Baroness Annetta Radovska or Annetta Borgna Radovska (Milan, 19th century) was a 19th-century woman painter in Lombardy, mainly depicting lively genre subjects.
She was a resident of Milan. Among her works were Vino vecchio, moglie giovane exhibited in 1881 at Milan. In 1883, again at Milan, she exhibited: Un aggressione; I fidanzali; and La visita. In 1883 at Rome, she exhibited: In visita e Nell' harem; and in 1884 at Turin Il The and Le quattro età. In 1886 at Milan, she exhibited Arriverà?. [1] [2]
Il falegname di Livonia, o Pietro il grande, czar delle Russie is an 1819 opera buffa in two acts with music by Gaetano Donizetti set to a libretto by Gherardo Bevilacqua-Aldobrandini. The libretto was based in part on Felice Romani's libretto for Giovanni Pacini's opera Il falegname di Livonia, which had just been presented at La Scala in Milan on 12 April 1819. Another source was Alexandre Duval's comedy Le menuisier de Livonie, ou Les illustres voyageurs (1805).
Giacomo Gandi was an Italian painter noted for genre painting.
Gaetano Previati (1852–1920) was an Italian Symbolist painter in the Divisionist style.
Mario Spinetti (1848–1925) was an Italian painter, whose works depict mythologic, Neo-Pompeian, and sacred subjects. He was born and resident in Rome. Among his works: a half-figure, Lidia, in 1881 in Milan. At the 1883 Exposition of Fine Arts in Rome, he exhibited a painting titled: Virginibus puerisque canto. In 1884 in Turin, he exhibited: Marriage in the 16th century. In 1887, in Venice, he exhibited: Una poetesa. In 1899, he painted frescoes of Sain Zaccaria, John the Baptist, and Elisabeth and Faith and Charity in the apse of the church of San Giovanni Battista dei Genovesi in Rome.
Achille Salata was a 19th-century Italian sculptor.
Giacomo Sozzi was a late-19th century Italian sculptor, active mainly in Lombardy and Bergamo.
Angelo Ribossi (1822–1886) was an Italian painter.
Giovanni Pallavera was an Italian painter, mainly known for his genre subjects in period costume.
Luigi Nono was an Italian painter, known primarily for his genre scenes depicting life among the poor.
Domenico Pesenti was an Italian painter and antiquarian. He painted mainly vedute.
Casimiro Radice was an Italian painter.
Luigi Secchi was an Italian sculptor.
Emma Moretto (19th-century) was an Italian painter, active in Venice painting landscapes and vedute.
Emanuele Serrano was an Italian sculptor, mainly in terracotta.
Matteo Lovatti the younger was an Italian painter, mainly of genre subjects.
Raffaele Armenise was an Italian painter and scenographer, mainly painting history and genre subjects.
GiuseppinaBrambilla was an Italian opera singer who, like her sisters Marietta and Teresa Brambilla, sang leading roles in the major opera houses in Italy, Spain, France and England. Although often described in modern reference works as a contralto, she also sang many soprano roles including Marie in La fille du régiment and Abigaille in Nabucco. She married the tenor Corrado Miraglia in 1857 and retired from the stage in 1862. Her niece, Teresina Brambilla, was also an opera singer.
Annetta Gertrude Seabury Dresser (1843–1935) was an American writer and early leader of the New Thought movement. She became a "mind cure" practitioner, treating philosopher and writer William James, among others.
Hilda Annetta Walker FRSA was an English sculptor, and a painter of landscapes, seascapes and horses, flourishing between 1902 and 1958. She was a war artist painting in England during the First and Second World Wars, and described as "escapist". Some of her early work was the production of oilette postcard paintings for Raphael Tuck & Sons, of firemen and horses. She was born in Mirfield, Yorkshire, England, to a family of blanket manufacturers who had the means to foster her art education. She grew up in the Protestant work ethic of Congregationalism, and attended Leeds College of Art, where she studied under William Gilbert Foster of the Staithes group and William Charles Holland King, sculptor of Dover Marine War Memorial. She signed her works "Hilda Walker" or sometimes "Hilda A. Walker".
A Romantic Adventure is a 1940 Italian historical drama film directed by Mario Camerini and starring Assia Noris, Gino Cervi and Leonardo Cortese. It is inspired by the 1883 short story The Romantic Adventures Of A Milkmaid by Thomas Hardy. Produced when the two countries were at war, the setting was shifted from the English countryside of the late nineteenth century to Piedmont in the 1830s.