Pulp magazines were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century.
The dime novel is a form of late 19th-century and early 20th-century U.S. popular fiction issued in series of inexpensive paperbound editions. The term dime novel has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines. The term was used as a title as late as 1940, in the short-lived pulp magazine Western Dime Novels. In the modern age, the term dime novel has been used to refer to quickly written, lurid potboilers, usually as a pejorative to describe a sensationalized but superficial literary work.
Black Mask was a pulp magazine first published in April 1920 by the journalist H. L. Mencken and the drama critic George Jean Nathan. It is most well-known today for launching the hardboiled crime subgenre of mystery fiction, publishing now-classic works by Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, Cornell Woolrich, Paul Cain, Carroll John Daly, and others.
Frank Rudolph Paul was an American illustrator of pulp magazines in the science fiction field.
Hugh Barnett Cave was an American writer of various genres, perhaps best remembered for his works of horror, weird menace and science fiction. Cave was one of the most prolific contributors to pulp magazines of the 1920s and '30s, selling an estimated 800 stories not only in the aforementioned genres but also in western, fantasy, adventure, crime, romance and non-fiction. He used a variety of pen names, notably Justin Case under which name he created the antihero The Eel. A war correspondent during World War II, Cave afterwards settled in Jamaica where he owned and managed a coffee plantation and continued his writing career, now specializing in novels as well as fiction and non-fiction sales to mainstream magazines.
Frederick Orlin Tremaine was an American science fiction magazine editor, most notably of the influential Astounding Stories. He edited a number of other magazines, headed several publishing companies, and sporadically wrote fiction.
Earle K. Bergey was an American artist and illustrator who painted cover art for thousands of pulp fiction magazines and paperback books. One of the most prolific pulp fiction artists of the 20th century, Bergey is recognized for creating, at the height of his career in 1948, the iconic cover of Anita Loos's Gentlemen Prefer Blondes (1925) for Popular Library.
Malcolm H. Smith (1910–1966) was an American artist identified with the retro-futurist tradition.
Fiction House was an American publisher of pulp magazines and comic books that existed from the 1920s to the 1950s. It was founded by John B. "Jack" Kelly and John W. Glenister. By the late 1930s, the publisher was Thurman T. Scott. Its comics division was best known for its pinup-style good girl art, as epitomized by the company's most popular character, Sheena, Queen of the Jungle.
Martin Goodman was an American publisher of pulp magazines, digest sized magazines, paperback books, men's adventure magazines, and comic books, launching the comics magazine company Timely Comics in 1939 that would eventually become Marvel Comics.
The Phantom Detective was the second pulp hero magazine published, after The Shadow. The first issue was released in February 1933, a month before Doc Savage, which was released in March 1933. The title continued to be released until 1953, with a total 170 issues. This is the third highest number of issues for a character pulp, after The Shadow, which had 325 issues, and Doc Savage, which had 181. In western titles, Texas Rangers would have around 212 issues of their main character, known as the Lone Wolf.
Thrilling Publications, also known as Beacon Magazines (1936–37), Better Publications (1937–43) and Standard Magazines (1943–55), was a pulp magazine publisher run by Ned Pines, publishing such titles as Startling Stories and Thrilling Wonder Stories.
Margaret Brundage, born Margaret Hedda Johnson, was an American illustrator and painter who is remembered chiefly for having illustrated the pulp magazine Weird Tales. Working in pastels on illustration board, she created most of the covers for Weird Tales between 1933 and 1938.
John Alan Maxwell was an American artist known primarily for his book and magazine illustrations, as well as historical paintings. He also was an illustrator for many commercial publications, including Collier's Weekly, The Saturday Evening Post, The Golden Book Magazine, The American Magazine, and Woman's Home Companion.
The Shadow was an American pulp magazine that was published by Street & Smith from 1931 to 1949. Each issue contained a novel about the Shadow, a mysterious crime-fighting figure who had been invented to narrate the introductions to radio broadcasts of stories from Street & Smith's Detective Story Magazine. A line from the introduction, "Who knows what evil lurks in the hearts of men? The Shadow knows", prompted listeners to ask at newsstands for the "Shadow magazine", which convinced the publisher that a magazine based around a single character could be successful. Walter Gibson persuaded the magazine's editor, Frank Blackwell, to let him write the first novel, The Living Shadow, which appeared in the first issue, dated April 1931.
Walter Martin Baumhofer was an American illustrator notable for his cover paintings seen on the pulp magazines of Street & Smith and other publishers.
Short Stories was an American fiction magazine published between 1890 and 1959.
Stephen Gould Fisher was an American author best known for his pulp stories, novels and screenplays. He is one of the few pulp authors to go on to enjoy success as both an author in "slick" magazines, such as the Saturday Evening Post, and as an in-demand writer in Hollywood.
Emmett St. Clair Watson, Jr. was an American illustrator whose works appeared in popular magazines such as The Saturday Evening Post, Judge, Collier's, and Life, and also in pulp magazines such as Argosy, Railroad Stories, and Detective Fiction Weekly.
Dime Mystery Magazine was an American pulp magazine published from 1932 to 1950 by Popular Publications. Titled Dime Mystery Book Magazine during its first nine months, it contained ordinary mystery stories, including a full-length novel in each issue, but it was competing with Detective Novels Magazine and Detective Classics, two established magazines from a rival publisher, and failed to sell well. With the October 1933 issue the editorial policy changed, and it began publishing horror stories. Under the new policy, each story's protagonist had to struggle against something that appeared to be supernatural, but would eventually be revealed to have an everyday explanation. The new genre became known as "weird menace" fiction; the publisher, Harry Steeger, was inspired to create the new policy by the gory dramatizations he had seen at the Grand Guignol theater in Paris. Stories based on supernatural events were rare in Dime Mystery, but did occasionally appear.
