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O’Keeffe at the University of Virginia, 1912–1914 is an exhibition of watercolors that Georgia O'Keeffe created over three summers in the early 20th century at the University of Virginia. Shown at the Georgia O'Keeffe Museum in Santa Fe, New Mexico, the exhibit opened November 4, 2016 and ran through September 10, 2017. A year later, on October 19, 2018, the exhibition opened at the Fralin Museum of Art on the grounds of the University of Virginia, where it remained on display until January 27, 2019.
Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. O'Keeffe developed radical charcoal drawings, with just a few lines, that led to greater development of total abstraction. This series of works was completed following three summers of instruction at the University of Virginia on Arthur Wesley Dow's design philosophies, which were highly influential in her development as an abstract artist. Early the following year, photographer and art dealer, Alfred Stieglitz exhibited some of the drawings at his 291 art gallery.
Black Iris, formerly called Black Iris III, is a 1926 oil painting by Georgia O'Keeffe. Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work, in which she wrote: "Well—I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don't." She attempted to do away with sexualized readings of her work by adding a lot of detail.
Blue is the name of four paintings that Georgia O'Keeffe made in 1916. It was one of the sets of watercolors that she made exploring a monochromatic palette with designs that were non-representational of specific objects. The paintings were made on 15+7⁄8-by-11-inch sheets of Japanese tissue of the gampi tree.
The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, which she painted from the mid-1920s through the 1950s. She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. One of her paintings, Jimson Weed, sold for $44.4 million, making it the most expensive painting sold of a female artist's work as of 2014.
Maria Chabot (1913–2001), was an advocate for Native American arts, a rancher, and a friend of Georgia O'Keeffe. She led the restoration of her house in Abiquiú, New Mexico, and took the photograph of O'Keeffe entitled Women Who Rode Away, in which the artist was on the back of a motorcycle driven by Maurice Grosser. Their correspondence was published in the book Maria Chabot—Georgia O'Keeffe: Correspondence 1941-1949.
Summer Days is a 1936 oil painting by the American 20th-century artist Georgia O'Keeffe. It depicts a buck deer skull with large antlers juxtaposed with a vibrant assortment of wildflowers hovering below. The skull and flowers are suspended over a mountainous desert landscape occupying the lower part of the composition. Summer Days is among several landscape paintings featuring animal skulls and inspired by New Mexico desert O'Keeffe completed between 1934 and 1936.
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period. The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world. The series begins in 1960 with Sky Above the Flat White Cloud II, the start of a minimalist cycle of six works, with O'Keeffe trying to replicate the view of a solid white cloud she saw while flying back to New Mexico. She would continue to work on this singular motif in Sky with Flat White Cloud, Clouds 5/ Yellow Horizon and Clouds, Sky with Moon, and Sky Above Clouds / Yellow Horizon and Clouds. A darker variation of this motif occurred in 1972, influenced by her battle with macular degeneration, resulting in The Beyond, her last, unassisted painting before losing her eyesight.
References
- ↑ Kareska, Christopher (May 28, 2014). "Barbara Buhler Lynes to be NSU Museum of Art's Senior Curator" . Retrieved 8 March 2015.
- ↑ "Barbara Buhler Lynes Resigns Her Positions at the Georgia O'Keeffe Museum" (PDF). Archived from the original (PDF) on 2 April 2015. Retrieved 8 March 2015.
- ↑ Walsh, Barbara Buhler. “Love and Time in the Theater of Marivaux.” Ph.D dissertation—University University of California, Riverside, 1977.
- ↑ "Barbara Buhler Lynes LinkedIn profile". www.linkedin.com.
- ↑ Walsh, Barbara Buhler. “The Fresco Paintings of Bicci di Lorenzo.” Ph.D. dissertation—Indiana University, 1979.
- ↑ Exhibiting O'Keeffe. 15 February 2023.
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