Bartolomeo del Tintore was an Italian manuscript illuminator, active in Bologna in the 15th century from at least 1459 (prior to the 1473 arrival of Taddeo Crivelli). [1] He was still active in Bologna in the 1490s. [2]
Bartolomeo del Tintore was an Italian manuscript illuminator, active in Bologna in the 15th century from at least 1459 (prior to the 1473 arrival of Taddeo Crivelli). [1] He was still active in Bologna in the 1490s. [2]
Fra Luca Bartolomeo de Pacioli was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and an early contributor to the field now known as accounting. He is referred to as "The Father of Accounting and Bookkeeping" in Europe and he was the first person to publish a work on the double-entry system of book-keeping on the continent. He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany.
The Sienese School of painting flourished in Siena, Italy, between the 13th and 15th centuries. Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Events from the year 1654 in art.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Bartolomeo or Bartolommeo Vivarini was an Italian Renaissance painter, known to have worked from 1450 to 1499.
Giovanni Antonio Burrini was a Bolognese painter of Late-Baroque or Rococo style. After an apprenticeship with Domenico Maria Canuti, he went to work under Lorenzo Pasinelli with fellow student, Giovanni Gioseffo dal Sole. He became an early friend and often close collaborator with Giuseppe Maria Crespi, with whom he shared a studio. He became a rival and competitor with Sebastiano Ricci. He painted in Turin for the Carignano family and Novellara. In 1709, he was one of the founding members of the Accademia Clementina in Bologna.
Catherine of Bologna [Caterina de' Vigri] was an Italian Poor Clare nun, writer, teacher, mystic, artist, and saint. The patron saint of artists and against temptations, Catherine de' Vigri was venerated for nearly three centuries in her native Bologna before being formally canonized in 1712 by Pope Clement XI. Her feast day is 9 March.
Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.
Bartolomeo Cesi was an Italian painter and draftsman of the Bolognese School. He made easel paintings as well as frescoes. He is known mainly for his religious paintings but he also painted portraits and mythological scenes.
Pietro Paolini, called il Lucchese was an Italian painter of the Baroque period. Working in Rome, Venice and finally his native Lucca, he was a follower of Caravaggio to whose work he responded in a very personal manner. He founded an Academy in his hometown, which formed the next generation of painters of Lucca.
Giuliano di Piero di Simone Bugiardini was an Italian Renaissance painter. He was born and was mainly active in Florence. He was a painter primarily of religious subjects but he also executed a number of portraits and a few works with mythological subjects.
The decade of the 1430s in art involved some significant events.
Martino di Bartolomeo or Martino di Bartolomeo di Biago was an Italian painter and manuscript illuminator active between 1389 and 1434. He was one of his generation's principal painters of the Sienese School. From specific aspects of his early style, he is believed to have trained in the studio of Taddeo di Bartolo. As a young man Martino collaborated with Giovanni di Pietro da Napoli in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and the date 1398. He returned permanently to Siena in 1405; there he painted several prominent fresco cycles in the Duomo and the Palazzo Pubblico. Further official commissions for altarpieces and for polychromy of sculptures attest to his versatility and to his prestige as one of the city’s official artists.
Events from the year 1511 in art.
Bartolomeo di Giovannidi Domenico (1458?-1501) was an Italian Renaissance painter active in Florence. His works were first identified by the art historian Bernard Berenson, who did not know the painter's real name so called him the "Alunno di Domenico". This name was based on Berenson's observation that the painter executed the predella of Ghirlandaio's Adoration of the Magi (1488) in the Ospedale degli Innocenti, the foundling hospital in Florence. Archival research later yielded the painter's real name as Bartolomeo di Giovanni. Bartolomeo also collaborated with Sandro Botticelli.
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include:
Jacopo di Paolo was an Italian painter and miniaturist active in Bologna in the fourteenth and fifteenth centuries.
The Palazzo Poggi is a palazzo in Via Zamboni 33, Bologna, Italy. It is the headquarters of the University of Bologna and of the rector of the university.
Bartolomeo Marescotti was an Italian painter active during the Baroque, mainly in his native Bologna. He was a pupil and close follower of Guido Reni. He died during a plague epidemic.
Simone del Tintore (1630–1708) was an Italian painter, active in his native Lucca. He is mainly known as a still-life painter but he may also have painted religious subjects.
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