally Johnson and based on the 1949 novel of the same name by American artillery sergeant and San Francisco newspaperman Theodore Bonnet (1908–1983). It stars Irene Dunne, Alec Guinness and Andrew Ray.
Street Scene is a 1931 American pre-Code drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play of the same name, Street Scene takes place on a New York City street from one evening until the following afternoon. Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.
The Moon's Our Home is a 1936 American comedy film directed by William A. Seiter and starring Henry Fonda, Margaret Sullavan and Walter Brennan. It was adapted from a novel of the same name written by Faith Baldwin and first published in serial form in Cosmopolitan magazine.
The Shining Hour is a 1938 American romantic drama film directed by Frank Borzage, based on the 1934 play The Shining Hour by Keith Winter, and starring Joan Crawford and Margaret Sullavan. The supporting cast of the MGM film features Robert Young, Melvyn Douglas, Fay Bainter and Hattie McDaniel.
Back Street is a 1961 American Eastmancolor drama film directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the 1931 novel of the same name by Fannie Hurst. The music score is by Frank Skinner, who also scored the 1941 version. The film stars Susan Hayward, John Gavin, and Vera Miles.
Back Street is a 1932 American pre-Code drama film directed by John M. Stahl and starring Irene Dunne and John Boles. Based on the best-selling novel of the same name by Fannie Hurst, it tells the story of a woman who spends her life as the secret mistress of a wealthy married man. The devotion and love of the woman to the married man determines that she will be the “back streets” of him in the whole life; a story of a love that was not destined. This was the first of three film versions of Hurst's novel; remakes were released in 1941 and 1961.
The Bachelor Father is a 1931 American pre-Code MGM comedy drama film directed by Robert Z. Leonard and starring Marion Davies and featuring Ralph Forbes, C. Aubrey Smith, Ray Milland and Guinn "Big Boy" Williams. It was based on a same-titled play by Edward Childs Carpenter, with Smith re-creating his role from the Broadway production. The plot centers around a stuffy British nobleman whose three grown children suddenly arrive at his estate and decide to move in with him.
The Shopworn Angel is a 1938 American drama film directed by H. C. Potter and starring James Stewart, Margaret Sullavan, and Walter Pidgeon. The MGM release featured the second screen pairing of Margaret Sullavan and James Stewart following their successful teaming in the Universal Pictures production Next Time We Love two years earlier.
The Good Fairy is a 1935 romantic comedy film written by Preston Sturges, based on the 1930 play A jó tündér by Ferenc Molnár as translated and adapted by Jane Hinton, which was produced on Broadway in 1931. The film was directed by William Wyler and stars Margaret Sullavan, Herbert Marshall, Frank Morgan and Reginald Owen.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
Next Time We Love is a 1936 American melodrama film directed by Edward H. Griffith and starring Margaret Sullavan, James Stewart and Ray Milland. The adapted screenplay was by Melville Baker, with an uncredited Preston Sturges and Doris Anderson, based on Ursula Parrott's 1935 novel Next Time We Live, which was serialized before publication as Say Goodbye Again. The film is also known as Next Time We Live in the U.K.
I Loved a Soldier is an unfinished 1936 American romantic-comedy-drama film directed by Henry Hathaway and produced by Paramount Pictures. It stars Marlene Dietrich, Charles Boyer, Walter Catlett, Lionel Stander, and Margaret Sullavan.
The Man from Toronto is a 1933 British romantic comedy film directed by Sinclair Hill and starring Jessie Matthews, Ian Hunter and Frederick Kerr. After an inheritance is left to them if they marry, an Englishwoman and a Canadian must meet for the first time to investigate the other - with comedic results. Matthews was considered a rising film star at the time of the production, and she quickly became one of Gainsborough Pictures' leading names.
Curfew is a 1989 American horror film directed by Gary Winick, in his directorial debut, and starring Kyle Richards, Wendell Wellman, John Putch, Christopher Knight, and Frank Miller. Its plot follows two demented brothers who, after escaping from prison, invade the home of the district attorney who sentenced them to death, terrorizing him, his wife, and their teenage daughter.
Hotel Imperial is a 1939 American dramatic film directed by Robert Florey. It stars Isa Miranda and Ray Milland.
Her Husband's Secret is a 1925 American silent drama film directed by Frank Lloyd and starring Antonio Moreno, Patsy Ruth Miller, and Ruth Clifford.
