Pietro Bernini was an Italian sculptor. He was the father of one of the most famous artists of Baroque, Gian Lorenzo Bernini, as well as the sculptor-architect Luigi Bernini.
The Accademia di San Luca, was founded in 1577 as an association of artists in Rome, with the purpose of elevating the work of "artists", which included painters, sculptors and architects, above that of mere craftsmen. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named after Saint Luke the evangelist who, legend has it, made a portrait of the Virgin Mary, and thus became the patron saint of painters' guilds.
Cosimo Fanzago was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy.
San Francesco di Paola is a prominent church located to the west in Piazza del Plebiscito, the main square of Naples, Italy.
San Pietro a Majella is a church in Naples, Italy. The term may also refer to the adjacent Naples music conservatory, which occupies the premises of the monastery that used to form a single complex with the church.
Vincenzo Pacetti (1746–1820) was an Italian sculptor and restorer from Castel Bolognese, particularly active in collecting and freely restoring and completing classical sculptures such as the Barberini Faun — his most famous work— the Hope Dionysus and the Athena of Velletri and selling them on to rich collectors as finished artefacts. He was the brother of Camillo Pacetti.
Bartolomeo Cavaceppi was an Italian sculptor who worked in Rome, where he trained in the studio of the acclimatized Frenchman, Pierre-Étienne Monnot, and then in the workshop of Carlo Antonio Napolioni, a restorer of sculptures for Cardinal Alessandro Albani, who was to become a major patron of Cavaceppi, and a purveyer of antiquities and copies on his own account. The two sculptors shared a studio. Much of his work was in restoring antique Roman sculptures, making casts, copies, and fakes of antiques, fields in which he was pre-eminent and which brought him into contact with all the virtuosi: he was a close friend of and informant for Johann Joachim Winckelmann. Winckelmann's influence and Cardinal Albani's own evolving taste may have contributed to Cavaceppi's increased self-consciousness of the appropriateness of restorations — a field in which earlier sculptors had improvised broadly — evinced in his introductory essay to his Raccolta d'antiche statue, busti, teste cognite ed altre sculture antiche restaurate da Cav. Bartolomeo Cavaceppi scultore romano. The baroque taste in ornate restorations of antiquities had favoured finely pumiced polished surfaces, coloured marbles and mixed media, and highly speculative restorations of sometimes incongruous fragments. Only in the nineteenth century, would collectors begin for the first time to appreciate fragments of sculpture: a headless torso was not easily sold in eighteenth-century Rome.
Andrea Bolgi was an Italian sculptor responsible for several statues in St. Peter's Basilica, Rome. Towards the end of his life he moved to Naples, where he sculpted portrait busts. He died in Naples during a plague epidemic.
Giovanni Battista Cavagna, also known as Cavagni or Gavagni was an Italian architect, engineer, and painter mainly in Naples, but also in Rome and Ascoli Piceno, Italy.
Bartolomeo Vecchione is a late 18th-century Italian architect of the late-Baroque or Rococo period, active in and around Naples.
The Church of the Immacolata e San Vincenzo and its adjacent convent, are religious buildings in piazzetta San Vincenzo of the Rione Sanità of Naples, Italy.
San Giuseppe dei Ruffi or church of San Giuseppe dei Ruffo is a church located on piazzetta San Giuseppe dei Ruffi, in Naples, Italy.
Santa Maria Donnaromita is a former church located on via Paladino in Naples.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Michelangelo Naccherino was an Italian sculptor and architect, active mainly in the Kingdom of Naples, Italy.
The Fountain of Neptune is a monumental fountain, located in Municipio square, in Naples, Italy. The fountain until the end of 2014 was located across the street of via Medina across from the church of Santa Maria Incoronata, Naples and a few doors south of the church complex of Pieta di Turchini. Now the fountain is located in front of the Town hill building, its location changed due to the construction of the new underground station.
Santa Maria del Parto a Mergellina is a church located in the quartiere of Chiaia in Naples, Italy. The church is peculiarly perched on top of a private building, and accessed by a stairway, placed behind a restaurant located in piazza Mergellina.
Pietro de Marino was an Italian architect born in Naples and active there between 1629 and 1666. His works include the former church of San Potito.
Pietro Ghetti was an Italian sculptor. Born in Carrara of Roman descent sometime in the 17th century, he trained in Bernini's workshop and often collaborated with his brother Bartolomeo as well as working independently. Scholar believe that Bartolomeo usually worked on ornament whilst Pietro usually worked on sculpting the figures.
