| Barbara Forever | |
|---|---|
| Directed by | Brydie O'Connor |
| Produced by |
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| Starring | Barbara Hammer (archive footage) |
| Edited by | Matt Hixon |
| Music by | Taul Katz |
Production companies |
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Release date | |
Running time | 101 minutes |
| Country | United States |
| Language | English |
Barbara Forever is a 2026 American documentary film directed by Brydie O'Connor in her feature directorial debut and executive produced by Christine Vachon. It is an archive-driven exploration of the life and work of the pioneering lesbian experimental filmmaker Barbara Hammer.
The film premiered in the U.S. Documentary Competition at the 2026 Sundance Film Festival, where it won the Jonathan Oppenheim Editing Award.
The documentary utilizes a "kinetic tapestry" of archival footage, guided by Barbara Hammer's own voice, to explore her life, body, lovers, and lesbian identity. It chronicles her persistence and ambition in recording her own history to ensure she was not left out of the historical record, framing her work as a blueprint for future queer artists. [2]
The film is directed by Brydie O'Connor, who previously directed the short documentary Love, Barbara (2022), which focused on Hammer's legacy and won the Grand Jury Prize for Short Documentary at Outfest. [3] Barbara Forever serves as a feature-length expansion of O'Connor's archival research into Hammer's life.
The project is produced by Elijah Stevens, O'Connor, and Claire Edelman, with Christine Vachon (of Killer Films) serving as executive producer. Consulting producers include Zackary Drucker and Jenni Olson. [2]
Barbara Forever premiered in the U.S. Documentary Competition section at the 2026 Sundance Film Festival, where it won the Jonathan Oppenheim Editing Award. [4] It has been highlighted by LGBTQ+ publications as a "must-see" title for the 2026 festival season. [5] [6]
On the review aggregator website Rotten Tomatoes , 100% of 12 critics' reviews are positive. [7]
Sam Bodrojan of IndieWire gave the film a B+ and wrote that it "is a sincere ode to the queer iconoclast." [8]