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The Banner of the Virgin of Guadalupe or the popular name for the Hidalgo's Banner is a piece from the National Museum of History of Mexico (MNH). It consists of a piece of cloth painted in oil with the image of Our Lady of Guadalupe, on each side of which there are two shields, signs and, at the bottom, flowers painted with the same technique, and is characterized by two additional triangles at the bottom. This is just one of the many coats of arms that were captured from the insurgent forces at the beginning of the War of Independence. [1]
The officially known as the Standard of Hidalgo is popularly identified as the Painting of Hidalgo and is made up of an oil painting of Our Lady of Guadalupe without other decorations, framed and mounted on a wooden pedestal kept in the same National Museum of History, this painting is signed by the New Spanish painter, Andrés López, who made it in 1805 as part of an experiment proposed by the bachelor Bartolache in the mid-eighteenth century, and whose purpose was to verify if human hand could have painted an ayate as occurred with the original, clearing any doubt about its divine origin, a situation that was confirmed by the authorities of the time without any word against it, so this painting is considered one of the few touched reproductions of the Tilma of Tepeyac. [2]
The history of both banners is at least confusing since both have been popularly identified with the same word, Hidalgo's Banner, but in general of their history it can be said:
The Banner or Painting of Hidalgo was identified after a study by the researcher of the National Institute of Anthropology and History (INAH), Jacinto Barrera Bassols as a work of the painter and faculty member of the Academy of San Carlos, Andrés López in 1805 for the so-called experiment of the bachelor Bartolache who in the mid-eighteenth century proposed to allow any prestigious painter who requested it to copy the Image of the Tilma of Tepeyac to demonstrate that not even the most skilled human hand could make a work of equal quality, so it had to be a divine work, obviously for the jury of the time none of the painters managed to match the original work, each of those copies was called from then on "Touched".
Of what happened later with that Touched copy we have a vague idea, but on September 16, 1810, This was framed in the sacristy of the parish of Atotonilco in San Miguel de Allende, Guanajuato, [3] where the leaders of the nascent armed movement met for a few hours. When they left, after an argument about which flag to use, at that time the regular troops commanded by Allende and Aldama were already carrying the so-called Twin Flags of Allende. The painting was torn down by a rancher who was among Miguel Hidalgo's troops. The rancher then tied it to a simple clothesline pole from the same parish and literally threw it to Miguel Hidalgo and Ignacio Allende to raise it in front of the troops. [4]
Our Lady of Guadalupe, also known as the Virgin of Guadalupe, is a Catholic title of Mary, mother of Jesus associated with a series of four Marian apparitions to a Mexican peasant named Juan Diego and one to his uncle, Juan Bernardino, which are believed to have occurred in December 1531, when the Mexican territories were part of the Spanish Empire.
Don Miguel Gregorio Antonio Ignacio Hidalgo y Costilla Gallaga Mandarte y Villaseñor, commonly known as Miguel Hidalgo y Costilla or Miguel Hidalgo, was a Catholic priest, leader of the Mexican War of Independence and recognized as the Father of the Nation.
Gustavo A. Madero is the northernmost borough of Mexico City.
San Miguel de Allende is the principal city in the municipality of San Miguel de Allende, located in the far eastern part of Guanajuato, Mexico. A part of the Bajío region, the town lies 274 km (170 mi) from Mexico City, 86 km (53 mi) from Querétaro and 97 km (60 mi) from the state capital of Guanajuato. The town's name derives from a 16th-century friar, Juan de San Miguel, and a martyr of Mexican Independence, Ignacio Allende, who was born in a house facing the central plaza. San Miguel de Allende was a critical epicenter during the historic Chichimeca War (1540–1590) when the Chichimeca held back the Spanish Empire during the initial phases of European colonization. Today, an old section of the town is part of a proclaimed World Heritage Site, attracting thousands of tourists and new residents from abroad every year.
The Basilica of Santa María de Guadalupe, officially called Insigne y Nacional Basílica de Santa María de Guadalupe is a basilica of the Catholic Church, dedicated to the Virgin Mary in her invocation of Our Lady of Guadalupe, located at the foot of the Hill of Tepeyac in the Gustavo A. Madero borough of Mexico City. It belongs to the Primate Archdiocese of Mexico through the Guadalupana Vicariate, which since November 4, 2018, is in the care of Monsignor Efraín Hernández Díaz, who has the title of general and episcopal vicar of Guadalupe and abbot of the basilica.
Ignacio José de Allende y Unzaga, commonly known as Ignacio Allende, was a captain of the Spanish Army in New Spain who came to sympathize with the Mexican independence movement. He attended the secret meetings organized by Josefa Ortiz de Domínguez, where the possibility of an independent Mexico was discussed. He fought along with Miguel Hidalgo y Costilla in the first stage of the struggle, eventually succeeding him in leadership of the rebellion. Allende was captured by Spanish colonial authorities while he was in Coahuila and executed for treason in Chihuahua.
Huei Tlamahuiçoltica is a tract in Nahuatl comprising 36 pages and was published in Mexico City, Mexico in 1649 by Luis Laso de la Vega, the vicar of the chapel of Our Lady of Guadalupe at Tepeyac outside the same city. In the preface Luis Laso de la Vega claimed authorship of the whole work, but this claim is the subject of an ongoing difference of scholarly opinion.
Miguel Mateo Maldonado y Cabrera (1695–1768) was a Mestizo painter born in Oaxaca but moved to Mexico City, the capital of Viceroyalty of New Spain. During his lifetime, he was recognized as the greatest painter in all of New Spain. He created religious and secular art for the Catholic Church and wealthy patrons. His casta paintings, depicting interracial marriage among Amerindians, Spaniards and Africans, are considered among the genre's finest. Cabrera's paintings range from tiny works on copper to enormous canvases and wall paintings. He also designed altarpieces and funerary monuments.
Codex Escalada is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico City. If authentic, and if correctly dated to the mid-16th century, the document fills a gap in the documentary record as to the antiquity of the tradition regarding those apparitions and of the image of the Virgin associated with the fourth apparition which is venerated at the Basilica of Guadalupe. The parchment first came to light in 1995, and in 2002 was named in honour of Fr. Xavier Escalada S.J. who brought it to public attention and who published it in 1997.
The Basilica of Guadalupe or Santuario de Nuestra Señora de Guadalupe is a Roman Catholic church located in the metropolitan area of Monterrey, Nuevo León, Mexico.
The Battle of Calderón Bridge was a decisive battle in the Mexican War of Independence. It was fought in January 1811 on the banks of the Calderón River 60 km (37 mi) east of Guadalajara in present-day Zapotlanejo, Jalisco.
Informaciones Jurídicas de 1666 is a Spanish document that helped support the apparition of the Virgin Mary to Juan Diego Cuauhtlatoatzin at the hill of Tepeyac in 1531. The apparition is also known today as the iconic Virgin of Guadalupe. The Proceedings of 1666 consist of a series of investigations, record examinations, testimonies from artists, physicians, and Aztec historians, and oral accounts from elderly men and women who had knowledge and experience with Juan Diego and his contemporaries.
Juan Diego Cuauhtlatoatzin, also known simply as Juan Diego, was a Nahua peasant and Marian visionary. He is said to have been granted apparitions of Our Lady of Guadalupe on four occasions in December 1531: three at the hill of Tepeyac and a fourth before don Juan de Zumárraga, then the first bishop of Mexico. The Basilica of Our Lady of Guadalupe, located at the foot of Tepeyac, houses the cloak (tilmahtli) that is traditionally said to be Juan Diego's, and upon which the image of the Virgin is said to have been miraculously impressed as proof of the authenticity of the apparitions.
Fernando Leal was one of the first painters to participate in the Mexican muralism movement starting in the 1920s. After seeing one of his paintings, Secretary of Education José Vasconcelos invited Leal to paint at the Escuela Nacional Preparatoria. The resulting work is Los danzantes de Chalma. Leal also painted a mural dedicated to Simón Bolívar at the Anfiteatro Bolivar, as well as religious murals such as those at the chapel dedicated to the Virgin of Guadalupe at the Basilica Villa in Tepeyac.
Zumpango is a region, located in the north of the State of Mexico in the country of the same name. It is also known as the Region XVI Zumpango and has seen major population growth. It has a surface area of 8.305 km2 and occupies 12.8% of the state's territory. The seat of Zumpango Region is Zumpango de Ocampo city.
The Capture of Alhóndiga de Granaditas was a military action carried out in Guanajuato, viceroyalty of New Spain, on September 28, 1810, between the royalist soldiers of the province and the insurgents commanded by Miguel Hidalgo and Ignacio Allende. The fear unleashed in the social circles of the provincial capital made the intendant, Juan Antonio Riaño, ask the population to barrack in the Alhóndiga de Granaditas, a granary built in 1800, and in whose construction Miguel Hidalgo had participated as an advisor to his old friend Riaño. After several hours of combat, Riaño was killed and the Spaniards who had taken refuge there wished to surrender. The military in the viceroy's service continued the fight, until the insurgents managed to enter and then massacred not only the few guards that defended it, but also the numerous families of civilians who had taken refuge there. Many historians consider this confrontation more like a mutiny or massacre of civilians than a battle, since there were no conditions of military equality between the two sides.
The history of the flags of Mexico began before the Spanish conquest of the Aztec Empire, with the Flag Bearers of the Mexicas. The tri-coloured stripes date back to 1821. The green represents hope and victory, white stands for the purity of Mexican ideals and red represents the blood shed by the nation's martyrs. The modern day Flag of Mexico was adopted in 1968.