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Lonesome Luke, Messenger is a 1917 American short comedy film starring Harold Lloyd.
Lonesome Luke's Wild Women is a 1917 American short comedy film starring Harold Lloyd. A print of the film exists in a collection.
Pinched is a 1917 American short comedy film starring Harold Lloyd. A print of the film is held by the Museum of Modern Art, and it has been released on DVD. Like many American films of the time, Pinched was subject to cuts by city and state film censorship boards. The Chicago Board of Censors required a cut of scene with a man thumbing his nose.
By the Sad Sea Waves is a 1917 American short comedy film featuring Harold Lloyd.
The Flirt is a 1917 American short comedy film featuring Harold Lloyd. Copies of the film survive in the film archives of the Museum of Modern Art and the British Film Institute.
All Aboard is a 1917 American short comedy film starring Harold Lloyd.
Move On is a 1917 American short comedy film featuring Harold Lloyd. A print survives in the Museum of Modern Art film archive.
Step Lively is a 1917 American short comedy film featuring Harold Lloyd. A print of the film at the UCLA Film and Television Archive. Like many American films of the time, Step Lively was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required two views of a quarter to be cut.
The Big Idea is a 1917 American short comedy film starring Harold Lloyd. The film has been preserved and is available online.
The Lamb is a 1918 American short comedy film starring Harold Lloyd. It is believed to be lost. Like many American films of the time, The Lamb was subject to cuts by city and state film censorship boards. The Chicago Board of Censors required cuts of the first, fourth, and sixth tough dancing scenes and of the men wiggling their backs in comedy duel scenes.
A Gasoline Wedding is a 1918 American short comedy film starring Harold Lloyd.
Look Pleasant, Please is a 1918 American short comedy film featuring Harold Lloyd. A print of the film is held by the Museum of Modern Art.
Here Come the Girls is a 1918 American short comedy film featuring Harold Lloyd about activities in a corset shop. Prints of the film survive in the film archive of the Museum of Modern Art.
On the Jump is a 1918 American short comedy film featuring Harold Lloyd. A print of the film survives in the film archive of the Museum of Modern Art. Like many American films of the time, On the Jump was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors cut the scene of the man thumbing his nose.
Hey There! is a 1918 American short comedy film featuring Harold Lloyd. Like many American films of the time, Hey There! was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required cuts of the man standing on his head to look at a woman's legs and the scene with a fat woman with her kimono lowered from her shoulders.
Two-Gun Gussie is a 1918 American short comedy film featuring Harold Lloyd.
Somewhere in Turkey is a 1918 American short comedy film featuring Harold Lloyd.
Bride and Gloom is a 1918 American short comedy film starring Harold Lloyd. It is presumed to be a lost film. Like many American films of the time, Bride and Gloom was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut of two scenes of Lloyd in berth with woman.
Two Scrambled is a 1918 American short comedy film featuring Harold Lloyd. The film is presumed to be lost. Like many American films of the time, Two Scrambled was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut of the intertitle "The honest tailor will return the wallet, but it is killing him by inches."
Swing Your Partners is a 1918 American short comedy film featuring Harold Lloyd. Copies of the film survive in two collections.
References
- ↑ "Progressive Silent Film List: Bashful". silentera.com. Retrieved May 11, 2008.
- ↑ "Official Cut-Outs by the Chicago Board of Censors". Exhibitors Herald. 6 (4). New York City: Exhibitors Herald Company: 31. January 19, 1918.
