Dishonored Lady | |
---|---|
Directed by | Robert Stevenson |
Screenplay by | Edmund H. North |
Based on | Dishonored Lady 1930 play by Edward Sheldon and Margaret Ayer Barnes |
Produced by | |
Starring | |
Cinematography | Lucien N. Andriot |
Edited by | John M. Foley |
Music by | Carmen Dragon |
Color process | Black and white |
Production companies | Hunt Stromberg Productions Mars Film Corporation |
Distributed by | United Artists |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $1.2 million (original) [1] |
Dishonored Lady (also known as Sins of Madeleine) is a 1947 American film noir crime film directed by Robert Stevenson and starring Hedy Lamarr, Dennis O'Keefe and John Loder. It is based on the 1930 play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes. Lamarr and Loder were married when they made the film, but they divorced later in 1947. [2]
The film was released by United Artists in the United States on May 16, 1947.
Madeleine Damien is the fashion editor of a slick Manhattan magazine called Boulevard. Men are attracted to her, including boss Victor Kranish, wealthy advertiser Felix Courtland, and former assistant Jack Garet, who now works for Courtland and is blackmailing her about events from her past.
Madeleine attempts suicide and is headed toward a breakdown. She crashes her car near the home of psychiatrist Dr. Richard Caleb, who discovers her unconscious and cares for her. With Dr. Caleb's help, she realizes that she has been running away from herself just as her father may have done before he committed suicide. Under stress by her job's demands, she suddenly quits her job and disappears from the fashion scene. Under another name, she moves into a smaller apartment where she returns to painting, her earlier love. She meets her neighbor, handsome medical researcher David Cousins, who needs someone to draw the cells that he studies under the microscope. They work together closely, resulting in an excellent paper that David is invited to present at a conference. He proposes marriage, but Madeleine is hesitant because she has never told David about her troubled love life.
Madeleine's previous colleagues and Courtland learn what has become of her. Courtland surprises her at her apartment, but she rejects him. When David is away, a colleague from Boulevard contacts her for technical advice, but Madeleine wants nothing to do with the magazine. However, she consents to meet her colleague at a nightclub, and her former boss and assistant appear to meet her as well. She drinks too much and soon finds herself at Courtland's mansion by default. Courtland kisses her, but is interrupted when Garet appears. Garet had stolen a precious stone from Courtland, and he wants to try to dissuade Courtland from informing the police. Courtland refuses and noisily ejects Garet out. When Madeleine awakens, she realizes that she can leave Courtland and slips away through the rain. Garet returns and kills Courtland by bludgeoning him with a table cigarette lighter just as Courtland is calling the police.
The next day, David returns early from his conference. Madeleine learns of the murder from the newspaper and realizes that she is in trouble, but the police soon arrive to arrest her. Madeleine's false identity becomes known, and David is aghast to hear of Madeleine's past, refusing to marry her.
Madeleine is charged with the murder. During her trial, she seems catatonic, completely uninterested in the proceedings and refusing counsel. David takes the witness stand and is asked if he still loves her, and he replies affirmatively. Following this, Madeleine becomes a cooperating witness. Courtland's home safe and the theft are discovered, and David suspects that Garet may be hiding something. David confronts Garet and subdues him in a fight. Garet is arrested and confesses to the murder, and Madeleine is declared innocent.
Madeleine leaves David a letter explaining that she cannot marry him until she is sure that she can really be the person whom he had believed her to be. While Madeleine is at the airport waiting for a plane, Dr. Caleb advises her that she is making a mistake by fleeing. David arrives just in time to grab Madeleine on the tarmac, and the plane departs without her as the two embrace.
Production was scheduled to begin no later than January 1945. However, problems with the Motion Picture Production Code caused a delay. The Hays Office insisted that two love affairs in the script, one in Mexico and the other in New York, might be "overloading" the picture, and also objected to the "night of sordid passion." A memo dated April 25, 1946 stated that, despite revisions, the script was unacceptable because of its gratuitous sex and references to Madeleine's unsavory family secrets. In the final film, references to Madeleine's parents were omitted completely. A character named Moreno and an affair in Mexico City were excised, and the "night of sordid passion" was not shown. All suggestions that Madeleine was a murderer, or had even contemplated murder, were also removed from the film. In the final script submitted to the Hays Office, Madeleine takes a trip hoping that the time will come when she can be with David; the reunion at the film's closing was added later.
The film was in production from early May to late July 1946 at California Studios. The sets were designed by art director Nicolai Remisoff.
The film exceeded its budget by $1.2 million and was a failure at the box office. [3]
Hedy Lamarr was an Austrian-born American actress and inventor. After a brief early film career in Czechoslovakia, including the controversial erotic romantic drama Ecstasy (1933), she fled from her first husband, Friedrich Mandl, and secretly moved to Paris. Traveling to London, she met Louis B. Mayer, who offered her a film contract in Hollywood. Lamarr became a film star with her performance in the romantic drama Algiers (1938). She achieved further success with the Western Boom Town (1940) and the drama White Cargo (1942). Lamarr's most successful film was the religious epic Samson and Delilah (1949). She also acted on television before the release of her final film in 1958. She was honored with a star on the Hollywood Walk of Fame in 1960.
Edward Brewster Sheldon was an American dramatist. His plays include Salvation Nell (1908) and Romance (1913), which was made into a motion picture with Greta Garbo.
Ecstasy is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr, Aribert Mog, and Zvonimir Rogoz. Machatý won the award for Best Director for this film at the 1934 Venice Film Festival.
Algiers is a 1938 American drama film directed by John Cromwell and starring Charles Boyer, Sigrid Gurie, and Hedy Lamarr. Written by John Howard Lawson, the film is about a notorious French jewel thief hiding in the labyrinthine native quarter of Algiers known as the Casbah. Feeling imprisoned by his self-imposed exile, he is drawn out of hiding by a beautiful French tourist who reminds him of happier times in Paris. The Walter Wanger production was a remake of the successful 1937 French film Pépé le Moko, which derived its plot from the Henri La Barthe novel of the same name.
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John Loder was established as a British film actor in Germany and Britain before migrating to the United States in 1928 for work in the new talkies. He worked in Hollywood for two periods, becoming an American citizen in 1947. After living also in Argentina, he became a naturalized British (Argentinian?) citizen in 1959.
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The Conspirators is a 1944 American film noir, World War II, drama, spy, and thriller film directed by Jean Negulesco. It stars Hedy Lamarr and Paul Henreid, features Sydney Greenstreet and Peter Lorre in supporting roles, and has a cameo of Aurora Miranda singing a Fado. The Conspirators reunites several performers who appeared in Casablanca (1942).
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