Balla Tounkara is a kora player and singer from Mali. [1]
He was born in Mali into a family of griot s, who traditionally played music to the kings of the Malian Empire in their royal court. He started to learn the kora as a child. [2]
Tounkara has released many albums and plays both solo and with a group called Groupe Spirite. [3] He moved to the United States in 1996 [4] and now lives in Boston. [5]
The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It combines features of the lute and harp.
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Kandia Kouyaté is a Malian jelimuso and kora player; she has earned the prestigious title of ngara, and is sometimes called La dangereuse and La grande vedette malienne. Kouyaté's dense, emotional, hypnotic manner of singing and her lyrical talents have earned huge acclaim in Mali, though she remained relatively little known outside Africa, due to extremely limited availability of her recordings. Her home town of Kita is known for love songs, which form a large part of Kouyaté's repertoire. She also sings praise songs.
The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako.
Kita is a town and urban commune in western Mali. The town is the capital of the Kita Cercle in the Kayes Region. It lies on the eastern slope of Mount Kita, known for its caves and rock paintings. Today, the town is known for its music, its annual Roman Catholic pilgrimage and its role as a processing center for the surrounding cotton- and peanut-growing region. Kita lies on the Dakar-Niger Railway and is the largest transit hub between Bamako and Kayes. In the 2018 census the urban commune had a population of 463,787.
Toumani Diabaté is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles. In 2006, the London-based newspaper The Independent named Diabaté one of the fifty best African artists.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
Djelimady Tounkara is a Malian musician and one of the foremost guitarists in Africa.
Bouba Sacko was a Malian contemporary guitarist.
Sona Jobarteh is a Gambian multi-instrumentalist, singer and composer. She is from one of the five principal kora-playing griot families of West Africa, and is the first female professional kora player to come from a griot family. She is the cousin of the celebrated kora player Toumani Diabate, and is the sister of the diaspora kora player Tunde Jegede.
Bajourou is the name given to a strain of Malian (Mali) pop music usually played at weddings and social gatherings. Though now predominantly electric, its roots were in 60s acoustic music that borrowed patterns from the kora and the donsongoni and transferred them to acoustic guitars. Lyrics moved away from the usual Manding praise songs to more secular, romantic concerns, mainly sung by women like Fanta Sacko who did much to develop and spread the music.
Mamadou Diabaté is a Malian musician known for his work with the kora. He began playing quite early in his life, became known as a musician in the area of Mali in which he lived, and has since moved to the United States, recording several albums.
Ballaké Sissoko is a Malian player of the kora. He has worked with Toumani Diabaté and Taj Mahal, and is a member of the group 3MA with Driss El Maloumi and Rajery.
Ablaye Cissoko is a Senegalese musician, singer and composer, who plays the kora.
Oran Etkin is a jazz and world music musician.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
New Ancient Strings is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records. The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music. Diabaté and Sissoko are esteemed as the best and the second-best kora players of their generation, respectively. Their duets were recorded in a single live take within a marble hallway of Bamako's conference centre on the night of 22 September 1997, coinciding with Mali's Independence Day.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.