Plot
Patrick McKee, struggling with his finances, moves back to his childhood home with his wife Karina and their young son Jake. His brother Liam runs the lumber business there, but Patrick is haunted by strange sounds at night, flickering lights and weird sightings — he becomes convinced that a sinister force is invading their home. When Jake starts talking about an invisible friend named Dolly, Patrick’s fears deepen, especially because he carries trauma from his past: as a boy, he narrowly escaped a creature known in local folklore as the “Bagman,” who snatches well-behaved children and stuffs them into a rotting bag.
Patrick’s childhood memories resurface when he recalls his father telling him about the Bagman’s lair in an old, abandoned copper mine nearby. A psychologist explains that, according to legend, the Bagman feeds on vulnerability and fear, targeting the “good” children. Patrick also remembers a special carving knife his father gave him — a talisman, he was told, that could ward off the evil. But he had broken it in a moment of frustration long ago.
As the hauntings intensify, Karina’s sister Anna is attacked by the Bagman while babysitting Jake, sparking more terror. One night, Patrick witnesses a horrifying vision: Bagman crawling through their house, heading toward Jake’s cot, holding his decaying duffel bag. He chases the creature into the mine shaft, where he finds a porcelain doll inside the unzipped bag — but instead of Jake’s cries, the doll emits Jake’s recorded voice as a trap.
The Bagman reveals that its true target was always Patrick, not Jake. In a final confrontation, Patrick fights back using his broken knife. Though he wounds the creature, he is overpowered. In a self-sacrificing act, he lets himself be captured, stuffing himself into the duffel bag. Karina realizes what’s happened when she later finds Jake’s bloodstained flute — she understands Patrick gave himself up to protect their son, and she leaves their home to keep Jake safe, carrying the flute as his only protection.
Reception
Peter Sobczynski of RogerEbert.com gave the film one star of four, stating "The only chance of experiencing any actual chills is if you doze off and generate a more interesting nightmare of your own". [12] Jayanty Nada Shofa of Jakarta Globe found the film to be an uneven horror film with a weak buildup, but notes that it gains interest in the latter half, ultimately deeming it not memorable despite having some engaging moments. [13]
Enid Román Almansa of Cinemanía gave the film three stars out of five considered the film entertaining and acknowledges Sam Claflin's strong performance as a father protecting his adorable son, but notes that it suffers from predictable moments and common horror clichés. [14] Whang Yee Ling of The Straits Times gave the film two stars out of five described the film as "forgettable" with a thin and often nonsensical plot, despite its touches of fatherly love and the intriguing premise of confronting childhood trauma. [15]
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