Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Livio Agresti (1508–1580), also called Ritius or Ricciutello, was an Italian painter of the late Renaissance or Mannerist period, active both in his native city of Forlì and in Rome, where he died. He was one of the members of the "Forlì painting school".
Giovanni Balducci, called Il Cosci after his maternal uncle, was an Italian mannerist painter.
Jacopo Zucchi was a Florentine painter of the Mannerist style, active in Florence and Rome.
Andrea Vaccaro was an Italian painter of the Baroque period. Vaccaro was in his time one of the most successful painters in Naples, a city then under Spanish rule. Very successful and valued in his lifetime, Vaccaro and his workshop produced many religious works for local patrons as well as for export to Spanish religious orders and noble patrons. He was initially influenced by Caravaggio, in particular in his chiaroscuro and the naturalistic rendering of his figures.
Lazzaro Calvi (1512–1587) was an Italian painter of the late-Renaissance period. He was born in Genoa and trained with his father Agostino Calvi and Perin del Vaga. Older sources claim he lived till the improbable age of 105 years
Giovanni Bernardo Lama (1508–1579) was an Italian painter of the Renaissance period, active mainly in Naples. He was the son of a generally unknown artist, Matteo Lama. He was the apprentice of Giovanni Antonio D’Amato, then Polidoro da Caravaggio who had fled Rome after the Sack of 1527. He worked in the style of his friend and contemporary Andrea di Salerno. A Madonna and child with saints is in the sacristy of San Luca Evangelista in Praiano. A Deposition from the Cross is found in the Royal Basilica of San Giacomo Spagnoli in Naples.
Taddeo Landini was an Italian sculptor and architect of the Mannerist period, active mainly in his native Florence and after 1580, in Rome.
Giovanni Battista Natali, also known as Joan(nes) or Ioannes Baptista Natali, was an Italian painter and draughtsman of the late-Baroque period, active in his natal (?) city of Piacenza,[apparent contradiction] but also Savona, Lucca, and Naples, and finally Genoa in 1736.
Aghinetti, also called Guccio del Sero or Marco di Guccio, was an Italian painter, active in Florence in 1331. He had a nephew, called Maestro Guccio, who died in 1409. He painted in the church of Santa Reparata of Florence in a style that recalls Giotto.
Giuseppe Cades was an Italian sculptor, painter, and engraver.
The Holy Trinity or Pala delle Convertite is an altarpiece by the Italian Renaissance painter Sandro Botticelli, dating to c. 1491–1493. It is housed at Courtauld Institute of Art in London.
Marzio di Colantonio or di Colantonio Ganassini or di Cola Antonio was an Italian painter, as a painter of still-lifes and landscapes, and fresco decorations of grotteschi and battle scenes with small figures. His still-life paintings contain hunted game.
Bernardino Lanzani was an Italian painter of the Renaissance, active mainly in Pavia and Bobbio.
Silvio Cosini was an Italian sculptor and stuccoist, mainly active in Florence. His works were in the style of Michelangelo, though he was trained by Andrea Ferrucci in Florence. Ferrucci obtained for him his first independent commission was in 1522, and included the decoration of the tomb of Raffaello Maffei in San Lino at Volterra. He usually worked in collaboration with other artists, including his brother Cosini.
Antonio de Lanchares (1586/1590-1630/1640) was a Spanish painter, active during the Baroque period, mainly in Madrid and surrounding towns.
Carlo Natali, also known as il Guardolino, was an Italian painter of the Baroque period, active in Cremona and Bologna
Paolo Gerolamo Piola (1666–1724) was an Italian painter of the Baroque period active mainly in Genoa. His father was the prominent Genoese painter Domenico Piola. Paolo Gerolamo was very active painting sacred subjects and frescoes.
Orazio Brunetti was an Italian engraver and painter, active mainly in Rome.
Antonia di Paolo di Dono (1456–1491) was the daughter of Paolo di Dono, nicknamed Uccello, a well-known early Renaissance Florentine painter. Giorgio Vasari's biography of Uccello states that he had "a daughter who knew how to draw." Antonia was recorded in the Libro dei Morti of the painter's guild, Arte dei Medici e Speziali, as a "pittoressa." This was the first time the feminine form of the word "painter" appears in Florentine public records and the first formal recognition of a fifteenth-century woman artist.
